Measuring consumer-based brand authenticity
Introduction
Postmodern markets are characterized by a brand-dominated hyperreality where consumers struggle to differentiate between the ‘real’ and ‘fake’ (Arnould and Price, 2000, Firat and Venkatesh, 1995). While authenticity has historically been associated with transcending the self and the market (Beverland, 2005, Fine, 2003, Kozinets, 2002, Peterson, 2005, Taylor, 1992, Thompson et al., 2006), an emerging stream of consumer research identifies that people attribute authenticity to brands. Research suggests that authenticity is central to brand status, equity and corporate reputation (Beverland, 2005, Gilmore and Pine, 2007), with some even suggesting it as one of the “cornerstones of contemporary marketing”, (Brown, Kozinets, & Sherry, 2003, p. 21). The concept itself, however, is still not well understood nor clearly defined (Grayson and Martinec, 2004, Rose and Wood, 2005).
Extant research has examined (to various extents) consumers' quests for authentic experiences (Arnould & Price, 2000), rituals associated with the authentic self (Belk and Costa, 1998, Kozinets, 2002), the cues used to attribute authenticity to objects (Beverland et al., 2008, Grayson and Martinec, 2004, Leigh et al., 2006, Thompson et al., 2006), the processes used to assess an object's authenticity (Rose & Wood, 2005), and the various forms authenticity can take (Brown et al., 2003, Grayson and Martinec, 2004). More recently, research has focused on the effects of brand authenticity on brand trust and SME growth (Eggers, O'Dwyer, Kraus, Vallaster, & Guldenberg, 2012) and its role in establishing and maintaining brand auras (Alexander, 2009) from the perspective of key stakeholders within an organization (ie. CEOs, marketing specialists). Eggers et al. (2012) conclude that brand authenticity has a significant impact on brand trust and can help fuel firm growth within the market place. However, it is important for the organization as a whole to embrace a culture that encourages, fosters and enhances authentic values.
We extend this line of inquiry through the development of a consumer-based brand authenticity (CBBA) scale, building on calls for an objective measure of brand authenticity that includes the voice of the consumer (Eggers et al., 2012). Understanding the outcomes of authenticity for a consumer is important because the search for authenticity is part of a consumer's identity project and is thus goal-driven (Arnould and Price, 2000, Belk et al., 1989, Gergen, 1991, Goffman, 1959, Lifton, 1993, McCracken, 2005, Thompson, 2000). For example, consumers may desire clear connections between perceptual product cues when forced to quickly make a correct decision (Beverland et al., 2008). Or, certain brand cues may be preferred when consumers attempt to fit in with a wider subcultural community or express their social affiliations (Beverland et al., 2006, Kates, 2004). Thus, preferencing cues and choosing or rejecting brands is part of an authenticating act (a self-referential act) or authoritative performance (a collective expression) (Arnould & Price, 2000).
This study also aims to reduce the present fragmentation of research on the consumption of authenticity, which may assist managers in creating and maintaining a brand's authenticity (Beverland, 2005, Leigh et al., 2006, Peterson, 2005). Understanding perceptions of authenticity may help explain consumers' brand attitudes together with their degree of brand loyalty and also lead to a more effective approach to market segmentation. Moreover, the development of an authenticity scale will enable the relationship between this and other marketing constructs to be assessed. Combined, such insights will provide brand managers with a means to assess the efficacy of strategic communication messages designed to establish a perception of authenticity in the minds of external stakeholders, including consumers (Molleda, 2010).
The article is structured as follows. First, we examine the nature of brand authenticity and its core attributes. Second, we explain our methods and report our results. Finally, we address theoretical and managerial implications, limitations and directions for future research.
Section snippets
The nature of brand authenticity
In business research, the term authenticity has been used in different ways to imply different meanings (Beverland, 2005). Commonly, authenticity is used to refer to the genuineness, reality or truth of something (Kennick, 1985). It has also been defined in terms of sincerity, innocence and originality (Fine, 2003) and related to concepts such as being natural, honest, simple and unspun (Boyle, 2003). Consumers experience authenticity differently and use a range of cues to evaluate the
Method and results
The purpose of this research is to develop a psychometrically robust measure of brand authenticity from a consumer's perspective. In so doing, four separate studies were undertaken to generate and refine scale items (Study 1), determine and then confirm the underlying factor structure of brand authenticity (Studies 2 and 3), and finally to test for convergent, discriminant and predictive validity of the scale (Study 4).
Discussion
Authenticity is increasingly cherished as its existence in the commercial world gradually diminishes (Penaloza, 2000, Peterson, 2005). People today are discontented with this commercial existence and lack faith in marketing, with almost everything in their lives seeming to be contrived. Therefore consumers are ready to embrace alternate consumption behaviors. While this shift is a movement concentrated among a few consumer sub groups, and the revolution in consumption predicted by Boyle (2003)
Limitations and research directions
There are several limitations to be noted. First, although a review of the literature highlighted seven potential cues consumers use in evaluating the authenticity of a brand, only three factors emerged in our analysis, namely quality commitment, heritage and sincerity. The concepts of nostalgia, craftsmanship and design consistency were captured by these three factors, but cultural symbolism failed to materialize in any form. This suggests that the CBBA scale does embrace the core elements of
Acknowledgments
The authors would like to thank Peter Danaher, Tim Fry and Mike Reid for their helpful comments on earlier drafts. We would also like to thank Leyland Pitt, Pierre Berthon, Ian Phau, Donna Gill, Rod Brodie, Tandy Chellis and Nicole Porter for their assistance in the scale refinement process. Thanks also to the Faculty Research Committee at the University of Melbourne for funding this project.
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