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Abstract

Much of the discussion in the Chapter 9 explored typical practice in daily reviewing, including examples of what might unashamedly be labelled typical bad practice. This chapter, by contrast, pursues more speculative possibilities of good practice, identifying and describing instances where writing does begin to represent something of the experience of live performance.

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© 2006 Matthew Reason

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Reason, M. (2006). Writing the Live. In: Documentation, Disappearance and the Representation of Live Performance. Palgrave Macmillan, London. https://doi.org/10.1057/9780230598560_10

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