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2020 | OriginalPaper | Chapter

3. Linking and Copyright: Easier at Last? First National Applications of the CJEU GS Media Judgment

Author : Eleonora Rosati

Published in: EU Internet Law in the Digital Era

Publisher: Springer International Publishing

Abstract

The Court of Justice of the European Union (CJEU) has been asked to clarify the appropriate construction of the right of communication to the public under Article 3(1) of Directive 2001/29 (InfoSoc Directive) in multiple occasions. When the opportunity first arose—in Svensson and Others, C-466/12—to tackle the relationship between linking to protected content and Article 3(1) of the InfoSoc Directive, the resulting judgment proved unsatisfactory. In particular, what remained uncertain was the treatment of linking to unlicenced content. In GS Media, C-160/15, the Court finally addressed this scenario. Although this judgment was arguably more articulated than the one in Svensson and Others, C-566/12, it was not less ambiguous. The first national decisions issued in the aftermath of the ruling in GS Media, C-160/15, are a demonstration of all this: national applications show diverging approaches to the interpretation of relevant CJEU case law or resistance tout court.

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Footnotes
1
Directive 2001/29/EC of the European Parliament and of the Council of 22 May 2001 on the harmonisation of certain aspects of copyright and related rights in the information society, OJ L 167 (InfoSoc Directive).
 
2
They are (in chronological order, as of August 2018): CJEU, SGAE v Rafael Hoteles SA, Case C 306/05, Judgment of 7 December 2006; CJEU, Organismos Sillogikis Diacheirisis Dimiourgon Theatrikon kai Optikoakoustikon Ergon v Divani Anonimi Xenodocheiaki kai Touristiki Etaireia, Case C 136/09, Judgment of 18 March 2010; CJEU, Circul Globus Bucureşti v Uniunea Compozitorilor şi Muzicologilor din România—Asociaţia pentru Drepturi de Autor (UCMR—ADA), Case C 283/10, Judgment of 24 November 2011; CJEU, Football Association Premier League Ltd and Others v QC Leisure and Others (C 403/08) and Karen Murphy v Media Protection Services Ltd (C 429/08), Joined cases C 403/08 and C 429/08, Judgment of 4 October 2011; CJEU, Airfield NV, Canal Digitaal BV v Belgische Vereniging van Auteurs, Componisten en Uitgevers CVBA (Sabam) (C-431/09) and Airfield NV v Agicoa Belgium BVBA (C-432/09),, Case C 431/09 and C 432/09, Judgment of 13 October 2011; CJEU, SCF v Marco Del Corso, Case C 135/10, Judgment of 15 March 2012; CJEU, Phonographic Performance v Ireland, Attorney General, Case C 162/10, Judgment of 15 March 2012; CJEU, ITV Broadcasting v TV Catchup Ltd, Case C 607/11, Judgment of 7 March 2013; CJEU, Svensson and Others v Retriever Sverige AB, Case C 466/12, Judgment of 13 February 2014; CJEU, OSA v Léčebné lázně Mariánské Lázně a.s., Case C 351/12, Judgment of 27 February 2014; CJEU, BestWater v Michael Mebes and Stefan Potsch, C 348/13, Judgment of 21 October 2014; CJEU, C More Entertainment AB v Linus Sandberg, Case C 279/13, Judgment of 26 March 2015; CJEU, Sociedade Portuguesa de Autores CRL v Ministério Público and Others, Case C 151/15, Judgment of 14 July 2015; CJEU, SBS Belgium v Belgische Vereniging van Auteurs, Componisten en Uitgevers (SABAM), Case C 325/14, Judgment of 19 November 2015; CJEU, Reha Training Gesellschaft für Sport- und Unfallrehabilitation mbH v Gesellschaft für musikalische Aufführungs- und mechanische Vervielfältigungsrechte eV (GEMA), Case C 117/15, Judgment of 31 May 2016; CJEU, GS Media v Sanoma Media Netherlands BV and Others, Case C 160/15, Judgment of 8 September 2016; CJEU, AKM v Zürs.net Betriebs GmbH, Case C 138/16, Judgment of 16 March 2017; CJEU, Stichting Brein v Jack Frederik Wullems, Case C 527/15, Judgment of 26 April 2017; CJEU, Stichting Brein v Ziggo BV and XS4All Internet BV, Case C 610/15, Judgment of 14 June 2017; CJEU, VCAST Limited v RTI SpA, Case C 265/16, Judgment of 29 November 2017; and CJEU, Land Nordrhein-Westfalen v Dirk Renckhoff, Case C 161/17, Judgment of 7 August 2018.
 
3
According to some commentators, rather than a unified concept of communication to the public, in its case law the CJEU has created specific sui generis groups of communication to the public cases: see Clark and Tozzi (2016), p. 717.
 
4
World Intellectual Property Organization (2003); Berne Convention for the Protection of Literary and Artistic Works (Paris Act of 24 July 1971 as amended on 28 September 1979) (Bern Convention) 11bis.
 
5
Article 1.4 of the WIPO Copyright Treaty mandates compliance with Articles 1 to 21 of and the Appendix to the Berne Convention.
 
6
On the concept of making available within Article 8 of the WIPO Copyright Treaty, see Walter and von Lewinski (2010), pp. 975–980.
 
7
SCF, par. 79; Phonographic Performance (Ireland), par. 30; Reha Training, par. 35; GS Media, par. 34; Stichting Brein, C-527/15, par. 30; Stichting Brein, C-610/15, par. 25.
 
8
This part builds upon Rosati (2017a), pp. 1233–1238 and Rosati (2017b), p. 737 ff.
 
9
Karapapa (2017), p. 66.
 
10
SGAE, par. 38; SCF, par. 84; Phonographic Performance (Ireland), par. 33; ITV Broadcasting, par. 32; Svensson and Others, par. 21; OSA, par. 27; Sociedade Portuguesa de Autores CRL, par. 19; SBS Belgium, par. 21; GS Media, par. 36; Stichting Brein, C-527/15, par. 45; AKM, par. 24; Stichting Brein, C-610/15, par. 27 and 42.
 
11
Opinion of Advocate General Antonio Mario La Pergola in EGEDA, C-293/98, EU:C:1999:403, par. 20. See further Hugenholtz and Van Velze (2016), pp. 802–803.
 
12
SGAE, par. 40, 42; Organismos Sillogikis Diacheirisis Dimiourgon Theatrikon kai Optikoakoustikon Ergon, par. 39; Football Association Premier League and Others, par. 197, Airfield and Canal Digitaal, par. 72; Svensson and Others, par. 24; OSA, par. 31; Reha Training, par. 45; GS Media, par. 37; Stichting Brein, C 527/15, par. 47; Stichting Brein, C 610/15, par. 28; Renckhoff, par. 24. But cf AKM, par. 26-27, suggesting that consideration of whether the communication at hand is addressed to a ‘new public’ is required also when the specific technical means used is different. On whether terms and conditions of use of a certain website might be relevant to determine whether the public targeted by the defendant’s link is ‘new’, see (arguing in the negative) McBride (2017), pp. 275–277.
 
13
This appeared to be the case in: Circul Globus Bucureşti, par. 40; Football Association Premier League and Others, par. 190, 193, and 207; OSA, par. 25; SBS Belgium, par. 16; and Reha Training, par. 38.
 
14
SGAE, par. 43; Svensson and Others, par. 19; GS Media, par. 27; Stichting Brein, C 527/15, par. 36, AKM, par. 20; Stichting Brein, C 610/15, par. 19; Renckhoff, par. 20. On the accessibility criterion, see (critically) Koo (2018), pp. 545–546.
 
15
SGAE, par. 42; Football Association Premier League and Others, par. 194, 195; Airfield and Canal Digitaal, par. 79; SCF, par. 82; Phonographic Performance (Ireland), par. 31; Reha Training, par. 46; GS Media, par. 35; Stichting Brein, C 527/15, par. 31; Stichting Brein, C 610/15, par. 26.
 
16
Stichting Brein, C 527/15, par. 41; Stichting Brein, C 610/15, par. 26.
 
17
Opinion of Advocate General Melchior Wathelet in GS Media, C 160/15, Opinion of 7 April 2016, par. 57–60.
 
18
SGAE, par. 45–47.
 
19
GS Media, par. 34, referring to: SCF, par. 79; Phonographic Performance (Ireland), par. 30; and Reha Training, par. 35.
 
20
Reha Training, par. 49, referring to: ITV Broadcasting and Others, par. 43; and Football Association Premier League and Others, par. 204. Commenting favourably on the consideration of the profit-making character of the communication at issue, see Mysoor (2013), p. 182.
 
21
GS Media, par. 51.
 
22
On this, see (critically) Synodinou (2017), p. 735.
 
23
Stichting Brein, C 527/15, par. 49, 51.
 
24
Rosati (2017a), pp. 1237–1238. In a similar sense, see also Clark and Dickinson (2017), pp. 269–270. Submitting instead that the profit-making intention of the ‘hyperlinker’ is to be appreciated with regard to the particular act of hyperlinking, see Rendas (2017), pp. 14.
 
25
SGAE, par. 44; Football Association Premier League and Others, par. 205–206; Reha Training, par. 63–64.
 
26
Stichting Brein, C 527/15, par. 51.
 
27
Svensson and Others, par. 16, referring to ITV Broadcasting, par. 21, 31.
 
28
In its opinion before the CJEU judgment, the European Copyright Society held the view that linking could not qualify as an act of communication to the public, also on consideration that a transmission of a work—as opposed to its mere accessibility—would be required under Article 3(1) of the InfoSoc Directive: see European Copyright Society (2013). See, contra, Association Littéraire et Artistique Internationale (2013).
 
29
Svensson and Others, par. 21, referring to SGAE, par. 37-38, and ITV Broadcasting, -607/11, par. 32.
 
30
Svensson and Others, par. 24, recalling (by analogy): SGAE, par. 40, 42; Organismos Sillogikis Diacheirisis Dimiourgon Theatrikon kai Optikoakoustikon Ergon, par. 38; and ITV Broadcasting, par. 39.
 
31
Svensson and Others, par. 25–28.
 
32
See Arezzo (2014), p. 543, and Ginsburg (2014).
 
33
CJEU, Soulier and Doke, Case C 301/15, Judgment of 16 November 2016, par. 36.
 
34
Association Littéraire et Artistique Internationale (2014), p. 2. See also Rosén (2016), pp. 341–347, holding that the CJEU approach in Svensson and Others, C 466/12 would be incompatible with international law and EU directives.
 
35
Also, outlining the interpretative doubts left by the decisions in Svensson and Others, C 466/12 and BestWater, C 348/13, see Leistner (2015b), p. 636.
 
36
In their analysis, Ginsburg and Budiardjo (2018), pp. 169–170, submit that post-Svensson case law might have reduced the centrality of the ‘new public’ criterion.
 
37
AG Wathelet noted that whether this was the case was not entirely clear: Opinion of Advocate General Melchior Wathelet in GS Media, C 160/15, Opinion of 7 April 2016, par. 71.
 
38
Ibid, par. 10.
 
39
GS Media, par. 17–18.
 
40
But cf. Leistner (2017), pp. 138–139, holding that not all links should be treated the same, in that the provider of a framed link should be under more than a merely minimal duty to check the lawfulness of the posted material.
 
41
GS Media, par. 28.
 
42
Charter of Fundamental Rights of the European Union, OJ C 326, 26.10.202, pp. 391–407.
 
43
Ibid, par. 30–32, referring to Svensson and Others, par. 16; SBS Belgium, par. 15; and Reha Training, par. 37.
 
44
GS Media, par. 33–35, also referring (par. 34) to: SCF, par. 79; Phonographic Performance (Ireland), par. 30; and Reha Training, par. 35.
 
45
As noted by Leistner (2015a), p. 634, the definition of the same technical means has been rather generous in CJEU case law: for instance, on the internet all potential and different forms of communication appear to constitute the same technical means.
 
46
GS Media, par. 36–39.
 
47
Ibid, par. 43.
 
48
GS Media, par. 46–50.
 
49
Ibid, par. 53.
 
50
Ibid, par. 51.
 
51
Ibid, par. 54.
 
52
This table was first published in Rosati (2016).
 
53
Court of Appeal of Athens, decision No 1909/2017 (18th section), on which see Chiou (2017).
 
54
Attunda Tingsrätt, Jonsson v Les Éditions de l’Avenir SA, FT 11052-15, 13.10.2016, on which see Malovic and Haddad (2017), pp. 89–90.
 
55
LG Hamburg, 310 O 402/16, on which see Brüß (2016) and Abrar (2016).
 
56
District Court for Prague 4, 33 T 54/2016, on which see Vivoda (2017), pp. 363–364.
 
57
Bundesgerichtshof, I ZR 11/16 - Preview III.
 
58
LG Hamburg, 308 O 151/17.
 
59
Opinion of Advocate General Maciej Szpunar in Stichting Brein, C 610/15, Opinion of 8 February 2017.
 
60
LG Hamburg, 310 O 117/17.
 
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Metadata
Title
Linking and Copyright: Easier at Last? First National Applications of the CJEU GS Media Judgment
Author
Eleonora Rosati
Copyright Year
2020
Publisher
Springer International Publishing
DOI
https://doi.org/10.1007/978-3-030-25579-4_3