초록

This paper explores two main issues. The first issue is the Southeast Asian figure of the Kunlunnu 崑崙奴 and the appearance of this figure in East Asian Buddhist art; specifically, how this figure is portrayed as the lion tamer of Mañjuśriˉ. The second concern is centered on examples of the “Lion and Kunlunnu” image that appear in the tombs of Unified Silla (676–935). Until now, the figure carved on the corner pillar of the Unified Silla royal tomb at Kujo˘ng-dong 九政洞 has been identified as a “Westerner with a polo stick.” This paper proposes that the figure and the adjacent lion relief should be reinterpreted as a representation of the Buddhist image of the “lion and Kunlunnu” attendant of Mañjuśriˉ. Thus, this relief serves as an example of the close relationship between the sculpture of the Unified Silla royal tombs and Buddhist art.

키워드

“lion and Kunlunnu, ” Mañjuśriˉ, Unified Silla dynasty, royal tombs, Buddhist art

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