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2018 | OriginalPaper | Buchkapitel

Cultural Entrepreneurship in the Context of Spillovers Within the Cultural and Creative Industries

The Case of Design Practice for Social Change

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Abstract

This paper reveals the practice of cultural entrepreneurship in the context of innovation transfers through the realization of cultural and creative spillovers. It argues that in order to contribute to systematic and structural changes in other sectors, a new context is needed. The creation of a context, Klamer (Journal of Economic Methodology, 10(2), 191–212, 2003) suggests, involves a “deliberate valorization”—a process of development, enhancement and strengthening of certain values where the interdependencies among various stakeholders is of crucial importance. Taking this argument further, the paper analyzes the case study of Costruire Bellezza, which exemplifies knowledge spillovers from the design sector to the social service sector. It discusses the strategies cultural entrepreneurs undertake in order to generate and enhance economic, cultural and social value in a new context and, as such, generate social changes elsewhere. It also addresses the challenges that cultural entrepreneurs face while operating in a rapidly changing context.

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Fußnoten
1
The TFCC report was commissioned by the European research alliance, which was initiated by the ecce and Arts Council England during the Forum d’Avignon Ruhr in Essen in June 2014. Later, the research alliance engaged partners from at least half of the EU28, including universities, individual researchers and funding foundations. The partnership focuses on the research and advocacy of spillover effects from public investment in culture (for more information, see https://​ccspillovers.​wikispaces.​com/​Funding+Partners​).
 
2
Creative class is a concept, introduced by Florida (2000).
 
3
The results are based on robust statistical analysis of survey data in eight North European countries—Denmark, Finland, Germany, Netherlands, Norway, Sweden, Switzerland and UK.
 
4
In anthropological terms, one can argue that cultural practices are closely related to practices of certain values and norms, which also entail social aspects. The author prefers to keep the differences between cultural and social practices, as the former is also associated with the cultural and creative sectors, in this case with design.
 
5
More about the differences between both see Anheier and Seibel (1990).
 
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Metadaten
Titel
Cultural Entrepreneurship in the Context of Spillovers Within the Cultural and Creative Industries
verfasst von
Lyudmila Petrova
Copyright-Jahr
2018
DOI
https://doi.org/10.1007/978-3-319-65506-2_11