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With the breakthrough of the confinements of materials by Screen Technology, it has ushered in another kind of expression mode, which is detached from the sense of distance featured by technology and is fused with the realistic world. The appearance of the screen media which surpasses the definition of papers but has costs lower than paper would once again subvert the human visual experience and life habits. As a kind of new means of visual language, since the 1960s, interface design has brought the world brand new design concepts and design norms. The human beings’ entry into the intelligent era has been much more rapid than expected, and this has brought design tremendous impacts and challenges, but has also brought the designers boundless possibilities. Under the influence of visual language for interface designs, designers wonder how to conduct designs and in reverse it would aid such an era to a certain place. The Author proposes that in the visual language for interface designs there exists a developmental trend from “fear to be unseen” to “fear to be seen”; meanwhile it is also proposed that the visual language for interface designs features profound effects and behavior planning on the conventional graphic design. This Paper holds that there would be no development of interface design without the screen, and the development map of the interface designs would put forward new requirements on the development process of the screen. It can be said that the screen has shaped the temperament of the modern technological society featuring constant fusion and merging. The appearance of the screen established a boundary, but this boundary possesses boundless integration and merging ability, and this is not only manifested in the externalized substance, but is more manifested in people’s hearts. The boundary between substances is disappearing.
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- Disappearing Boundary
Wai Ping Chan