nach oben

Erschienen in:

2017 | OriginalPaper | Buchkapitel

1. Introduction

verfasst von : Nadia Lie

Erschienen in: The Latin American (Counter-) Road Movie and Ambivalent Modernity

Verlag: Springer International Publishing

Einloggen

Aktivieren Sie unsere intelligente Suche, um passende Fachinhalte oder Patente zu finden.

search-config

KI-gestützte Suche

Aus

Abstract

This introduction situates the recent boom of Latin American road movies in its cinematographic context and provides a definition of the genre which takes into account the specificities of Latin American cinema. The new concept of the counter-road movie is proposed, and the genre’s ambivalent relationships with modernity are commented upon from a Latin American perspective.

Sie haben noch keine Lizenz? Dann Informieren Sie sich jetzt über unsere Produkte:

Springer Professional "Wirtschaft+Technik"

Online-Abonnement

Mit Springer Professional "Wirtschaft+Technik" erhalten Sie Zugriff auf:

über 102.000 Bücher
über 537 Zeitschriften

aus folgenden Fachgebieten:

Automobil + Motoren
Bauwesen + Immobilien
Business IT + Informatik
Elektrotechnik + Elektronik
Energie + Nachhaltigkeit
Finance + Banking
Management + Führung
Marketing + Vertrieb
Maschinenbau + Werkstoffe
Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Jetzt informieren

Springer Professional "Wirtschaft"

Online-Abonnement

Mit Springer Professional "Wirtschaft" erhalten Sie Zugriff auf:

über 67.000 Bücher
über 340 Zeitschriften

aus folgenden Fachgebieten:

Bauwesen + Immobilien
Business IT + Informatik
Finance + Banking
Management + Führung
Marketing + Vertrieb
Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Jetzt informieren

Nächstes Kapitel Traveling Across Latin America

Adey, Peter. 2010. Mobility. New York, Abington: Routledge.

Aguilar, Gonzalo. 2011a (2008). New Argentine Film. Other Worlds. New York: Palgrave Macmillan.

Alvaray, Luisela. 2013. Hybridity and Genre in Transnational Latin American Cinemas. Transnational Cinemas 4(1): 67–87.

Andermann, Jens, and Alvaro Fernández Bravo (ed). 2013. New Argentine and Brazilian Cinema. Reality Effects. New York, Basingstoke: Palgrave Macmillan.

Augé, Marc. 1992. Non-lieux. Introduction à une anthropologie de la surmodernité. Paris: Seuil.

Bakthin, Mikhael. 1981. The Dialogic Imagination. Four Essays, ed. Michael Holquist. Translated by Caryl Emerson and Michael Holquist. Austin: University of Texas Press.

Benoliel, Bernard, and Jean-Baptiste Thoret. 2011. Road Movie, USA. Paris: Editions Hoëbeke.

Berger, Verena. 2016. Travelling cinema-la road movie latinoamericana en el contexto global. In Nuevas perspectivas sobre la transnacionalidad del cine hispánico, ed. Robin Lefere, and Nadia Lie, 159–178. Leiden: Brill.

Bertelsen, Martin. 1991. Roadmovies und Western. Ein Vergleich zur Genre-Bestimming des Roadmovies. Hamburg: LIT Verlag.

Borden, Iain. 2013. Drive. Journeys Through Film, Cities and Landscapes. London: Reaktion.

Brandellero, Sara (ed). 2013. The Brazilian Road Movie. Journeys of (Self)Discovery. Cardiff: University of Wales Press.

Cacilda, Rêga, and Carolina Rocha, eds. 2011. New Trends in Argentine and Brazilian Cinema. Chicago: Chicago University Press.

Cohan, Steven, and Ina Rae Hark (ed). 1997. The Road Movie Book. London & New York: Routledge.

Domingues, José Maurício. 2008. Latin America and Contemporary Modernity. A sociological Interpretation. New York, London: Routledge.

Everett, Wendy. 2009. Lost in Transition? The European Road Movie or a Genre ‘Adrift’ in the Cosmos. Literature Film Quarterly, 37(3) (July): 165–175.

Eyerman, Ron, and Orvar Löfgren. 1995. Romancing the Road: Road Movies and Images of Mobility. Theory, Culture & Society 12(53) (February): 53–79.

Garibotto, Verónica, and Jorge Pérez, eds. 2016. The Latin American Road Movie. New York: Palgrave Macmillan.

Gertz, Nurith, and George Khleifi. 2008. Palestinian Cinema. Landscape, Trauma and Memory. Edinburgh: Edinburgh University Press.CrossRef

Giddens, Anthony. 1996 (1990). The Consequences of Modernity. Cambridge: Polity.

Gott, Michael, and Thibaut Schilt (ed). 2013. Open Roads, Closed Borders. The Contemporary French-Language Road Movie. Bristol, Chicago: Intellect-University of Chicago Press.

Haddu, Miriam, and Joanna Page (ed). 2009. Visual Synergies in Fiction and Documentary Film from Latin America. New York: Palgrave Macmillan.

Higgins, Mary-Ellen, Rita Keresztesi, and Dayna Oscherwitz (ed). 2015. The Western in the Global South. New York: Routledge.

King, John. 2000. Magical Reels. A History of Cinema in Latin America. New ed. London, New York: Verso.

Laderman, David. 2002. Driving Visions. Exploring the Road Movie. Austin: University of Texas Press.

Larrain, Jorge. 2000. Identity and Modernity in Latin America. Cambridge: Polity.

Lie, Nadia. 2014. Reverse Migration in Brazilian Transnational Cinema. Um passaporte húngaro and Rapsódia Armênia. In Migration in Lusophone Cinema, ed. Cacilda Rêgo, and Marcus Brasileiro, 131–149. New York: Palgrave Macmillan.

Lie, Nadia. 2016. Revisiting Modernity Through the Latin American Road Movie. In The Latin American Road Movie, ed. Verónica Garibotto and Jorge Pérez, 31–52. New York: Palgrave Macmillan.

Lie, Nadia, and Pablo Piedras. 2014. Identidad y movilidad en el cine documental latinoamericano contemporáneo: Familia tipo (2009) e Hija (2011). Confluencia 30(1): 72–86.

Mazierska, Eva, and Laura Rascaroli. 2006. Crossing New Europe. Postmodern Travel and the European Road Movie. London: Wallflower Press.

Moser, Walter (ed.) 2008. Le road movie: un genre issu d’une constellation moderne de locomotion et de médiamotion. In “Le road movie interculturel.” Special issue of Cinéma. Revue d’Etudes Cinématographiques/Journal of Film Studies 18(2–3)(Spring): 9–30.

Newman, Kathleen. 2010. Notes on Transnational Film Theory: Decentered Subjectivity, Decentered Capitalism. In World Cinemas, Transnational Perspectives, ed. Nataša Ďurovičova, and Kathleen Newman, 12–33, 3–11. New York: Routledge.

Orgeron, Devin. 2008. Road Movies. From Muybridge and Méliès to Lynch and Kiarostami. New York & Basingstoke: Palgrave Macmillan.

Oropesa, Salvador. 2008. Proxemics, homogenization, and diversity in Mexico’s Road Movies: Por la libre (2000), Sin dejar huella (2000), and Y tu mamá también (2001). In Latin American Urban Cultural Production, edited by David William Foster. Special issue, Hispanic Issues On Line 3(5)(Fall): 92–112.

Orr, John. 1993. Cinema and Modernity. Chichester: Wiley.

Page, Joanna. 2009. Crisis and Capitalism in Contemporary Argentine Cinema. Durham: Duke University Press.CrossRef

Pérez, Jorge. 2011. Cultural Roundabouts. Spanish Film and Novel on the Road. Lewisburg: Bucknell University Press.

Pinazza, Natália. 2013. Road Movies. In Directory of World Cinema: Brazil, ed. Louis Bayman, and Natália Pinazza, 252–271. Bristol & Chicago: Intellect/University of Chicago Press.

Pinazza, Natália. 2014. Journeys in Argentine and Brazilian Cinema. Road Films in a Global Era. New York & Basingstoke: Palgrave Macmillan.

Pohl, Burkhard. 2007. Rutas transnacionales: la road movie en el cine español. Hispanic Research Journal 8(1): 53–56.

Rêga, Cacilda, and Carolina Rocha, eds. 2011. New Trends in Argentine and Brazilian Cinema. Chicago: Chicago University Press.

Sánchez-Prado, Ignacio. 2014. Screening Neoliberalism. Transforming Mexican Cinema 1988–2012. Nashville: Vanderbilt University Press.

Sargeant, Jack, and Stephanie Watson (ed). 1999. Lost Highways. An Illustrated History of Road Movies. London: S.I. Creation Books.

Shelling, Vivian. 2000. Reflections on the Experience of Modernity in Latin America. In Through the Kaleidoscope. The Experience of Modernity in Latin America, ed. Vivian Shelling, 1–33. London & New York: Verso.

Smith, Paul Julian. 2012. Transnational Cinemas: The Cases of Mexico, Argentina and Brazil. In Theorizing World Cinema, eds. Nagib, Lucía, Chris Perriam and Rajinder Dudrah, 63–76. London & New York: Tauris.

Tompkins, Cynthia. 2013. Experimental Latin American Cinema. History and Aesthetics. Austin: University of Texas Press.

Torres, Galo Alfredo. 2014. La odisea latinoamericana. Vuelta al continente en ochenta películas. Cuenca: Los APUS.

Urry, John, and Jonas Larsen. 2011. The Tourist Gaze 3.0. Los Angeles: SAGE.CrossRef

Vargas, González, Nelson Carro Carla, Leonardo García, and Tsao. 2006. Las rutas del cine mexicano contemporáneo. Mexico, DF: Conaculta-Imcine.

Wittgenstein, Ludwig. 1995 (1953). Philosophical Investigations. Oxford: Blackwell.

Titel: Introduction
verfasst von: Nadia Lie
Verlag: Springer International Publishing
Buch: The Latin American (Counter-) Road Movie and Ambivalent Modernity
Print ISBN: 978-3-319-43553-4

Electronic ISBN: 978-3-319-45138-1

Copyright-Jahr: 2017
DOI: https://doi.org/10.1007/978-3-319-45138-1_1