Abstract
In our contemporary moment, we live intimately with our digital technology: mobile phones, computers, sat navs, games consoles, blackberries, kindles, iphones, and ipods. These digital tools appear to have radically reshaped our culture, changing our conceptions of both time and space by directly connecting us to other users around the globe at high speeds. Our relationship to technology extends well beyond just the desire for immediate information: we access social networking sites where we perform our identities in public. In-person conversations often begin, ‘I saw your status’. People now ask, ‘is your relationship facebook official?’ Acronyms for emotions used in texting, such as lol, omg, and wtf, have entered everyday speech.
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Notes
Jean Baudrillard, Simulacra and Simulation, trans. Sheila Faria Glaser (Ann Arbor, MI: University of Michigan Press, 1994) 2.
William Gibson, Neuromancer (London: Gollancz, 1984) 51.
Roland Barthes, Camera Lucida, trans. Richard Howard (London: Vintage, 1993).
Aulius Gellius, Attic Nights, Volume 2, trans. John C. Rolfe (Cambridge, MA: Harvard University Press, 1927) 245 (Book X, Chapter 25). Aulius Gellius cites Favorinus whose work is not extant. However, Diogenes Laertius is also fond of quoting Favorinus in his Lives, Teachings and Sayings of the Eminent Philosophers, in which he also includes a short life of Archytas (see trans. R. D. Hicks, Loeb Classic Library: Harvard University Press: 1938). See also Carl Huffman, Archytas of Tarentum: Pythagorean, Philosopher and Mathematician King (Cambridge: Cambridge University Press, 2005).
Brian Winston, Media, Technology and Society: A History from the Telegraph to the Internet (New York and London, Routledge, 2000) 2.
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© 2011 Kara Reilly
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Reilly, K. (2011). Epilogue. In: Automata and Mimesis on the Stage of Theatre History. Palgrave Macmillan, London. https://doi.org/10.1057/9780230347540_7
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