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2016 | OriginalPaper | Buchkapitel

8. Conclusion

verfasst von : Kirsten Stevens

Erschienen in: Australian Film Festivals

Verlag: Palgrave Macmillan US

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Abstract

This book is primarily a historical study. It must conclude while film festivals continue to develop within Australia and beyond. This brief final chapter looks to the accomplishments of Australian Film Festivals: Audience, Place and Exhibition Culture while also looking towards those questions that lie beyond the scope of the book. As an ending, it eulogises the conclusion of certain key elements of Australia’s regional festival experience. Yet in doing so it also points to the continuation of the Australian festival experience in new forms and points to the changes now occurring, particularly in relation to the growth of digital technology, which clearly speaks of a new phase in film festival evolution that stands just around the temporal corner.

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Literatur
Zurück zum Zitat ———. 2015b. Personal Communication (Audio Interview). Melbourne. 27 August. ———. 2015b. Personal Communication (Audio Interview). Melbourne. 27 August.
Zurück zum Zitat Carroll-Harris, Lauren. 2015. VOD Distribution Won’t Fell Through. Metro Magazine 183: 126. Carroll-Harris, Lauren. 2015. VOD Distribution Won’t Fell Through. Metro Magazine 183: 126.
Zurück zum Zitat ———. 2012. “The Fully Clickable Submission”: How Withoutabox Captured the Hearts and Minds of Film Festivals Everywhere. In Digital Disruption: Cinema Moves Online, eds. Dina Iordanova and Stuart Cunningham, 153–166. St Andrews: St Andrews Film Studies. ———. 2012. “The Fully Clickable Submission”: How Withoutabox Captured the Hearts and Minds of Film Festivals Everywhere. In Digital Disruption: Cinema Moves Online, eds. Dina Iordanova and Stuart Cunningham, 153–166. St Andrews: St Andrews Film Studies.
Zurück zum Zitat ———. 2012. Digital Disruption: Technological Innovation and Global Film Circulation. In Digital Disruption: Cinema Moves Online, eds. Dina Iordanova and Stuart Cunningham, 1–31. St Andrews: St Andrews Film Studies. ———. 2012. Digital Disruption: Technological Innovation and Global Film Circulation. In Digital Disruption: Cinema Moves Online, eds. Dina Iordanova and Stuart Cunningham, 1–31. St Andrews: St Andrews Film Studies.
Zurück zum Zitat MIFF. 2012c. Computer Software. Apple App Store. Vers. 3.1.8.2. eFirst Group. 9 August. MIFF. 2012c. Computer Software. Apple App Store. Vers. 3.1.8.2. eFirst Group. 9 August.
Zurück zum Zitat Swift, Brendan. 2012. MIFF Receives $150K Funding to Upgrade Venues to Digital Projection. Inside Film Online. 20 July. Swift, Brendan. 2012. MIFF Receives $150K Funding to Upgrade Venues to Digital Projection. Inside Film Online. 20 July.
Metadaten
Titel
Conclusion
verfasst von
Kirsten Stevens
Copyright-Jahr
2016
DOI
https://doi.org/10.1057/978-1-137-58130-3_8