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2016 | OriginalPaper | Buchkapitel

5. Animal Empire: Thrill and Legitimation at William Selig’s Zoo and Jungle Pictures

verfasst von : Sabine Haenni

Erschienen in: The Zoo and Screen Media

Verlag: Palgrave Macmillan US

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Vorheriges Kapitel ZooTube: Streaming Animal Life

Nächstes Kapitel A Tour of Zoo in Budapest

Afra, Kia (2010), ‘“Seventeen Happy Days” in Hollywood: Selig Polyscope’s Promotional Campaign for the Movie Special of July 1915’, Film History: An International Journal Vol. 22 no. 2, pp. 199–218CrossRef

Berger, John (1991), About Looking (1980) (New York: Vintage)

Blaisdell, George (1915), ‘Great Selig Enterprise’, The Moving Picture World, 10 July, p. 227

Bowser, Eileen (1990), The Transformation of Cinema, 1907–1915 (Berkeley: University of California Press)

Brown, Bill (1993), ‘Science Fiction, the World’s Fair, and the Prosthetics of Empire’, in Amy Kaplan and Donald E. Pease (eds.), The Cultures of United States Imperialism (Durham: Duke University Press), pp. 148–149

Burt, Jonathan (2002), Animals in Film (London: Reaktion Books)

deCordova, Richard (1994), ‘The Mickey in Macy’s Window: Childhood, Consumerism, and Disney Animation’, in Eric Smoodin (ed.), Disney Discourse: Producing the Magic Kingdom (New York: Routledge), pp. 203–13

Erish, Andrew A. (2012), Col. Willam N. Selig, the Man Who Invented Hollywood (Austin: University of Texas Press)

Haenni, Sabine (2008), The Immigrant Scene: Ethnic Amusements in New York, 1880–1920 (Minneapolis: University of Minnesota Press)

Hall, G. Stanley (1916), Adolescence: Its Psychology and Its Relations to Physiology, Anthropology, Sociology, Sex, Crime, Religion and Education 2 vols. (New York: D. Appleton)

Haraway, Donna (1989), Primate Visions: Gender, Race, and Nature in the World of Modern Science (New York and London: Routledge)

Haraway, Donna (2003), The Companion Species Manifesto: Dogs, People, and Significant Otherness (Chicago: Prickly Paradigm Press)

Higashi, Sumiko (1994), Cecil B. DeMille and American Culture: The Silent Era (Berkeley: University of California Press)

Kelly, Kitty (1915a), ‘A Trip Through the Selig Jungle Zoo’, Chicago Daily Tribune, 27 March 1915

Kelly, Kitty (1915b), ‘Selig’s Zoo De Luxe Opens Its Gates’, Chicago Daily Tribune, 10 June, p. 15

Lahue, Kalton C. (1973), Motion Picture Pioneer: The Selig Polyscope Company (South Brunswick: Thomas Yoseloff)

Lippit, Akira Mizuta (2000), Electric Animal: Toward a Rhetoric of Wildlife (Minneapolis: University of Minnesota Press)

MacGrath, Harold (n.d.), The Adventures of Kathlyn, Kindle ebook file

Mittman, Gregg (1999), Reel Nature: America’s Romance with Wildlife in Film (Cambridge: Harvard University Press)

Roach, Joseph (1996), Cities of the Dead: Circum-Atlantic Performance (New York: Columbia University Press)

Rothfels, Nigel (2002), Savages and Beasts: The Birth of the Modern Zoo (Baltimore and London: The Johns Hopkins University Press)

Rosenzweig, Roy and Elizabeth Blackmar (1992), The Park and the People: A History of Central Park (Ithaca: Cornell University Press)

Rydell, Robert W. (1984), All the World’s a Fair (Chicago: University of Chicago Press)

Shell, Marc (1986), ‘The Family Pet’, Representations Vol. 15 (Summer), pp. 121–53

Singer, Ben (2001), Melodrama and Modernity: Early Sensational Cinema and Its Contexts (New York: Columbia University Press)

Todd, Frank Morton (1921), The Story of the Exposition: Being the Official History of the International Celebration Held at San Francisco in 1915 to Commemorate the Discovery of the Pacific Ocean and the Construction of the Panama Canal, 5 vols. (New York: G. P. Putnam’s Sons)

Uricchio, William and Roberta E. Pearson (1993), Reframing Culture: The Case of the Vitagraph Quality Films (Princeton: Princeton University Press)CrossRef

Wilinksy, Barbara (2000), ‘Flirting with Kathlyn: Creating the Mass Audience’, in David Desser and Garth S. Jowett (eds.), Hollywood Goes Shopping (Minneapolis: University of Minnesota Press), 34–56

Wolfe, Cary (ed.) (2003), Zoontologies: The Question of the Animal (Minneapolis: University of Minnesota Press)

Witte, Karsten (1993), ‘Was haben Kinder, Amateure und Sterbende gemeinsam? Sie blicken zurück: Traversen zum Tod im Film’, in Ernst Karpf, Doron Kiesel and Karsten Visarius (eds.), Kino und Tod: zur filmischen Inszenierung der Vergänglichkeit, (Marburg: Schüren Presseverlag), pp. 25–51

The Adventures of Kathlyn (F. J. Grandon, US, 1913–14)

Alone in the Jungle (Colin Campbell, US, 1913)

How They Stopped the Run on the Bank (Otis Turner, US, 1911)

Hunting Big Game in Africa (Francis Boggs, US, 1909)

In the Midst of the Jungle (Henry MacRae, US, 1913)

In Tune with the Wild (E. A. Martin, US, 1914)

The Leopard’s Foundling (F. J. Grandon, US, 1914)

Pansy (Fred Huntley, US, 1912)

Terrors of the Jungle (Colin Campbell, US, 1913)

Thor: Lord of the Jungle (Colin Campbell, US, 1913)

Wamba, a Child of the Jungle (Colin Campbell, US, 1913)

A Wise Old Elephant (Colin Campbell, US, 1913)

Titel: Animal Empire: Thrill and Legitimation at William Selig’s Zoo and Jungle Pictures
verfasst von: Sabine Haenni
Verlag: Palgrave Macmillan US
Buch: The Zoo and Screen Media
Print ISBN: 978-1-137-54342-4

Electronic ISBN: 978-1-137-53561-0

Copyright-Jahr: 2016
DOI: https://doi.org/10.1057/978-1-137-53561-0_5