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2018 | OriginalPaper | Chapter

1. Introduction

Authors : Erica Resende, Dovilė Budrytė, Didem Buhari-Gulmez

Published in: Crisis and Change in Post-Cold War Global Politics

Publisher: Springer International Publishing

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Abstract

Drawing on Dirk Nabers’s 2015 book on crisis and change, this edited volume is built on the key assumption that any social inquiry into global politics should transcend the canonical emphasis on intergovernmental relations with the privileged agency conferred to the role of states. Following a not so recent trend in social theory, we conceptualize the social realm as a discursive space of infinite, endless articulations in which power attempts to transform social relations in an open process to constitute society. We turn our lenses to Ukraine (which has been elsewhere described as a classic crisis) in order to engage with some of the assumptions prescribed above: What is the relationship between crisis and change? Is there an ontology of crisis? How are crises culturally and socially constructed? How do issues of agency and structure come into play in Ukraine? Which subjectivities were brought into existence by the Ukraine crisis discourse? How does identity come to play with the making of this crisis? This introductory chapter explains the rationale behind the book and summarizes the arguments behind the chapters that make this edited volume.

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Footnotes
1
For a review of this literature, see Stern (1999, 2003) and Boin (2004).
 
2
For a review, see Kouzmin and Jarman (2004). For Nabers (2015: 19), the International Crisis Behavior Project (ICBP) promoted by the USA in 1975 epitomizes this trend of Cold War thinking in foreign policy.
 
3
This approach survived the end of Cold War. See Hebron and James (1997), Brown (2004), Widmaier (2007), He (2013), and the International Studies Review Forum organized by Dayton (2004).
 
4
Stuart Croft (2006) developed a model of crisis as a social phenomenon. He understands crises as “engines” for discursive change that have to connect with traditional narratives to become hegemonic and perceived as legitimate. Looking into the 2008 subprime crisis in the USA, Brassett and Clarke (2012) demonstrated how traumatic imagery transmitted by the media, academia, and policy-makers has produced particular subjectivities.
 
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Metadata
Title
Introduction
Authors
Erica Resende
Dovilė Budrytė
Didem Buhari-Gulmez
Copyright Year
2018
DOI
https://doi.org/10.1007/978-3-319-78589-9_1