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Published in:
Beyond Gay Men and After the Closet: Camp’s New Politics and Pleasures Read chapter Read first chapter

2017 | OriginalPaper | Chapter

3. The Great Dyke Rewrite: Lesbian Camp on the Big Screen

Author : Katrin Horn

Published in: Women, Camp, and Popular Culture

Publisher: Springer International Publishing

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Abstract

Chapter 3 reads But I’m a Cheerleader (1999, Dir. Jamie Babbit) and D.E.B.S. (2004, Dir. Angela Robinson) as critical amalgams of New Queer Cinema’s historiographic project and the hyper-visibility of desexualized femme identity established in lesbian chic. Horn shows how both films offer camp assessments of lesbian representation and queer the heteronormative romantic comedy via forms of narrative and stylistic excess, to open new avenues of emotional attachment. Close analyses of soundtrack, mise en scène, and uses of cinematic stereotypes position the films within the history of lesbian representability in Hollywood cinema and minor lesbian cinema’s “unpleasure.” As a result, Horn’s readings establish both films as crucial examples of popular culture’s ongoing “Great Dyke Rewrite,” which B. Ruby Rich attested to New Queer Cinema’s lesbian contributions.

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previous chapter The History and Theory of Camp
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Metadata
Title
The Great Dyke Rewrite: Lesbian Camp on the Big Screen
Author
Katrin Horn
Copyright Year
2017
Book
Women, Camp, and Popular Culture

Print ISBN: 978-3-319-64845-3

Electronic ISBN: 978-3-319-64846-0

Copyright Year: 2017

DOI
https://doi.org/10.1007/978-3-319-64846-0_3