3. The Aesthetics of Forging and Reproduction

The chapter delves into the intricate world of adaptations, readaptations, and remediations, using the Netflix series 'Ripley' as a case study. It explores the series' unique aesthetic choices, such as its black and white cinematography and ascetic sound design, and how these choices differentiate it from previous adaptations of Patricia Highsmith's novel 'The Talented Mr. Ripley'. The text also examines the series' use of pastiche and intertextuality, drawing on a wide range of intertexts, including Highsmith's novel, René Clément's 'Plein Soleil', Anthony Minghella's 'The Talented Mr. Ripley', and films like 'The Third Man' and 'La Dolce Vita'. The chapter argues that 'Ripley' acknowledges its antecedents mainly by defiance, deliberately making something as unlike them as possible. It also discusses the moral implications of the series' aesthetic choices and its refusal to terminate the story with Ripley's capture, allowing for a more nuanced exploration of the character's amorality. The text concludes by highlighting the affordances of SVOD platforms for adaptation, and how 'Ripley' exploits these affordances to create a unique and engaging viewing experience.