Skip to main content
Erschienen in:
Buchtitelbild

2016 | OriginalPaper | Buchkapitel

1. Gender, Metal and the Media: An Introduction

verfasst von : Rosemary Lucy Hill

Erschienen in: Gender, Metal and the Media

Verlag: Palgrave Macmillan UK

Aktivieren Sie unsere intelligente Suche, um passende Fachinhalte oder Patente zu finden.

search-config
loading …

Abstract

Hill offers a much needed discussion of the lack of consideration given to gender in academic discussions of hard rock and metal music and the media. Drawing on her own experience as a musician and fan, the author argues that orthodoxies—e.g., the genre is inclusive, the music asexual and sexism non-existent—are only able to persist within the literature because scholars have neglected to understand how musical experiences are gendered. Within the context of feminist popular music scholarship, work on fandom and feminist methodological work, Hill outlines the need to study hard rock, metal and the media with close attention to the influence of gender.

Sie haben noch keine Lizenz? Dann Informieren Sie sich jetzt über unsere Produkte:

Springer Professional "Wirtschaft+Technik"

Online-Abonnement

Mit Springer Professional "Wirtschaft+Technik" erhalten Sie Zugriff auf:

  • über 102.000 Bücher
  • über 537 Zeitschriften

aus folgenden Fachgebieten:

  • Automobil + Motoren
  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Elektrotechnik + Elektronik
  • Energie + Nachhaltigkeit
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Maschinenbau + Werkstoffe
  • Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Springer Professional "Wirtschaft"

Online-Abonnement

Mit Springer Professional "Wirtschaft" erhalten Sie Zugriff auf:

  • über 67.000 Bücher
  • über 340 Zeitschriften

aus folgenden Fachgebieten:

  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Versicherung + Risiko




Jetzt Wissensvorsprung sichern!

Literatur
Zurück zum Zitat Adorno, Theodor W. 2002. Essays on Music: Theodor W. Adorno; Selected, with Introduction, Commentary, and Notes by Richard Leppert; New Translations by Susan H. Gillespie. London: University of California Press. Adorno, Theodor W. 2002. Essays on Music: Theodor W. Adorno; Selected, with Introduction, Commentary, and Notes by Richard Leppert; New Translations by Susan H. Gillespie. London: University of California Press.
Zurück zum Zitat Anderson, Benedict. 1991. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Rev. and extended ed. London: Verso. Anderson, Benedict. 1991. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Rev. and extended ed. London: Verso.
Zurück zum Zitat Bacon-Smith, Camille. 1992. Enterprising Women: Television Fandom and the Creation of Popular Myth. Philadelphia: University of Pennsylvania Press. Bacon-Smith, Camille. 1992. Enterprising Women: Television Fandom and the Creation of Popular Myth. Philadelphia: University of Pennsylvania Press.
Zurück zum Zitat Barthes, Roland. 1977. Image, Music, Text. Translated by Stephen Heath. London: HarperCollins. Barthes, Roland. 1977. Image, Music, Text. Translated by Stephen Heath. London: HarperCollins.
Zurück zum Zitat ———. (1957) 2009. Mythologies. Translated by Annette Lavers. London: Vintage. ———. (1957) 2009. Mythologies. Translated by Annette Lavers. London: Vintage.
Zurück zum Zitat Baym, Nancy K. 1999. Tune in, Log on: Soaps, Fandom, and On-line Community. Thousand Oaks, CA: Sage Publications. Baym, Nancy K. 1999. Tune in, Log on: Soaps, Fandom, and On-line Community. Thousand Oaks, CA: Sage Publications.
Zurück zum Zitat Bennett, Andy. 1999. Subcultures or Neo-Tribes? Rethinking the Relationship Between Youth, Style and Musical Taste. Sociology 33(3): 599–617. Bennett, Andy. 1999. Subcultures or Neo-Tribes? Rethinking the Relationship Between Youth, Style and Musical Taste. Sociology 33(3): 599–617.
Zurück zum Zitat Bignell, Jonathan. 2002. Media Semiotics: An Introduction. 2nd ed. Manchester: Manchester University Press. Bignell, Jonathan. 2002. Media Semiotics: An Introduction. 2nd ed. Manchester: Manchester University Press.
Zurück zum Zitat Bourdieu, Pierre. 2010. Distinction: A Social Critique of the Judgement of Taste. London: Routledge. Bourdieu, Pierre. 2010. Distinction: A Social Critique of the Judgement of Taste. London: Routledge.
Zurück zum Zitat Brill, Dunja. 2008. Goth Culture: Gender, Sexuality and Style. Oxford: Berg.CrossRef Brill, Dunja. 2008. Goth Culture: Gender, Sexuality and Style. Oxford: Berg.CrossRef
Zurück zum Zitat Brown, Andy R. 2007. Everything Louder Than Everything Else. Journalism Studies 8(4): 642–655.CrossRef Brown, Andy R. 2007. Everything Louder Than Everything Else. Journalism Studies 8(4): 642–655.CrossRef
Zurück zum Zitat Brown, Andy R 2009. ‘Girls Like Metal, Too!’: Female Reader’s Engagement with the Masculinist Ethos of the Tabloid Metal Magazine. Heavy Metal and Gender International Congress, Cologne University of Music and Dance, 10 October. Brown, Andy R 2009. ‘Girls Like Metal, Too!’: Female Reader’s Engagement with the Masculinist Ethos of the Tabloid Metal Magazine. Heavy Metal and Gender International Congress, Cologne University of Music and Dance, 10 October.
Zurück zum Zitat Butler, Judith. 1993. Bodies that Matter: On the Discursive Limits of Sex. Farnham: Routledge. Butler, Judith. 1993. Bodies that Matter: On the Discursive Limits of Sex. Farnham: Routledge.
Zurück zum Zitat Cavicchi, Daniel. 1998. Tramps Like Us: Music & Meaning Among Springsteen Fans. New York: Oxford University Press. Cavicchi, Daniel. 1998. Tramps Like Us: Music & Meaning Among Springsteen Fans. New York: Oxford University Press.
Zurück zum Zitat Clifford-Napoleone, Amber. 2015b. Queerness in Heavy Metal Music: Metal Bent. Abingdon: Routledge. Clifford-Napoleone, Amber. 2015b. Queerness in Heavy Metal Music: Metal Bent. Abingdon: Routledge.
Zurück zum Zitat Coates, Norma. 1997. (R)evolution Now? Rock and the Political Potential of Gender. In Sexing the Groove: Popular Music and Gender, ed. Sheila Whiteley, 50–64. Abingdon: Routledge. Coates, Norma. 1997. (R)evolution Now? Rock and the Political Potential of Gender. In Sexing the Groove: Popular Music and Gender, ed. Sheila Whiteley, 50–64. Abingdon: Routledge.
Zurück zum Zitat Dawes, Laina. 2012. What Are You Doing Here? A Black Woman’s Life and Liberation in Heavy Metal. Brooklyn: Bazillion Points. Dawes, Laina. 2012. What Are You Doing Here? A Black Woman’s Life and Liberation in Heavy Metal. Brooklyn: Bazillion Points.
Zurück zum Zitat Delphy, Christine. 1993. Rethinking Sex and Gender. Women’s Studies International Forum 16(1): 1–9.CrossRef Delphy, Christine. 1993. Rethinking Sex and Gender. Women’s Studies International Forum 16(1): 1–9.CrossRef
Zurück zum Zitat Duffett, Mark. 2013. Understanding Fandom: An Introduction to the Study of Media Fan Culture. New York and London: Bloomsbury. Duffett, Mark. 2013. Understanding Fandom: An Introduction to the Study of Media Fan Culture. New York and London: Bloomsbury.
Zurück zum Zitat ———. 2014. Popular Music Fandom: Identities, Roles and Practices. London: Routledge. ———. 2014. Popular Music Fandom: Identities, Roles and Practices. London: Routledge.
Zurück zum Zitat Fast, Susan. 1999. Rethinking Issues of Gender and Sexuality in Led Zeppelin: A Woman’s View of Pleasure and Power in Hard Rock. American Music 17(3): 245–299.CrossRef Fast, Susan. 1999. Rethinking Issues of Gender and Sexuality in Led Zeppelin: A Woman’s View of Pleasure and Power in Hard Rock. American Music 17(3): 245–299.CrossRef
Zurück zum Zitat Fiske, John. 1989. Reading the Popular. London: Routledge. Fiske, John. 1989. Reading the Popular. London: Routledge.
Zurück zum Zitat Frith, Simon. 1996. Music and Identity. In Questions of Cultural Identity, eds. Stuart Hall, and Paul Du Gay, 108–127. London: Sage. Frith, Simon. 1996. Music and Identity. In Questions of Cultural Identity, eds. Stuart Hall, and Paul Du Gay, 108–127. London: Sage.
Zurück zum Zitat Frith, Simon, and Angela McRobbie. (1978) 1990. Rock and Sexuality. In On Record: Rock, Pop, and the Written Word, eds. Simon Frith and Andrew Goodwin, 371–389. London: Routledge. Frith, Simon, and Angela McRobbie. (1978) 1990. Rock and Sexuality. In On Record: Rock, Pop, and the Written Word, eds. Simon Frith and Andrew Goodwin, 371–389. London: Routledge.
Zurück zum Zitat Gill, Rosalind. 2007. Gender and the Media. Cambridge: Polity. Gill, Rosalind. 2007. Gender and the Media. Cambridge: Polity.
Zurück zum Zitat ———. 2011. Sexism Reloaded, or, It’s Time to Get Angry Again! Feminist Media Studies 11(1): 61–71.CrossRef ———. 2011. Sexism Reloaded, or, It’s Time to Get Angry Again! Feminist Media Studies 11(1): 61–71.CrossRef
Zurück zum Zitat Green, Lucy. 1997. Music, Gender, Education. Cambridge: Cambridge University Press.CrossRef Green, Lucy. 1997. Music, Gender, Education. Cambridge: Cambridge University Press.CrossRef
Zurück zum Zitat Griffin, Naomi. 2012. Gendered Performance Performing Gender in the DIY Punk and Hardcore Music Scene. Journal of International Women’s Studies 13(2): 66–81. Griffin, Naomi. 2012. Gendered Performance Performing Gender in the DIY Punk and Hardcore Music Scene. Journal of International Women’s Studies 13(2): 66–81.
Zurück zum Zitat Hagen, Ross. 2014. ‘Kvlt-er Than Thou’: Power, Suspicion and Nostalgia Within Black Metal Fandom. In The Ashgate Research Companion to Fan Cultures, eds. Linda Duits, Koos Zwaan, and Stijn Reijinders, 223–236. Farnham: Ashgate. Hagen, Ross. 2014. ‘Kvlt-er Than Thou’: Power, Suspicion and Nostalgia Within Black Metal Fandom. In The Ashgate Research Companion to Fan Cultures, eds. Linda Duits, Koos Zwaan, and Stijn Reijinders, 223–236. Farnham: Ashgate.
Zurück zum Zitat Hall, Stuart. 1973. Encoding and Decoding in the Television Discourse Birmingham Centre for Contemporary Cultural Studies. Birmingham: The University of Birmingham. Hall, Stuart. 1973. Encoding and Decoding in the Television Discourse Birmingham Centre for Contemporary Cultural Studies. Birmingham: The University of Birmingham.
Zurück zum Zitat ———, ed. 1997. Representation: Cultural Representations and Signifying Practices. Milton Keynes: The Open University. ———, ed. 1997. Representation: Cultural Representations and Signifying Practices. Milton Keynes: The Open University.
Zurück zum Zitat Hartsock, Nancy C.M. 1983. The Feminist Standpoint: Developing the Ground for a Specifically Feminist Historical Materialism. In Discovering Reality: Feminist Perspectives on Epistemology, Metaphysics, Methodology and Philosophy of Science, eds. Sandra Harding, and Merrill B. Hintikka, 283–310. Hingham, MA: D. Reidel. Hartsock, Nancy C.M. 1983. The Feminist Standpoint: Developing the Ground for a Specifically Feminist Historical Materialism. In Discovering Reality: Feminist Perspectives on Epistemology, Metaphysics, Methodology and Philosophy of Science, eds. Sandra Harding, and Merrill B. Hintikka, 283–310. Hingham, MA: D. Reidel.
Zurück zum Zitat Hesmondhalgh, David. 2013. Why Music Matters. Chichester: Wiley-Blackwell. Hesmondhalgh, David. 2013. Why Music Matters. Chichester: Wiley-Blackwell.
Zurück zum Zitat Hill Collins, Patricia. 1990. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. London: Routledge. Hill Collins, Patricia. 1990. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. London: Routledge.
Zurück zum Zitat Hill, Rosemary Lucy. 2011. Is Emo Metal? Gendered Boundaries and New Horizons in the Metal Community. Journal for Cultural Research 15(3): 297–313.CrossRef Hill, Rosemary Lucy. 2011. Is Emo Metal? Gendered Boundaries and New Horizons in the Metal Community. Journal for Cultural Research 15(3): 297–313.CrossRef
Zurück zum Zitat ———. 2014a. Reconceptualising Hard Rock and Metal Fans as a Group: Imaginary Community. International Journal of Community Music 7(2): 173–188.CrossRef ———. 2014a. Reconceptualising Hard Rock and Metal Fans as a Group: Imaginary Community. International Journal of Community Music 7(2): 173–188.CrossRef
Zurück zum Zitat hooks, bell. 1984. Feminist Theory: From Margin to Center. Cambridge, MA: South End Press. hooks, bell. 1984. Feminist Theory: From Margin to Center. Cambridge, MA: South End Press.
Zurück zum Zitat Hunter, Seb. 2004. Hell Bent for Leather: Confessions of a Heavy Metal Addict. London: Harper Perennial, 2005. Hunter, Seb. 2004. Hell Bent for Leather: Confessions of a Heavy Metal Addict. London: Harper Perennial, 2005.
Zurück zum Zitat Jackson, Stevi. 1998. Theorising Gender and Sexuality. In Contemporary Feminist Theories, eds. Stevi Jackson, and Jackie Jones, 131–146. Edinburgh: Edinburgh University Press. Jackson, Stevi. 1998. Theorising Gender and Sexuality. In Contemporary Feminist Theories, eds. Stevi Jackson, and Jackie Jones, 131–146. Edinburgh: Edinburgh University Press.
Zurück zum Zitat Jackson, Stevi, and Sue Scott. 2010. Theorizing Sexuality. Maidenhead: McGraw-Hill International. Jackson, Stevi, and Sue Scott. 2010. Theorizing Sexuality. Maidenhead: McGraw-Hill International.
Zurück zum Zitat Jenkins, Henry. 1992. Textual Poachers: Television Fans and Participatory Culture. New York: Routledge. Jenkins, Henry. 1992. Textual Poachers: Television Fans and Participatory Culture. New York: Routledge.
Zurück zum Zitat Jenson, Joli. 1992. Fandom as Pathology: The Consequences of Characterization. In The Adoring Audience: Fan Culture and Popular Media, ed. Lisa A. Lewis, 9–29. London: Routledge. Jenson, Joli. 1992. Fandom as Pathology: The Consequences of Characterization. In The Adoring Audience: Fan Culture and Popular Media, ed. Lisa A. Lewis, 9–29. London: Routledge.
Zurück zum Zitat Kahn-Harris, Keith. 2007. Extreme Metal: Music and Culture on the Edge. Oxford: Berg. Kahn-Harris, Keith. 2007. Extreme Metal: Music and Culture on the Edge. Oxford: Berg.
Zurück zum Zitat Kant, Immanuel. (1790) 2010. Critique of the Power of Judgement. In The Norton Anthology of Theory and Criticism, eds. Vincent B. Leitch and George Lynn Cross, 411–449. New York: W. W. Norton & Company. Kant, Immanuel. (1790) 2010. Critique of the Power of Judgement. In The Norton Anthology of Theory and Criticism, eds. Vincent B. Leitch and George Lynn Cross, 411–449. New York: W. W. Norton & Company.
Zurück zum Zitat Kartheus, Wiebke. 2015. The ‘Other’ as Projection Screen: Authenticating Heroic Masculinity in War-themed Heavy Metal Music Videos. Metal Music Studies 1(3): 319–340.CrossRef Kartheus, Wiebke. 2015. The ‘Other’ as Projection Screen: Authenticating Heroic Masculinity in War-themed Heavy Metal Music Videos. Metal Music Studies 1(3): 319–340.CrossRef
Zurück zum Zitat Kruse, Holly. 2002. Abandoning the Absolute: Transcendence and Gender in Popular Music Discourse. In Pop Music and the Press, ed. Steve Jones, 134–155. Philedelphia: Temple University Press. Kruse, Holly. 2002. Abandoning the Absolute: Transcendence and Gender in Popular Music Discourse. In Pop Music and the Press, ed. Steve Jones, 134–155. Philedelphia: Temple University Press.
Zurück zum Zitat Lewis, Lisa A. 1992. The Adoring Audience: Fan Culture and Popular Media. London: Routledge.CrossRef Lewis, Lisa A. 1992. The Adoring Audience: Fan Culture and Popular Media. London: Routledge.CrossRef
Zurück zum Zitat Lucas, Caroline, Mark Deeks, and Karl Spracklen. 2011. Grim Up North: Northern England, Northern Europe and Black Metal. Journal for Cultural Research 15(3): 279–295.CrossRef Lucas, Caroline, Mark Deeks, and Karl Spracklen. 2011. Grim Up North: Northern England, Northern Europe and Black Metal. Journal for Cultural Research 15(3): 279–295.CrossRef
Zurück zum Zitat McRobbie, Angela. 1991. Feminism and Youth Culture: From ‘Jackie’ to ‘Just Seventeen’. London: Macmillan.CrossRef McRobbie, Angela. 1991. Feminism and Youth Culture: From ‘Jackie’ to ‘Just Seventeen’. London: Macmillan.CrossRef
Zurück zum Zitat Nordström, Susanna, and Marcus Herz. 2013. ‘It’s a Matter of Eating or Being Eaten.’ Gender Positioning and Difference Making in the Heavy Metal Subculture. European Journal of Cultural Studies 16(4): 453–467.CrossRef Nordström, Susanna, and Marcus Herz. 2013. ‘It’s a Matter of Eating or Being Eaten.’ Gender Positioning and Difference Making in the Heavy Metal Subculture. European Journal of Cultural Studies 16(4): 453–467.CrossRef
Zurück zum Zitat Oakley, Ann. 1972. Sex, Gender and Society. London: Temple Smith. Original edition. Oakley, Ann. 1972. Sex, Gender and Society. London: Temple Smith. Original edition.
Zurück zum Zitat Overell, Rosemary. 2010. Brutal Belonging in Melbourne’s Grindcore Scene. Studies in Symbolic Interaction 35: 79–99.CrossRef Overell, Rosemary. 2010. Brutal Belonging in Melbourne’s Grindcore Scene. Studies in Symbolic Interaction 35: 79–99.CrossRef
Zurück zum Zitat ———. 2012. ‘[I] Hate Girls and Emo[tion]s: Negotiating Masculinity in Grindcore Music. Popular Music History 6(1): 198–223.CrossRef ———. 2012. ‘[I] Hate Girls and Emo[tion]s: Negotiating Masculinity in Grindcore Music. Popular Music History 6(1): 198–223.CrossRef
Zurück zum Zitat Purcell, Natalie J. 2003. Death Metal Music: The Passion and Politics of a Subculture. London: McFarland. Purcell, Natalie J. 2003. Death Metal Music: The Passion and Politics of a Subculture. London: McFarland.
Zurück zum Zitat Radway, Janice A. 1984. Reading the Romance: Women, Patriarchy, and Popular Literature. Chapel Hill: University of North Carolina Press. Radway, Janice A. 1984. Reading the Romance: Women, Patriarchy, and Popular Literature. Chapel Hill: University of North Carolina Press.
Zurück zum Zitat Regev, Motti. 1994. Producing Artistic Value. The Sociological Quarterly 35(1): 85–102.CrossRef Regev, Motti. 1994. Producing Artistic Value. The Sociological Quarterly 35(1): 85–102.CrossRef
Zurück zum Zitat Riches, Gabrielle. 2011. Embracing the Chaos: Mosh Pits, Extreme Metal Music and Liminality. Journal for Cultural Research 15(3): 315–332.CrossRef Riches, Gabrielle. 2011. Embracing the Chaos: Mosh Pits, Extreme Metal Music and Liminality. Journal for Cultural Research 15(3): 315–332.CrossRef
Zurück zum Zitat ———. 2014. “Throwing the Divide to the Wind”: Rethinking Extreme Metal’s Masculinity Through Female Metal Fans’ Embodied Experiences in Moshpit Practices. IASPM UK & Ireland Conference, Cork, Ireland, 12–14 September. ———. 2014. “Throwing the Divide to the Wind”: Rethinking Extreme Metal’s Masculinity Through Female Metal Fans’ Embodied Experiences in Moshpit Practices. IASPM UK & Ireland Conference, Cork, Ireland, 12–14 September.
Zurück zum Zitat ———. 2015. Re-conceptualizing Women’s Marginalization in Heavy Metal: A Feminist Post-structuralist Perspective. Metal Music Studies 1(2): 263–270.CrossRef ———. 2015. Re-conceptualizing Women’s Marginalization in Heavy Metal: A Feminist Post-structuralist Perspective. Metal Music Studies 1(2): 263–270.CrossRef
Zurück zum Zitat Sandvoss, Cornel. 2005. Fans: The Mirror of Consumption. Cambridge: Polity. Sandvoss, Cornel. 2005. Fans: The Mirror of Consumption. Cambridge: Polity.
Zurück zum Zitat Sandvoss, Cornel, and Laura Kearns. 2014. From Interpretive Communities to Interpretative Fairs: Ordinary Fandom, Textual Selection and Digital Media. In The Ashgate Research Companion to Fan Cultures, eds. Linda Duits, Koos Zwaan, and Stijn Reijinders, 91–106. Farnham: Ashgate. Sandvoss, Cornel, and Laura Kearns. 2014. From Interpretive Communities to Interpretative Fairs: Ordinary Fandom, Textual Selection and Digital Media. In The Ashgate Research Companion to Fan Cultures, eds. Linda Duits, Koos Zwaan, and Stijn Reijinders, 91–106. Farnham: Ashgate.
Zurück zum Zitat Scott, Joan W. 2008. ‘Experience’: Becoming Visible. In Just Methods: An Interdisciplinary Feminist Reader, ed. Alison M. Jaggar, 272–281. Boulder, CO: Paradigm Publishers. Scott, Joan W. 2008. ‘Experience’: Becoming Visible. In Just Methods: An Interdisciplinary Feminist Reader, ed. Alison M. Jaggar, 272–281. Boulder, CO: Paradigm Publishers.
Zurück zum Zitat Smith, Dorothy E. 2008. Women’s Perspective as a Radical Critique of Sociology. In Just Methods: An Interdisciplinary Feminist Reader, ed. Alison M. Jaggar, 39–43. Boulder, CO: Paradigm Publishers. Smith, Dorothy E. 2008. Women’s Perspective as a Radical Critique of Sociology. In Just Methods: An Interdisciplinary Feminist Reader, ed. Alison M. Jaggar, 39–43. Boulder, CO: Paradigm Publishers.
Zurück zum Zitat Spracklen, Karl. 2010. Gorgoroth’s Gaahl’s Gay! Power, Gender and the Communicative Discourse of the Black Metal Scene. In Heavy Fundametalisms: Music, Metal and Politics, eds. Rosemary Lucy Hill, and Karl Spracklen, 89–102. Oxford: ID Press. Spracklen, Karl. 2010. Gorgoroth’s Gaahl’s Gay! Power, Gender and the Communicative Discourse of the Black Metal Scene. In Heavy Fundametalisms: Music, Metal and Politics, eds. Rosemary Lucy Hill, and Karl Spracklen, 89–102. Oxford: ID Press.
Zurück zum Zitat ———. 2015. ‘To Holmgard … and Beyond’: Folk Metal Fantasies and Hegemonic White Masculinities. Metal Music Studies 1(3): 359–377.CrossRef ———. 2015. ‘To Holmgard … and Beyond’: Folk Metal Fantasies and Hegemonic White Masculinities. Metal Music Studies 1(3): 359–377.CrossRef
Zurück zum Zitat Stanley, Liz. 1992. The Auto/Biographical I: The Theory and Practice of Feminist Auto/Biography. Manchester: Manchester University Press. Stanley, Liz. 1992. The Auto/Biographical I: The Theory and Practice of Feminist Auto/Biography. Manchester: Manchester University Press.
Zurück zum Zitat Stanley, Liz, and Sue Wise. 1993. Breaking Out Again: Feminist Ontology and Epistemology. 2nd ed. London: Routledge. Stanley, Liz, and Sue Wise. 1993. Breaking Out Again: Feminist Ontology and Epistemology. 2nd ed. London: Routledge.
Zurück zum Zitat Thornton, Sarah. 1995. Club Cultures: Music, Media and Subcultural Capital. Cambridge: Polity. Thornton, Sarah. 1995. Club Cultures: Music, Media and Subcultural Capital. Cambridge: Polity.
Zurück zum Zitat Vasan, Sonia. 2010. ‘Den Mothers and Band Whores’: Gender, Sex and Power in the Death Metal Scene. In Heavy Fundametalisms: Music, Metal and Politics, eds. Rosemary Lucy Hill, and Karl Spracklen, 69–78. Oxford: Inter-Disciplinary Press. Vasan, Sonia. 2010. ‘Den Mothers and Band Whores’: Gender, Sex and Power in the Death Metal Scene. In Heavy Fundametalisms: Music, Metal and Politics, eds. Rosemary Lucy Hill, and Karl Spracklen, 69–78. Oxford: Inter-Disciplinary Press.
Zurück zum Zitat ———. 2011. The Price of Rebellion: Gender Boundaries in the Death Metal Scene. Journal for Cultural Research 15(3): 333–349.CrossRef ———. 2011. The Price of Rebellion: Gender Boundaries in the Death Metal Scene. Journal for Cultural Research 15(3): 333–349.CrossRef
Zurück zum Zitat Vroomen, Laura. 2004. Kate Bush: Teen Pop and Older Female Fans. In Music Scenes: Local, Translocal and Virtual, eds. Andy Bennett, and Richard A. Peterson, 238–253. Nashville: Vanderbilt University Press. Vroomen, Laura. 2004. Kate Bush: Teen Pop and Older Female Fans. In Music Scenes: Local, Translocal and Virtual, eds. Andy Bennett, and Richard A. Peterson, 238–253. Nashville: Vanderbilt University Press.
Zurück zum Zitat Wallach, Jeremy, Harris M. Berger, and Paul D. Greene. 2011. Metal Rules the Globe: Heavy Metal Music around the World. Durham, NC: Duke University Press.CrossRef Wallach, Jeremy, Harris M. Berger, and Paul D. Greene. 2011. Metal Rules the Globe: Heavy Metal Music around the World. Durham, NC: Duke University Press.CrossRef
Zurück zum Zitat Walser, Robert. 1993. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hannover, NH: University Press of New England. Walser, Robert. 1993. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hannover, NH: University Press of New England.
Zurück zum Zitat Weinstein, Deena. (1991) 2000. Heavy Metal: The Music and Its Culture. Rev. ed. Boulder, CO: Da Capo Press. Weinstein, Deena. (1991) 2000. Heavy Metal: The Music and Its Culture. Rev. ed. Boulder, CO: Da Capo Press.
Zurück zum Zitat Weiss, Penny A., and M. Friedman. 1995. Feminism and Community. Philedelphia: Temple University Press. Weiss, Penny A., and M. Friedman. 1995. Feminism and Community. Philedelphia: Temple University Press.
Zurück zum Zitat Whiteley, Sheila. 2000. Women and Popular Music: Sexuality, Identity, and Subjectivity. New York: Routledge. Whiteley, Sheila. 2000. Women and Popular Music: Sexuality, Identity, and Subjectivity. New York: Routledge.
Zurück zum Zitat Willis, Ellen. 2014. Beginning to See the Light. (Village Voice, 1977). In The Essential Ellen Willis, ed. Aronowitz Nona Willis, 51–58. Minneapolis: University of Minnesota Press. Willis, Ellen. 2014. Beginning to See the Light. (Village Voice, 1977). In The Essential Ellen Willis, ed. Aronowitz Nona Willis, 51–58. Minneapolis: University of Minnesota Press.
Zurück zum Zitat Wise, Sue. 1984. Sexing Elvis. In On Record: Rock, Pop, & the Written Word, eds. Simon Frith, and Andrew Goodwin, 390–398. London: Routledge. Wise, Sue. 1984. Sexing Elvis. In On Record: Rock, Pop, & the Written Word, eds. Simon Frith, and Andrew Goodwin, 390–398. London: Routledge.
Zurück zum Zitat Wittig, Monique. 1992. The Straight Mind and Other Essays. Boston: Beacon Press. Wittig, Monique. 1992. The Straight Mind and Other Essays. Boston: Beacon Press.
Metadaten
Titel
Gender, Metal and the Media: An Introduction
verfasst von
Rosemary Lucy Hill
Copyright-Jahr
2016
DOI
https://doi.org/10.1057/978-1-137-55441-3_1