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Erschienen in: Cultural Studies of Science Education 4/2010

01.12.2010

Solidarity and conflict: aligned and misaligned prosody as a transactional resource in intra- and intercultural communication involving power differences

verfasst von: Wolff-Michael Roth, Kenneth Tobin

Erschienen in: Cultural Studies of Science Education | Ausgabe 4/2010

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Abstract

This ethnographic study of teaching and learning in urban high school science classes investigates the ways in which teachers and students talk, gesture, and use space and time in interaction rituals. In situations where teachers coteach as a means of learning to teach in inner-city schools, successful teacher-teacher collaborations are characterized by prosodic expressions that converge over time and adapt to match the prosodic parameters of students’ talk. In these situations our ethnographic data provide evidence of solidarity and positive emotions among the teachers and also between students and teachers. Unsuccessful collaborations are associated with considerable differences in pitch between consecutive speakers participating in turns-at-talk, these being related to the production of negative emotions and conflicts at longer time scales. Situational conflicts are co-expressed by increases in pitch levels, speech intensities, and speech rates; and conflict resolution is accelerated by the coordination of pitch levels. Our study therefore suggests that prosodic alignment and misalignment are resources that are pragmatically deployed to manage face-to-face interactions that have solidarity and conflict as their longer-term outcomes.

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Fußnoten
1
More technically, pitch (F 0) is obtained when the sound stream is submitted to an auto-correlated analysis of the main frequencies yielded through a Fourier analysis of the sound spectrum that composes each sound. This yields estimates for the pitch (F 0) and the other main frequencies (formants F 1, F 2, …), that is, those where most of the speech energy is concentrated. The pitch analysis requires at least three maximum pitch periods to fit within the analysis windows. Because women and men tend to speak at different base rates of pitch, the windows have to be adjusted for different speakers. The software suggests a range from 75 to 300 Hz for male speakers and 100–500 Hz for female speakers. However, in some situations, especially associated with conflicts, the speakers from the respective populations exceeded these limits. We then set the upper limits to 500 and 800 Hz for male and female speakers, respectively. If the floor of the pitch range were set too low, fast pitch (F 0) changes would be missed; if it were set too high, low pitch changes would be missed.
 
2
All episodes have been transcribed following the conventions of conversation analysis developed for the analysis of prosodic features (Selting et al. 1998):
[ beginning of overlapping talk or gesture;
] end of overlapping talk or gesture;
= equal sign at the end of one turn and at the beginning of the next indicates latching turns, that is, there is no gap between the two speakers;
(1.3) elapsed time in tenths of a second;
(.) pause shorter than 1/10th of a second;
:: colons indicate lengthening of the preceding phoneme, approximately one tenth of a second for each colon used;
– a dash indicates sudden stop in talk;
.,;? punctuation marks are used to indicate characteristics of speech production, such as intonation, rather than grammatical units of language;
↑↓ arrows indicate shifts to higher or lower pitch in the immediately following utterance part;
`^• diacritics indicate movement of pitch (F 0) in subsequent word downward, up-down, and upward;
≪p> >, ≪f> >, ≪h> >, ≪all> >, ≪rall >, ≪dim> > ≪cresc> > changes in speech parameters: piano (low volume), forte (high volume), high pitch (F 0) register, allegro (fast), rallentando (slowing up), diminuendo (lowering volume), and crescendo (increasing volume).
WELL upper case is used to indicate sounds louder than the surrounding talk;
.hhh a row of hs prefixed by a dot indicates inbreath, without the dot, the hs indicate outbreath;
O(h)kay a parenthesized h indicates breathiness;
(stay?) parenthesized word(s) followed by question mark indicate uncertain but possible hearings;
(()) double parentheses are used to enclose comments and descriptions.
 
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Metadaten
Titel
Solidarity and conflict: aligned and misaligned prosody as a transactional resource in intra- and intercultural communication involving power differences
verfasst von
Wolff-Michael Roth
Kenneth Tobin
Publikationsdatum
01.12.2010
Verlag
Springer Netherlands
Erschienen in
Cultural Studies of Science Education / Ausgabe 4/2010
Print ISSN: 1871-1502
Elektronische ISSN: 1871-1510
DOI
https://doi.org/10.1007/s11422-010-9272-8

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