Skip to main content
Erschienen in:
Buchtitelbild

2018 | OriginalPaper | Buchkapitel

1. Introduction: Patricia Highsmith on Screen

verfasst von : Douglas McFarland, Wieland Schwanebeck

Erschienen in: Patricia Highsmith on Screen

Verlag: Springer International Publishing

Aktivieren Sie unsere intelligente Suche, um passende Fachinhalte oder Patente zu finden.

search-config
loading …

Abstract

The introduction traces Highsmith’s status in contemporary scholarship and her long adaptation history, starting with Hitchcock’s film version of her novel Strangers on a Train (1950). Strangers not only paved the way for nearly seven decades of Highsmith cinema (including works by renowned auteurs like Wim Wenders and Claude Chabrol), but it also started a long and difficult relationship between Highsmith and the medium of film. The chapter not only explores the consequences of Highsmith’s association with Hitchcockian cinema for her adaptation history, it also summarizes the author’s rather divergent reactions to adaptations made of her novels and introduces the structure of the book.

Sie haben noch keine Lizenz? Dann Informieren Sie sich jetzt über unsere Produkte:

Springer Professional "Wirtschaft+Technik"

Online-Abonnement

Mit Springer Professional "Wirtschaft+Technik" erhalten Sie Zugriff auf:

  • über 102.000 Bücher
  • über 537 Zeitschriften

aus folgenden Fachgebieten:

  • Automobil + Motoren
  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Elektrotechnik + Elektronik
  • Energie + Nachhaltigkeit
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Maschinenbau + Werkstoffe
  • Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Springer Professional "Wirtschaft"

Online-Abonnement

Mit Springer Professional "Wirtschaft" erhalten Sie Zugriff auf:

  • über 67.000 Bücher
  • über 340 Zeitschriften

aus folgenden Fachgebieten:

  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Versicherung + Risiko




Jetzt Wissensvorsprung sichern!

Literatur
Zurück zum Zitat Abel, Marco. Violent Affect: Literature, Cinema, and Critique After Representation. Lincoln and London: University of Nebraska Press, 2007. Abel, Marco. Violent Affect: Literature, Cinema, and Critique After Representation. Lincoln and London: University of Nebraska Press, 2007.
Zurück zum Zitat Arendt, Hannah. Eichmann in Jerusalem: A Report on the Banality of Evil. 1963. London: Penguin, 2006. Arendt, Hannah. Eichmann in Jerusalem: A Report on the Banality of Evil. 1963. London: Penguin, 2006.
Zurück zum Zitat Bell, Ian A. “Irony and Justice in Patricia Highsmith.” Watching the Detectives: Essays on Crime Fiction. Eds. Ian Bell and Graham Daldry. Houndmills and London: Macmillan, 1990, 1–17.CrossRef Bell, Ian A. “Irony and Justice in Patricia Highsmith.” Watching the Detectives: Essays on Crime Fiction. Eds. Ian Bell and Graham Daldry. Houndmills and London: Macmillan, 1990, 1–17.CrossRef
Zurück zum Zitat Cheever, Abigail. Real Phonies: Cultures of Authenticity in Post-World War II America. Athens and London: University of Georgia Press, 2010. Cheever, Abigail. Real Phonies: Cultures of Authenticity in Post-World War II America. Athens and London: University of Georgia Press, 2010.
Zurück zum Zitat Harrison, Russell. Patricia Highsmith. New York: Twayne, 1997. Harrison, Russell. Patricia Highsmith. New York: Twayne, 1997.
Zurück zum Zitat Hühn, Peter. “The Detective as Reader: Narrativity and Reading Concepts in Detective Fiction.” Modern Fiction Studies 33.3 (1987): 451–466.CrossRef Hühn, Peter. “The Detective as Reader: Narrativity and Reading Concepts in Detective Fiction.” Modern Fiction Studies 33.3 (1987): 451–466.CrossRef
Zurück zum Zitat Knight, Stephen. Crime Fiction, 1800–2000: Detection, Death, Diversity. Houndmills and New York: Palgrave Macmillan, 2004. Knight, Stephen. Crime Fiction, 1800–2000: Detection, Death, Diversity. Houndmills and New York: Palgrave Macmillan, 2004.
Zurück zum Zitat Krohn, Bill. Hitchcock at Work. London: Phaidon, 2003. Krohn, Bill. Hitchcock at Work. London: Phaidon, 2003.
Zurück zum Zitat Leitch, Thomas. “Hitchcock and His Writers: Authorship and Authority in Adaptation.” Authorship in Film Adaptation. Ed. Jack Boozer. Austin: University of Texas Press, 2008, 63–84. Leitch, Thomas. “Hitchcock and His Writers: Authorship and Authority in Adaptation.” Authorship in Film Adaptation. Ed. Jack Boozer. Austin: University of Texas Press, 2008, 63–84.
Zurück zum Zitat Mawer, Noel Dorman. A Critical Study of the Fiction of Patricia Highsmith: From the Psychological to the Political. Lewiston: The Edwin Mellen Press, 2004. Mawer, Noel Dorman. A Critical Study of the Fiction of Patricia Highsmith: From the Psychological to the Political. Lewiston: The Edwin Mellen Press, 2004.
Zurück zum Zitat Meaker, Marijane. Highsmith: A Romance of the 1950s. San Francisco: Cleis Press, 2003. Meaker, Marijane. Highsmith: A Romance of the 1950s. San Francisco: Cleis Press, 2003.
Zurück zum Zitat Miller, Ron. Mystery Classics on Film: The Adaptation of 65 Novels and Stories. Jefferson: McFarland, 2017. Miller, Ron. Mystery Classics on Film: The Adaptation of 65 Novels and Stories. Jefferson: McFarland, 2017.
Zurück zum Zitat Mina, Denise. “Introduction.” Edith’s Diary. By Patricia Highsmith. London: Virago, 2015, n.p. Mina, Denise. “Introduction.” Edith’s Diary. By Patricia Highsmith. London: Virago, 2015, n.p.
Zurück zum Zitat Oates, Joyce Carol. “Merciless Highsmith.” Uncensored: Views & (Re)views. New York: HarperCollins, 2005, 39–50. Oates, Joyce Carol. “Merciless Highsmith.” Uncensored: Views & (Re)views. New York: HarperCollins, 2005, 39–50.
Zurück zum Zitat Osteen, Mark. Nightmare Alley: Film Noir and the American Dream. Baltimore: The Johns Hopkins University Press, 2013. Osteen, Mark. Nightmare Alley: Film Noir and the American Dream. Baltimore: The Johns Hopkins University Press, 2013.
Zurück zum Zitat Osteen, Mark. “Introduction: Hitchcock and Adaptation.” Hitchcock and Adaptation: On the Page and Screen. Ed. Mark Osteen. Lanham: Rowman & Littlefield, 2014, ix–xxxviii. Osteen, Mark. “Introduction: Hitchcock and Adaptation.” Hitchcock and Adaptation: On the Page and Screen. Ed. Mark Osteen. Lanham: Rowman & Littlefield, 2014, ix–xxxviii.
Zurück zum Zitat Oswalt, Patton. Silver Screen Fiend: Learning about Life from an Addiction to Film. New York: Scribner, 2015. Oswalt, Patton. Silver Screen Fiend: Learning about Life from an Addiction to Film. New York: Scribner, 2015.
Zurück zum Zitat Pamuk, Orhan. “Die bedrohliche Welt der Patricia Highsmith.” Der Blick aus meinem Fenster: Betrachtungen. Trans. Cornelius Bischoff, et al. Munich and Vienna: Hanser, 2006, 138–142. Pamuk, Orhan. “Die bedrohliche Welt der Patricia Highsmith.” Der Blick aus meinem Fenster: Betrachtungen. Trans. Cornelius Bischoff, et al. Munich and Vienna: Hanser, 2006, 138–142.
Zurück zum Zitat Perry, Dennis R., and Carl H. Sederholm. “Dark Adaptations: Robert Bloch and Hitchcock on the Small Screen.” Hitchcock and Adaptation: On the Page and Screen. Ed. Mark Osteen. Lanham: Rowman & Littlefield, 2014, 245–260. Perry, Dennis R., and Carl H. Sederholm. “Dark Adaptations: Robert Bloch and Hitchcock on the Small Screen.” Hitchcock and Adaptation: On the Page and Screen. Ed. Mark Osteen. Lanham: Rowman & Littlefield, 2014, 245–260.
Zurück zum Zitat Peters, Fiona. Anxiety and Evil in the Writings of Patricia Highsmith. Farnham: Ashgate, 2011. Peters, Fiona. Anxiety and Evil in the Writings of Patricia Highsmith. Farnham: Ashgate, 2011.
Zurück zum Zitat Peters, Fiona. “The Perverse Charm of the Amoral Serial Killer: Tom Ripley, Dexter Morgan and Seducing the Reader.” Crime Scenes: Modern Crime Fiction in an International Context. Eds. Urszula Elias and Agnieszka Sienkiewicz-Charlish. Frankfurt/Main: Peter Lang, 2014, 283–295. Peters, Fiona. “The Perverse Charm of the Amoral Serial Killer: Tom Ripley, Dexter Morgan and Seducing the Reader.” Crime Scenes: Modern Crime Fiction in an International Context. Eds. Urszula Elias and Agnieszka Sienkiewicz-Charlish. Frankfurt/Main: Peter Lang, 2014, 283–295.
Zurück zum Zitat Peters, Fiona (Ed.). Re-Evaluating Patricia Highsmith. Special Issue of Clues 33.2 (2015). Peters, Fiona (Ed.). Re-Evaluating Patricia Highsmith. Special Issue of Clues 33.2 (2015).
Zurück zum Zitat Raubicheck, Walter, and Walter Srebnick. Scripting Hitchcock: ‘Psycho’, ‘The Birds’, and ‘Marnie’. Urbana, Chicago and Springfield: University of Illinois Press, 2011. Raubicheck, Walter, and Walter Srebnick. Scripting Hitchcock: ‘Psycho’, ‘The Birds’, and ‘Marnie’. Urbana, Chicago and Springfield: University of Illinois Press, 2011.
Zurück zum Zitat Rohmer, Éric, and Claude Chabrol. Hitchcock: The First Forty-Four Films. Trans. Stanley Hochman. New York: Ungar, 1979. Rohmer, Éric, and Claude Chabrol. Hitchcock: The First Forty-Four Films. Trans. Stanley Hochman. New York: Ungar, 1979.
Zurück zum Zitat Rosenberg, Marc. “Translating Highsmith to Cinema.” Film International 15.1 (2017): 48–66.CrossRef Rosenberg, Marc. “Translating Highsmith to Cinema.” Film International 15.1 (2017): 48–66.CrossRef
Zurück zum Zitat Sargeant, Amy. British Cinema: A Critical History. London: BFI, 2005. Sargeant, Amy. British Cinema: A Critical History. London: BFI, 2005.
Zurück zum Zitat Schenkar, Joan. The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith. New York: St. Martin’s Press, 2009. Schenkar, Joan. The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith. New York: St. Martin’s Press, 2009.
Zurück zum Zitat Schwanebeck, Wieland. “Mr. Ripley’s Renaissance: Notes on an Adaptable Character.” Adaptation 6.3 (2013): 355–364.CrossRef Schwanebeck, Wieland. “Mr. Ripley’s Renaissance: Notes on an Adaptable Character.” Adaptation 6.3 (2013): 355–364.CrossRef
Zurück zum Zitat Schwanebeck, Wieland. Der flexible Mr. Ripley: Männlichkeit und Hochstapelei in Literatur und Film. Cologne, Weimar and Vienna: Böhlau, 2014. Schwanebeck, Wieland. Der flexible Mr. Ripley: Männlichkeit und Hochstapelei in Literatur und Film. Cologne, Weimar and Vienna: Böhlau, 2014.
Zurück zum Zitat Schwanebeck, Wieland. “‘A Yank with Culture’: Mr. Ripley’s Transatlantic Affairs.” Transatlantic Cinema: Productions—Genres—Encounters—Negotiations. Eds. Karsten Fitz and Jürgen Kamm. Bern: Peter Lang, forthcoming. Schwanebeck, Wieland. “‘A Yank with Culture’: Mr. Ripley’s Transatlantic Affairs.” Transatlantic Cinema: Productions—Genres—Encounters—Negotiations. Eds. Karsten Fitz and Jürgen Kamm. Bern: Peter Lang, forthcoming.
Zurück zum Zitat Smith, Susan. Hitchcock: Suspense, Humour and Tone. London: BFI, 2000. Smith, Susan. Hitchcock: Suspense, Humour and Tone. London: BFI, 2000.
Zurück zum Zitat Truffaut, François. Hitchcock. New York: Simon & Schuster, 1984. Truffaut, François. Hitchcock. New York: Simon & Schuster, 1984.
Zurück zum Zitat Wilson, Andrew. Beautiful Shadow: A Life of Patricia Highsmith. New York and London: Bloomsbury, 2003. Wilson, Andrew. Beautiful Shadow: A Life of Patricia Highsmith. New York and London: Bloomsbury, 2003.
Metadaten
Titel
Introduction: Patricia Highsmith on Screen
verfasst von
Douglas McFarland
Wieland Schwanebeck
Copyright-Jahr
2018
DOI
https://doi.org/10.1007/978-3-319-96050-0_1