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2019 | OriginalPaper | Buchkapitel

11. Exhibiting the “Making of” Gone with the Wind

verfasst von : Jan Cronin

Erschienen in: The Making of… Adaptation and the Cultural Imaginary

Verlag: Springer International Publishing

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Abstract

This chapter looks at what happens when Gone with the Wind and its making are variously consigned to and enshrined in “Making of” museums. It explores the spectrums of adaptation, ambivalence, perpetuation and contestation, and sponsorship and exposure of individual and collective imaginings presented by the three most prolific “Making of” Gone with the Wind museums in the American South. Cronin looks at the various cultural ends to which individual and collective imaginings (along with history, place, and the film and its making) are adapted in these “Making of” sites.

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Vorheriges Kapitel Time Machines?: Dramatizing the “Making of” Gone with the Wind

Nächstes Kapitel Conclusion: The “Making of” “Middle-earth Aotearoa”

Atlanta History Center. 2018a. Panel text. “Making of a Film Legend: Gone with the Wind” exhibition. Margaret Mitchell House Museum, Atlanta. Visited 12 August 2018.

Atlanta History Center. 2018b. Wall text. Margaret Mitchell House Museum, Atlanta. Visited 12 August 2018.

Barker, Deborah, and Kathryn McKee. 2011. American Cinema and the Southern Imaginary. Athens: University of Georgia Press.

Cutchins, Dennis. 2017. “Bakhtin, Intertextuality, and Adaptation.” In The Oxford Handbook of Adaptation Studies, edited by Thomas Leitch, 71–86. Oxford: Oxford University Press.

Dickey, Jennifer W. 2014. A Tough Little Patch of History: “Gone with the Wind” and the Politics of Memory. Fayetteville: University of Arkansas Press.CrossRef

Doyle, Roddy. 2010. The Dead Republic. London: Penguin.

Eco, Umberto. 1979. The Role of the Reader. Bloomington: Indiana University Press.

Goodman, Nelson. 1978. Ways of Worldmaking. Indianapolis: Hackett.

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Landsberg, Alison. 2004. Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York: Columbia University Press.

Lee, Spike. 2018. BlacKkKlansman. Focus Features.

Lenk, Sabine. 2006. “Collections on Display: Exhibiting Artifacts in a Film Museum, with Pride.” Film History 18 (3): 320–21.CrossRef

Lumenick, Lou. 2015. “Gone with the Wind Should Go the Way of the Confederate Flag.” New York Post, June 24. Accessed June 21, 2019. http://www.nypost.com/2015/06/24/gone-with-the-wind-should-go-the-way-of-the-confederate-flag/.

Marietta Gone with the Wind Museum. 2018a. Exhibition text. Brumby Hall, Marietta. Visited 13 August 2018.

Marietta Gone with the Wind Museum. 2018b. “Marietta Gone with the Wind Museum at Historic Brumby Hall” flyer. Marietta Gone with the Wind Museum.

Marietta Gone with the Wind Museum. 2018c. “Home.” Marietta “Gone with the Wind” Museum. Accessed July 8, 2018. www.gwtwmarietta.com.

Miekle, Kyle. 2017. “Adaptation and Interactivity.” In The Oxford Handbook of Adaptation Studies, edited by Thomas Leitch, 542–56. Oxford: Oxford University Press.

Morena, Jill Kristine. 2013. “Costume and ‘the Copy’: Defining Authenticity in the Analogue Original, the Reproduction, and the Digital Garment Within the Museum and Archive.” MA thesis, University of Texas at Austin.

O’Briant, Dan. 1995. “The Mitchell Connection.” Atlanta Journal, March 29, B.

Road to Tara Museum. 2015. Exhibition text. The Road to Tara Museum, Jonesboro. Visited 3 April 2015.

Wolf, Mark J. P. 2012. Building Imaginary Worlds: The Theory and History of Subcreation. New York: Routledge.

Titel: Exhibiting the “Making of” Gone with the Wind
verfasst von: Jan Cronin
Verlag: Springer International Publishing
Buch: The Making of… Adaptation and the Cultural Imaginary
Print ISBN: 978-3-030-28348-3

Electronic ISBN: 978-3-030-28349-0

Copyright-Jahr: 2019
DOI: https://doi.org/10.1007/978-3-030-28349-0_11