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Film Distribution and the Role of Gatekeepers Read chapter Read first chapter

2019 | OriginalPaper | Chapter

11. Conclusion

Author : Roderik Smits

Published in: Gatekeeping in the Evolving Business of Independent Film Distribution

Publisher: Springer International Publishing

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Abstract

I draw together the threads of various chapters to demonstrate how gatekeepers collectively exert power and control over the process of regulating access for films. I also reflect on the evolving nature of the business of film distribution, particularly in relation to notions of disruption and dis-intermediation processes, and I argue for further research about the implications of online forms of access, power and control through VOD platforms.

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previous chapter Film Distribution and the Role of Gatekeepers
next chapter The Historical Development of Film Sales Markets
Literature
Bielby, D. and Harrington, L. (2008). Global TV: Exporting Television and Culture in the World Market. New York: New York University Press.
Crisp, V. (2015). Pirates and Professionals: Film Distribution in the Digital Age. London: Palgrave Macmillan.CrossRef
Crisp, V. (2017). Access and Power: Film Distribution, Re-Intermediation and Piracy. In: P. Cooke, S. Dennison and A. Marlow-Mann (Eds.), The Routledge Companion to Remapping World Cinema. London: Routledge, pp. 445–455.CrossRef
Cunningham, S. and Silver, J. (2013). Screen Distribution and the New King Kongs of the Online World. Basingstoke: Palgrave Macmillan.CrossRef
Curtin, M., Holt, J. and Sanson, K. (Eds.). (2014). Distribution Revolution: Conversations about the Digital Future of Film and Television. Oakland: University of California Press.
Gitlin, T. (1983). Inside Prime Time. New York: Pantheon Books.
Havens, T. (2006). Global Television Marketplace. London: British Film Institute.
Iordanova, D. and Cunningham, S. (Eds.). (2012). Digital Disruption: Cinema Moves On-line. St. Andrews: St. Andrews Film Studies.
Lobato, R. and Thomas, J. (2015). The Informal Media Economy. Cambridge: Polity.
Nikdel, E. (2017). Online Distribution and the Relocation of Specialised Film. University of Southampton, Faculty of Humanities, Unpublished PhD thesis.
Perren, A. (2013). Rethinking Distribution for the Future of Media Industry Studies. Cinema Journal, 52(3), 165–171.CrossRef
Roussel, V. (2017). Representing Talent: Hollywood Agents and the Making of Movies. Chicago: University of Chicago Press.CrossRef
Tryon, C. (2013). On-Demand Culture: Digital Delivery and the Future of Movies. New Brunswick: Rutgers University Press.
Metadata
Title
Conclusion
Author
Roderik Smits
Copyright Year
2019
Publisher
Springer International Publishing
Book
Gatekeeping in the Evolving Business of Independent Film Distribution

Print ISBN: 978-3-030-16895-7

Electronic ISBN: 978-3-030-16896-4

Copyright Year: 2019

DOI
https://doi.org/10.1007/978-3-030-16896-4_11