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Erschienen in:
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2017 | OriginalPaper | Buchkapitel

A “Cult-like” Following: Nordic Noir, Nordicana and Arrow Films’ Bridging of Subcultural/Neocultural Capital

verfasst von : Matt Hills

Erschienen in: Cult Media

Verlag: Springer International Publishing

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Abstract

Work on “Nordic Noir” in the UK has focused on channel brands such as BBC Four whilst downplaying Arrow Films’ participation in Nordicana and its distribution of TV shows on DVD/Blu-ray. I will re-open the question of Arrow’s agency as a distributor (Wroot 2015), addressing how Arrow Films has sought to materially channel fan affects via Nordicana and DVD signings. Arrow’s involvement in Nordic Noir as well as B-movie/genre cinema suggests that the label needs to be theorised as multi-discursive in terms of its “cult positioning” (Mathijs and Sexton 2011: 238). Arrow’s championing of Nordic Noir can be read as a mode of “cult-art” TV that combines emergent cultural legitimacy and fan-cultural appreciation through distribution and branding, yet without clear subcultural capital.

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Vorheriges Kapitel Whose Canon is it Anyway?: Subcultural Capital, Cultural Distinction and Value in High Art and Low Culture Film Distribution
Nächstes Kapitel Restoration, Restoration, Restoration: Charting the Changing Appearance of The Good, the Bad and the Ugly on British Home Video
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Metadaten
Titel
A “Cult-like” Following: Nordic Noir, Nordicana and Arrow Films’ Bridging of Subcultural/Neocultural Capital
verfasst von
Matt Hills
Copyright-Jahr
2017
Buch
Cult Media

Print ISBN: 978-3-319-63678-8

Electronic ISBN: 978-3-319-63679-5

Copyright-Jahr: 2017

DOI
https://doi.org/10.1007/978-3-319-63679-5_4