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Über dieses Buch

This volume brings together writing on the topic of home media, and in particular releases described as appealing to ‘cult’ fans and audiences. Despite popular assumptions to the contrary, the distributors of physical media maintain a vivid presence in the digital age. Perhaps more so than any other category of film or media, this is especially the case with titles considered ‘cult’ and its related processes of distribution and exhibition. The chapters in this collection chart such uses and definitions of ‘cult’, ranging from home media re-releases to promotional events, film screenings, file-sharing and the exploitation of established fan communities. This book will be of interest to the ever-growing number of academics and research students that are specializing in studies of cult cinema and fan practices, as well as professionals (filmmakers, journalists, promoters) who are familiar with these types of films.

Inhaltsverzeichnis

Frontmatter

2017 | OriginalPaper | Buchkapitel

Introduction

Jonathan Wroot, Andy Willis

The Cult Business: Creating Consumption

Frontmatter

2017 | OriginalPaper | Buchkapitel

Battle Royale as a One-Film Franchise: Charting a Commercial Phenomenon Through Cult DVD and Blu-ray Releases

Jonathan Wroot

2017 | OriginalPaper | Buchkapitel

Whose Canon is it Anyway?: Subcultural Capital, Cultural Distinction and Value in High Art and Low Culture Film Distribution

Mark McKenna

2017 | OriginalPaper | Buchkapitel

A “Cult-like” Following: Nordic Noir, Nordicana and Arrow Films’ Bridging of Subcultural/Neocultural Capital

Matt Hills

2017 | OriginalPaper | Buchkapitel

Restoration, Restoration, Restoration: Charting the Changing Appearance of The Good, the Bad and the Ugly on British Home Video

Lee Broughton

2017 | OriginalPaper | Buchkapitel

It’s Only Teenage Wasteland: The Home Media Revival of Freaks and Geeks

Katie Barnett

Cult Practices: The Consumption and Reception of Cult Media

Frontmatter

2017 | OriginalPaper | Buchkapitel

Cult Fandom and Experiential Cinema

E. W. Nikdel

2017 | OriginalPaper | Buchkapitel

Pirates and Proprietary Rights: Perceptions of ‘Ownership’ and Media Objects Within Filesharing Communities

Virginia Crisp

2017 | OriginalPaper | Buchkapitel

On Vidding: The Home Media Archive and Vernacular Historiography

E. Charlotte Stevens

2017 | OriginalPaper | Buchkapitel

The Dragon Lives Again: Distributing ‘Bruceploitation’ via Home Entertainment

Oliver Carter, Simon Barber

2017 | OriginalPaper | Buchkapitel

Bollywood DVD: The Relationship Between Distributive Technology and Content in Transnational Cinema

Rayna Denison

2017 | OriginalPaper | Buchkapitel

The Sustained Popularity of In the Mood for Love: Cultural Consumption in Britain’s Reception Context

Fraser Elliott

Backmatter

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