Reference Hub2
Composing by Listening: A Computer-Assisted System for Creating Emotional Music

Composing by Listening: A Computer-Assisted System for Creating Emotional Music

Lena Quinto, William Forde Thompson
Copyright: © 2012 |Volume: 3 |Issue: 2 |Pages: 20
ISSN: 1947-9093|EISSN: 1947-9107|EISBN13: 9781466614383|DOI: 10.4018/jse.2012070103
Cite Article Cite Article

MLA

Quinto, Lena, and William Forde Thompson. "Composing by Listening: A Computer-Assisted System for Creating Emotional Music." IJSE vol.3, no.2 2012: pp.48-67. http://doi.org/10.4018/jse.2012070103

APA

Quinto, L. & Thompson, W. F. (2012). Composing by Listening: A Computer-Assisted System for Creating Emotional Music. International Journal of Synthetic Emotions (IJSE), 3(2), 48-67. http://doi.org/10.4018/jse.2012070103

Chicago

Quinto, Lena, and William Forde Thompson. "Composing by Listening: A Computer-Assisted System for Creating Emotional Music," International Journal of Synthetic Emotions (IJSE) 3, no.2: 48-67. http://doi.org/10.4018/jse.2012070103

Export Reference

Mendeley
Favorite Full-Issue Download

Abstract

Most people communicate emotion through their voice, facial expressions, and gestures. However, it is assumed that only “experts” can communicate emotions in music. The authors have developed a computer-based system that enables musically untrained users to select relevant acoustic attributes to compose emotional melodies. Nonmusicians (Experiment 1) and musicians (Experiment 3) were progressively presented with pairs of melodies that each differed in an acoustic attribute (e.g., intensity - loud vs. soft). For each pair, participants chose the melody that most strongly conveyed a target emotion (anger, fear, happiness, sadness or tenderness). Once all decisions were made, a final melody containing all choices was generated. The system allowed both untrained and trained participants to compose a range of emotional melodies. New listeners successfully decoded the emotional melodies of nonmusicians (Experiment 2) and musicians (Experiment 4). Results indicate that human-computer interaction can facilitate the composition of emotional music by musically untrained and trained individuals.

Request Access

You do not own this content. Please login to recommend this title to your institution's librarian or purchase it from the IGI Global bookstore.