This concluding chapter presents a critical review of the results obtained throughout the book, especially with a twofold aim. First, it attempts to link them to the policy discourse, proposing some innovative policy recommendations based on the empirical and conceptual implications of the book. Second, it devotes a large space to the emerging trends that are affecting the creative economy in general and especially CCIs, such the emergence of the Metaverse and the big changes required during the COVID-19 pandemics. All these trends are expected to change CCIs’ behaviours and their implications, also at the local level. As it is not yet possible to foresee the future, it is important to reflect on the challenges and opportunities that the future will present.
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For an overview of the latest pieces of legislation, cf. UNCTAD (2022), UNESCO (2022), Creative New Zealand (2022), PEC (2021), and European Council (2018).
According to its website, ‘On Patreon, you can let your fans become active participants in the work they love by offering them a monthly membership. You give them access to exclusive content, community, and insight into your creative process. In exchange, you get the freedom to do your best work, and the stability you need to build an independent creative career’. In other words, the platform is a sort of market of contents where the demand of consumers easily matches the supply. The price is substantially lower, due to the reduction of massive structural costs like pre- and-postproduction activities, distribution, and marketing. Patreon website is available at: https://www.patreon.com/. Date accessed: 11/09/2021.