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2024 | Buch

Exiled Intellectuals: Encounters, Conflicts, and Experiences in Transnational Context

Volume 2: Politicians and Artists

herausgegeben von: Latife Akyüz, Hakan Altun, Eylem Çamuroğlu Çığ, Melehat Kutun

Verlag: Springer Nature Switzerland

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Right after the Gezi Resistance, a new tendency of authoritarianism rapidly emerged in Turkey and AKP government started targeting anyone it perceives as a threat to its rule, especially academics, journalists, politicians, actors, directors, i.e. the intellectuals who produce oppositional art and critical knowledge, criminalizing them as enemies of the state. The authoritarian regime has permeated every aspect of economic, social, cultural, and political life, institutionalized primarily through the ongoing state of emergency declared in the wake of the July 15, 2016 coup attempt (one might also consider this as a controlled and manipulated toxoid coup). This new climate has started to limit the opportunities of production and reproduction for the intellectuals and artists, and even holding a dissident stance became a source of risk on its own. The Republic of Turkey limited, oppressed and punished the means of expression by giving one of the harshest (and maybe the most violent) reactions of its history against critical thought and opposition. The culture of democracy, which was almost already non-existent, has been completely abolished through the suspension of democracy on the ostensible level. This ongoing period is one, in which producers of critical knowledge and opposing artists are being faced with immense oppression and penal sanctions. One of the outcomes of this process is a kind of new-nomadism that we can sketch out as “leaving behind”. And one of the forms of this leaving is (voluntary or involuntary) exile.

The majority of those whom we call “new-exile intellectuals” today have relocated generally to Western Europe, Great Britain, the United States, and especially to Germany. This new wave of political forced migration, which started in the aftermath of the Gezi uprisings and gained momentum following the coup attempt, has been defined by the editors of the book as “new-exile”', in order to draw a framework, as it has some unique characteristics different from the previous waves. The fundamental property of this experience is the simultaneous mobilization of intellectual capital and (bi-polar) opposition. This oppositional stance is both against the dominant global order and against German-style authoritarianism as well as Turkish-style fascism. It is bi-polar in the context of exile. The form of the opposition in question has the ability to take root in the lands it arrives at. It does not point towards a single direction (forward or backward) and a single place (the place it was ruptured); it is here/now and multidirectional. This state of new-exile bears the efforts of existing critical knowledge and art producers in the “heim” to which they have relocated, as critical knowledge and art producers are opposed to the dominant world system as well as to fascism in Turkey. As political subjects of the resistance against authoritarianism, they are continuously and collectively fighting against the structural fate of displacement.

As both subjects and researchers of this current state of new-exile, it is our primary responsibility to understand and produce knowledge of these intellectuals’ responses in this new life, to monitor the creation processes of the new mechanisms to cope with the challenges, and to understand/investigate the effects of all these on the transnational social space. We have tried to determine the content of this book based on our own experiences as new-exiled intellectuals. We believe that in this period of new-exile we are subjects and witnesses of a historic period due to our individual struggle for existence as well as our modes of organization and solidarity as a group of new-exiled intellectuals. On one hand, we know that while transforming ourselves, we pave the way for mutual interaction and the transformation of the structures in which we relate.

This is precisely why the motivation behind the idea of compiling this book, lies not only in academic concerns such as analyzing the process and contributing to the literature on new-exile, but also in keeping a record of our own stories, creating memories of our new-exilic lives, strategies of existence/solidarity and experiences of activism, and in sharing them with intellectuals around the globe who face the same fate. We believe that this book with academic analyses and personal stories of new-exile intellectuals from different professions will also serve as a guide for the steps towards transnational collaborations.

Inhaltsverzeichnis

Frontmatter

New Political Exiles: As Part of a Continuum

Frontmatter
A Jew, a Kurd and an Anarchist Walk into a Bar: An Autoethnographic Exploration of Being Exiled from Turkey
Abstract
The chapter uses an autoethnographic method to analyse the displacement experiences of its authors, who come from different ethnic backgrounds, mother tongues, geographies and histories in Turkey. The fact that the paths of the authors, as living representations of Turkey’s ethnic, linguistic and cultural diversity, crossed in exile in Germany is also the history of the silencing of ethnic, religious and political minorities. The authors uncover the interconnectedness of those individual stories that are inherent in the larger historical narrative of the country. Thus, they offer us an analysis of the experiences of exile in Germany, through three intertwined autoethnographies of Jewish, Kurdish and anarchist academic exiles.
Aydın Bayad, Elif Sandal-Önal, Yudit Namer
Tangible Limits of Liminal Democratization: The EU, Turkey’s Kurdish Question and Blacklisting
Abstract
This chapter argues that the primary obstacle to Turkey’s democratization has been the securitization of the Kurdish question as a historico-social problem, while the EU’s ambivalence between a liminal democratization agenda and its interest-driven transactional relations with Turkey has mainly contributed to its further securitization. Consequently, the right to resist domination has been criminalized not only in Turkey but also in Europe. I substantiate this argument by examining three periods. First, I analyze the security cooperation between Turkey and Europe, which conditioned the proscription of the Kurdistan Workers’ Party (PKK). Second, I focus on the liminal democratization period in Turkey up to around 2013, where the proscription of the PKK resulted in the criminalization of the Kurdish resistance for fundamental rights. Third, I explore the total abandonment of democratization discourse by both Turkey and the EU, and the European indifference to the peace process, in the face of tangible (geo)political limits.
Jan Yasin Sunca
Exile or Forced Migration: The Latest Wave of Political Migration from Turkey to Germany (2015–2022)
Abstract
It focuses on the dynamics of new political migration from Turkey to Germany after 2015 through in-depth interviews with deputies, mayors and political activists who were forced to emigrate to Germany due to the repression of the political regime in Turkey. The reason for the author’s conscious choice to start this new wave of political emigration with 2015 is that it is a turning point in the end of the peace process of the Kurdish question and the pressure on Kurdish politics. The author focuses both on the political activities of this new-wave political migration from Turkey before the migration and on the survival strategies of their interlocutors in Germany and whether they were able to continue their political activities.
Mustafa Şener
Reproducing the Life Below Zero Point: New-Wave Displaced Women Politicians and Activists in Germany
Abstract
It starts from the assumption that the destruction and vulnerabilities caused by displacement, as well as the practices of challenging and subjectivising them, differ according to gender. She argues that the gendered construction of the modern capitalist society in relation to patriarchal relations reflect on women as multiple exile on the one hand, and on the other hand, with the multiple perspectives it provides, it gives impetus to women’s activism in the process of political subjectivisation. She analyses in-depth interviews with new-wave displaced women politicians and activists in the context of the reproducing the everyday, professional and political life. Contributes to the literature on forced migration and migrant feminism by focusing on the transnational dimensions of the new wave of displaced women politicians and activists from Turkey.
Melehat Kutun
An Autoethnographic Account of Being-at-Home: At the Intersection of Queerness, Belonging, and Migration
Abstract
It focuses on the similarities-differences and challenges-opportunities between living as a “white” queer man in Turkey and living as a queer “person of colour” who had to migrate to Germany. After presenting the conditions and dichotomies of defining oneself as “in exile” through an autobiographical narrative, it presents the reality of not belonging, precarious conditions and the omnipresent reality of being “the other”. It asks: How do we define being in exile regarding the different conditions different people experience? How do I relate my experiences to this exile situation? How do we explain the feeling of rootlessness and not feeling at home because of one’s political position, sexual orientation, gender, social class, or ethnicity, even when one is in their native country?
Egemen Kepekçi
Exiles and Politics at the Ground Zero of Life
Abstract
In her auto-biographical contribution İmret focuses on both the continuity of political exile across generations and the pressures on Kurdish politicians and thus on recent Kurdish politics. Imret tells how her life, which began in the small Kurdish town of Cizre, turned into a dramatic story of exile when her father was killed for political reasons when she was only 5 years old. In Imret`s own biographical account of the reality of exile, we witness exiles both inside and outside Turkey.
Leyla İmret
Immigration and Women’s Solidarity: Puduhepa Association—State of Immigration
Abstract
Puduhepa is a Berlin-based solidarity organisation founded by women in the new-wave immigration in 2017. The association was founded to deal with the material and emotional difficulties faced by women in the reproduction of everyday, professional and political life in the process of relocation. The difficulties and worries experienced in the process of resettlement are a common problem for newcomers, and that women have come together in Puduhepa around a common goal in response to the increasing need for solidarity. It emphasises that women’s support for each other, from the language barrier, lack of access to accurate information, bureaucracy, difficulties in the social functioning of the new country to emotional support and collective action, is embodied in Puduhepa.
Belma Bağdat

Staging Resistance: Re-rooting Rhizomes in the Scene of Exile

Frontmatter
Music, Empowerment, and Hope in Exilic Communities
Abstract
Around ninety years ago, Traugott Fuchs—a philologist, painter, poet, teacher, and musician—sought refuge in Istanbul, fleeing Nazi Germany. There, he found solace in his art, friendships, and writings. In the late 2010s, I, also a scholar and musician, left Turkey and embarked on a similar journey, striving to rebuild my life in Europe. Like Fuchs, I have drawn strength from the music I create and the solidarity of those I have met along the way. This is far from an isolated story. Through an exploration of the complex relationship between migration, exile, and music, and reflecting on my own experiences, this chapter aims to reveal the profound role music plays in the lives of those forced to leave their homelands and navigate the challenges of displacement. The goal is to deepen our understanding of how music fosters resilience, preserves cultural identity, and helps build communities. By doing so, it connects the personal with the political, the individual with the collective, and highlights music's power as a force for positive change in the lives of migrants and exiles.
Nurçin İleri
Searching for Biographical Trajectory in/as Exile and Healing the Heart
Abstract
Inspired by artist Cristina Nunez, Gencel Bek is crafting her autobiography through photographs She’s taken of herself -not selfies- and her childhood album. Her focus is on continuity amidst ruptures in time and space, reconnecting with her past while contemplating roots and routes. She challenges stereotypes of exile, questioning if those who remain in their homeland are the sole strugglers. Her narrative isn’t a comprehensive 50-year autobiography but highlights significant ruptures, notably exile, as pivotal in her life. This personal journey confronts these ruptures head-on. After being dismissed for signing a peace petition, she responded by compiling her academic work into a book, asserting her existence despite challenges in Germany. Beyond academia, she navigates identities as a daughter, mother, and more, grounded in a working-class background.
Mine Gencel Bek
Tough
Abstract
In Altuniğne’s cartoon-story of exile, Bobo ensures that the cat brother passes through a troublesome checkpoint without a problem by being cute. The pawed friends were also significantly affected by the exile, as they were separated from their families, endured difficult journeys, and had to live in unfamiliar surroundings. Some of them even traveled with fake documents. Some of them, like Bobo, passed away in exile. Altuniğne’s narrative Tough is valuable for considering the exile of those pawed friends. It also provides a unique vantage point from which to evaluate exile, accompanied by a particular alienation effect.
Serkan Altuniğne
Embodying Migrated Space and Documentary Filmmaking: Arriving in Germany
Abstract
Özgür Çiçek’s, in this article, explores how Kurdish migration is portrayed in documentary films, focusing on gendered and embodied relationships to space. Drawing from her own migration experience and research on Kurdish cinema, Çiçek examines both state-funded documentaries, such as Gülseven Güven’s Nomads of the Earth (1979), and independent works like Yüksel Yavuz’s My Father, the Guest Worker (1997). These films critically examine the political and social impacts of migration, while also reflecting on the experiences of those who remain in the home country.
Using Doreen Massey’s relational approach to space, the article highlights how gender shapes the experience of migration, as seen in Serpil Turhan’s Köy (2021), which portrays the lives of Kurdish women living in Berlin. Çiçek argues that these documentaries offer new perspectives on how both migrants and those who remain in the home country navigate physical and emotional spaces, influencing their feeling of arrival and sense of connection. The article contributes to broader discussions on migration, gender, and spatial dynamics in film.
Özgür Çiçek
Anatomy of a Self-Performance and Dîwana Xwebûnê
Abstract
This self-confrontational text explores autobiographical fragments on colonialism, self-colonialism, assimilation, self-assimilation, exile, immigration, and diaspora experiences through the lens of language. It aims to understand language as a ritual conjugation of sound, its mediation in the mind, its link to identity, and the trauma of its loss. Divided into two parts, the study first examines "First Diaspora," focusing on Kurdish experiences in Kars and Istanbul under Turkish state policies of assimilation and colonialism. It discusses the permanent exile of stateless Kurds, identity challenges, and Kurdish resistance. The second part, "Second Diaspora," reflects on four years in Germany, exploring colonialism’s effects and contemporary manifestations. The article’s theoretical framework draws on post-colonial and decolonial perspectives.
Mirza Metin
Where Are You Originally From?
Abstract
Kurt’s journey unfolds as a series of poignant reflections on migration, music, and personal identity. From initial feelings of displacement in Berlin, where language barriers and cultural differences underscore their outsider status, to the struggles with racism and employment challenges, each episode weaves a narrative of adaptation and resilience. Music emerges as a steadfast companion, bridging past and present through melodies that carry emotional histories. Amidst legal battles and personal turmoil, the he finds solace in creative pursuits, capturing moments of both joy and tribulation. Ultimately, this introspective journey questions the necessity of forced migration and celebrates the enduring spirit that transcends physical borders. Through music and memories, the narrative embraces the complex interplay between belonging and estrangement, echoing the refrain: “I am not abroad; rather, abroad is within me.”
Yaşar Kurt
New Crossroads in the Alternative Scene of the Others in Germany: Trans-Aesthetics and Transgressive Dramaturgies
Abstract
This paper explores dissident artists fleeing authoritarian regimes, particularly Turkish “new-exile” artists finding refuge in Germany, it examines their impact on German theater. These artists, advocating against neoliberalism, bring forth a new political theatrical language termed “pandora aesthetics,” integrating trans-aesthetics and transgressive dramaturgies. This study uses critical theories like post-human and de-colonial approaches to uncover the emerging aesthetic’s characteristics and elements. It suggests that new-exile theater-makers could potentially disrupt cultural norms, transcending borders and identities, contingent on resistance from neoliberal markets and established cultural institutions.
Hakan Altun
A Short Introduction to the Second Volume
Abstract
The second volume of our book is devoted to the last two categories of the new-exile, which we have analysed in four categories: Politicians and Artists. The history of political exiles in Germany, in the current political diaspora, or the diversity of new-exile—with its class, gender, race and belief components—points both to the periodic crises of democracy and the transformation of politics in Turkey and to the diversity and dynamism in the nature of new-exile. Political exiles constitute a specificity in itself when compared to the academics, journalists and writers we categorise as new exile: Continuity in exile. On the other hand, there is also a novelty and a mediocrity in the scope of exile or displacement. The novelty stems from the Turkish state government’s marginalisation and criminalisation of one part of society as other—‘enemy’, ‘marauder’, ‘terrorist’ or ‘slut’—in order to sustain the material and social reproduction of another part of the society. The source of mediocrity is that anyone who opposes the current government has the potential to be the target of this marginalisation and criminalisation. As such, the subjects of the new-exile are as diverse and ordinary as possible. Whereas the old-wave political exiles were largely driven by political activism associated with the Kurdish movement and Leftist movements, the new political exiles include—in addition to these—defenders of democracy, fundamental rights and freedoms and human rights. From this point of view, everyone who participated in the Gezi movement, the peaceful resolution of the Kurdish question, the women’s movement and the struggle for the rights of labourers is an interlocutor of this mediocrity. These are the people who came together in the Gezi uprising and shared the struggles for ecology, gender, LGBTI+, Kurds, Armenians and labourers’ rights.
Latife Akyüz, Eylem Çamuroglu Çığ, Melehat Kutun, Hakan Altun
Backmatter
Metadaten
Titel
Exiled Intellectuals: Encounters, Conflicts, and Experiences in Transnational Context
herausgegeben von
Latife Akyüz
Hakan Altun
Eylem Çamuroğlu Çığ
Melehat Kutun
Copyright-Jahr
2024
Electronic ISBN
978-3-031-69614-5
Print ISBN
978-3-031-69613-8
DOI
https://doi.org/10.1007/978-3-031-69614-5

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