Skip to main content
Log in

The role of actors and actresses in the success of films: how much is a movie star worth?

  • Articles
  • Published:
Journal of Cultural Economics Aims and scope Submit manuscript

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Institutional subscriptions

References

  • Austin, Bruce A.,Immediate Seating. A Look at Movie Audiences, Belmont, CA: Wadsworth Publishing Company, 1989.

    Google Scholar 

  • Cameron, S., “The Supply and Demand for Cinema Tickets: Some U.K. Evidence”,Journal of Cultural Economics, 10, (June 1986) pp. 38–62.

    Google Scholar 

  • Chisholm, Darlene C., “Optimal Contract Design: A Theoretical and Empirical Investigation of Profit-Sharing in the Motion-Pictures Industry,” Working Paper, University of Washington, 1990.

  • CineBooks,CineBooks Movie List, Evanston, IL: CineBooks, 1989.

    Google Scholar 

  • Corliss, Richard, ‘Do Stars Deliver?”Time, (26 August 1991) pp. 38–40.

  • Dodds, John C. and Morris B. Holbrook, “What's An Oscar Worth? An Empirical Estimation of the Effects of Nominations and Awards on Movie Distribution and Revenues,” inCurrent Research in Film: Audiences, Economics, and Law, Vol. 4, ed. Bruce A. Austin, Norwood, NJ: Ablex Publishing Corporation, 1988, pp. 72–88.

    Google Scholar 

  • Donahue, Suzanne Mary,American Film Distribution: The Changing Marketplace, Ann Arbor, MI: UMI Research Press, 1987.

    Google Scholar 

  • Duffy, Susan, “A Slasher in Loose on Paramount's Lot,”Business Week, (28 January 1991) p. 53.

  • Eliashberg, Joshua and Mohanbir S. Sawhney, “Modeling Goes to Hollywood: Predicting Individual Differences in Movie Enjoyment,” Working Paper, The Wharton School, University of Pennsylvania, 1991.

  • Fabrikant, Geraldine, “The Hole in Hollywood's Pocket,”The New York Times, (10 December 1990) p. Dl.

  • Garrison, Lee Cedric, Jr., Decision Processes in Motion Picture Production: A Study of Uncertainty, unpublished doctoral dissertation, Stanford University, 1971.

  • Greenwald, John, “Shooting the Works,”Time, (21 May 1990) p. 64.

  • Grover, Ronald, “The World Is Hollywood's Oyster,”Business Week, (14 January 1991) p. 97.

  • Halliwell, Leslie,Halliwell's Film Guide, Sixth Edition, New York, NY: Charles Scribner's Sons, 1987.

    Google Scholar 

  • Hirschman, Elizabeth C. and Andrew Pieros, Jr., “Relationships Among Indicators of Success in Broadway Plays and Motion Pictures,”Journal of Cultural Economics, 9, (June 1985) pp. 35–63.

    Google Scholar 

  • Jowett, Garth, Film:The Democratic Art, Boston: Focal Press, 1976.

    Google Scholar 

  • Jowett, Garth and James M. Linton,Movies as Mass Communication, Second Edition, Newbury Park, CA: Sage Publications, 1989.

    Google Scholar 

  • Kindem, Gorham, “Hollywood's Movie Star System: A Historical Overview,” inThe American Movie Industry. The Business of Motion Pictures, ed. Gorham Kindem, Carbondale: Southern Illinois University Press, 1982, pp. 79–94.

    Google Scholar 

  • Landro, Laura, “Paramount in the Dark Before Don,”Wall Street Journal, (11 December 1990) pp. B1, B7.

  • Landro, Laura, “Specter of Shrinking Earnings Leaves Hollywood Home Alone with a Ghost,”Wall Street Journal, (4 January 1991) p. B1.

    Google Scholar 

  • Litman, Barry R., “Predicting Success of Theatrical Movies: An Empirical Study,”Journal of Popular Culture, 16, (Spring 1983) pp. 159–75.

    Google Scholar 

  • Newcomb, Peter with Matthew Schifrin, “Golden Boys and Girls,”Forbes, 146, (1 October 1990) pp. 139–41.

    Google Scholar 

  • Powdermaker, Hortense,Hollywood, the Dream Factory: An Anthropologist Looks at the Movie-Makers, Boston: Little, Brown and Company, 1950.

    Google Scholar 

  • Quigley,International Motion Picture Almanac, 61st Edition, ed. Jane Klain, New York, NY: Quigley Publishing Company, 1990.

  • Rosten, Leo C.,Hollywood: The Movie Colony, The Movie Makers, New York: Harcourt Brace Jovanovich, 1941.

    Google Scholar 

  • Screen World, Vol. 40, ed. John Willis, New York, NY: Crown Publishers, 1989.

  • Simonet, Thomas, “Performers' Marquee Values in Relation to Top-Grossing Films,” paper presented at the Society for Cinema Studies Conference, March, Philadelphia, 1978.

  • Simonet, Thomas,Regression Analysis of Prior Experiences of Key Production Personnel as Predictors of Revenues from High-Grossing Motion Pictures in American Release, New York: Arno Press, 1980.

    Google Scholar 

  • Smith, S. P. and V. K. Smith, “Successful Movies: A Preliminary Empirical Analysis,”Applied Economics, 18, (1986) pp. 501–7.

    Google Scholar 

  • Sommers, P. M., “Reel Analysis,”Journal of Recreational Mathematics, 16, 3, (1983–84) pp. 161–6.

    Google Scholar 

  • Variety, “MIFED Issue,” (15 October 1990a).

  • Variety, ”Tenth American Film Market Edition,” (21 February 1990b).

  • Vogel, Harold L.,Entertainment Industry Economics: A Guide for Financial Analysis, New York: Cambridge University Press, 1990.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

About this article

Cite this article

Wallace, W.T., Seigerman, A. & Holbrook, M.B. The role of actors and actresses in the success of films: how much is a movie star worth?. J Cult Econ 17, 1–27 (1993). https://doi.org/10.1007/BF00820765

Download citation

  • Issue Date:

  • DOI: https://doi.org/10.1007/BF00820765

Keywords

Navigation