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2017 | OriginalPaper | Chapter

1. Introduction

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Abstract

This introduction situates the recent boom of Latin American road movies in its cinematographic context and provides a definition of the genre which takes into account the specificities of Latin American cinema. The new concept of the counter-road movie is proposed, and the genre’s ambivalent relationships with modernity are commented upon from a Latin American perspective.

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Metadata
Title
Introduction
Author
Nadia Lie
Copyright Year
2017
DOI
https://doi.org/10.1007/978-3-319-45138-1_1