2015 | OriginalPaper | Buchkapitel
Conclusion: The Secret Life of Bees and Authorial Subversion
verfasst von : Shelley Cobb
Erschienen in: Adaptation, Authorship, and Contemporary Women Filmmakers
Verlag: Palgrave Macmillan UK
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I concluded the last two chapters by pointing to the ubiquity of the textual, industrial, and cultural whiteness of authorship. Paula Masood points out that
of the African-American women directors who released feature films in the 1990s – Julie Dash, Gina Prince-Bythewood, Kasi Lemmons, Darnell Martin and Cheryl Dune – only Martin and Lemmons have secured financing and successfully completed second features,
Prison Song
(2001) and
The Caveman’s Valentine
(2002). (Masood, 2012: 249, fn. 27)