Skip to main content

2019 | OriginalPaper | Buchkapitel

Design and Communication

Aktivieren Sie unsere intelligente Suche, um passende Fachinhalte oder Patente zu finden.

search-config
loading …

Abstract

Visual Communication: We read almost as often as we breathe and reading is the main communication vehicle. We read to study, work, obtain information, for pleasure, and on all media: from paper to screens… and even road signs.
Reading, like any other human activity, involves the use of energy and if we can’t decipher the written word in a fluid and immediate way, reading becomes a struggle and leads to asthenopia. The eye muscles, used first in the process to transform the image into information that can be perceived by the human brain, are strained causing typical clinical symptoms: red, sore or watery eyes, double vision. The font is the transmission belt between the text and the reader and when it is easy to read all our energy can be spent in understanding the content.
Design for All: The EasyReading font project was originally conceived to make reading easier for people with dyslexia - which affects an estimated 10% of the world’s population, i.e., about 750 million people. During its development, inspired by the ideas of the maestro Bruno Munari, the concept was transformed as a broader Design for All approach was adopted. The difficulties encountered by dyslexic readers were thus seen as an opportunity to design a font that could make reading easier for everyone. Hence it became an inclusive project.
Recognitions: At international level, EasyReading is the only font to have been described by an autonomous and independent scientific study, conducted by Christina Bachmann (Clinical Psychologist and Psychotherapist), as “A valid compensatory tool for readers with dyslexia and a facilitating font for all categories of readers”.
It has received a positive opinion from the Italian Dyslexia Association (AID) for its specific graphic characteristics that are useful in facilitating reading by those with dyslexia problems.
For its innovative design, it has been granted financial incentives by the Italian Ministry of Economic Development, through the Italian Value Foundation, Permanent Exhibition of Made in Italy and Italian Design.
Work in Progress: In 2018, the new “EasyReading Pro” version will be released which, in addition to the Latin alphabet, will include the Cyrillic, Greek (ancient-modern) and Coptic alphabets.

Sie haben noch keine Lizenz? Dann Informieren Sie sich jetzt über unsere Produkte:

Springer Professional "Wirtschaft+Technik"

Online-Abonnement

Mit Springer Professional "Wirtschaft+Technik" erhalten Sie Zugriff auf:

  • über 102.000 Bücher
  • über 537 Zeitschriften

aus folgenden Fachgebieten:

  • Automobil + Motoren
  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Elektrotechnik + Elektronik
  • Energie + Nachhaltigkeit
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Maschinenbau + Werkstoffe
  • Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Springer Professional "Technik"

Online-Abonnement

Mit Springer Professional "Technik" erhalten Sie Zugriff auf:

  • über 67.000 Bücher
  • über 390 Zeitschriften

aus folgenden Fachgebieten:

  • Automobil + Motoren
  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Elektrotechnik + Elektronik
  • Energie + Nachhaltigkeit
  • Maschinenbau + Werkstoffe




 

Jetzt Wissensvorsprung sichern!

Springer Professional "Wirtschaft"

Online-Abonnement

Mit Springer Professional "Wirtschaft" erhalten Sie Zugriff auf:

  • über 67.000 Bücher
  • über 340 Zeitschriften

aus folgenden Fachgebieten:

  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Versicherung + Risiko




Jetzt Wissensvorsprung sichern!

Literatur
1.
Zurück zum Zitat Wiholm C (2006) Advanced knowledge work and stress-related symptoms. Acta Universitatis Uppsaliensis, Uppsala Wiholm C (2006) Advanced knowledge work and stress-related symptoms. Acta Universitatis Uppsaliensis, Uppsala
2.
3.
4.
Zurück zum Zitat Munari B (1968) Design e comunicazione visiva. Laterza, Bari, p 72 Munari B (1968) Design e comunicazione visiva. Laterza, Bari, p 72
6.
Zurück zum Zitat Online version of the Treccani Encyclopaedia, 26 April 2018: Bruno Munari, Italian designer, sculptor and writer (Milan 1907–Milan 1998). Considered one of the greatest protagonists of art, design and graphics of the 20th century […] Online version of the Treccani Encyclopaedia, 26 April 2018: Bruno Munari, Italian designer, sculptor and writer (Milan 1907–Milan 1998). Considered one of the greatest protagonists of art, design and graphics of the 20th century […]
7.
Zurück zum Zitat Stella G, (Lecturer in Clinical Psychology at the University of Modena and Reggio Emilia) (2017) La dislessia. Il Mulino, Bologna Stella G, (Lecturer in Clinical Psychology at the University of Modena and Reggio Emilia) (2017) La dislessia. Il Mulino, Bologna
8.
Zurück zum Zitat Stein J (2018) What is developmental dyslexia? US NCBI NLM NIH Stein J (2018) What is developmental dyslexia? US NCBI NLM NIH
10.
Zurück zum Zitat Munari B (1981) Da cosa nasce cosa, Laterza, Bari, p 61 Munari B (1981) Da cosa nasce cosa, Laterza, Bari, p 61
11.
Zurück zum Zitat Munari B (1968) Design e comunicazione visiva. Laterza, Bari, p 13 Munari B (1968) Design e comunicazione visiva. Laterza, Bari, p 13
12.
Zurück zum Zitat Pelli et al (2007) define the visual span through the construct of the crowding effect. Therefore, the visual span is the maximum number of letters that can be read on one fixation without any crowding effect. The visual span is the number of letters, arranged side by side as in text, that can be recognised accurately without moving the eyes. This span is inversely proportional to eccentricity (distance from the centre) Pelli et al (2007) define the visual span through the construct of the crowding effect. Therefore, the visual span is the maximum number of letters that can be read on one fixation without any crowding effect. The visual span is the number of letters, arranged side by side as in text, that can be recognised accurately without moving the eyes. This span is inversely proportional to eccentricity (distance from the centre)
13.
Zurück zum Zitat Translated from english by the author: Original title: Può un font essere uno strumento compensativo per i lettori con Dislessia? The research was published in the scientific journal: Dislessia. Giornale italiano di ricerca clinica e applicativa (No. 3/2013). Centro Studi Erickson, Trento Translated from english by the author: Original title: Può un font essere uno strumento compensativo per i lettori con Dislessia? The research was published in the scientific journal: Dislessia. Giornale italiano di ricerca clinica e applicativa (No. 3/2013). Centro Studi Erickson, Trento
Metadaten
Titel
Design and Communication
verfasst von
Federico Alfonsetti
Uberto Cardellini
Copyright-Jahr
2019
DOI
https://doi.org/10.1007/978-3-319-96071-5_157