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Published in:
The Creative Revolution That Is Changing the World Read chapter Read first chapter

2015 | OriginalPaper | Chapter

6. Interaction Aesthetics and Ubiquitous Music

Authors : Damián Keller, Nuno Otero, Victor Lazzarini, Marcelo Soares Pimenta, Maria Helena de Lima, Marcelo Johann, Leandro Costalonga

Published in: Creativity in the Digital Age

Publisher: Springer London

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Abstract

Two recent approaches to interaction design have good potential to address creative practice in everyday settings: interaction aesthetics and ubiquitous music. We discuss the theoretical and methodological issues raised by both perspectives and highlight the similarities and differences among the two approaches. Through the analysis of a series of experiments, a common theme emerges: relational properties may provide a useful target for creativity-oriented experimental work.

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previous chapter The Creative Manipulation of Time Through Digital Personal Narratives
next chapter An Enactive Model of Creativity for Computational Collaboration and Co-creation
Footnotes
1
Pele Ehn (1988: 9) stated: “The research approach I advocated was action research together with trade unions, and here I was strongly influenced by Paulo Freire and his ‘pedagogy of the oppressed’ as well as by Kristen Nygaard and the work he was doing together with the Norwegian Metal Workers’ Union.”
 
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Metadata
Title
Interaction Aesthetics and Ubiquitous Music
Authors
Damián Keller
Nuno Otero
Victor Lazzarini
Marcelo Soares Pimenta
Maria Helena de Lima
Marcelo Johann
Leandro Costalonga
Copyright Year
2015
Publisher
Springer London
Book
Creativity in the Digital Age

Print ISBN: 978-1-4471-6680-1

Electronic ISBN: 978-1-4471-6681-8

Copyright Year: 2015

DOI
https://doi.org/10.1007/978-1-4471-6681-8_6