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2021 | OriginalPaper | Buchkapitel

12. Los Angeles as a No Man’s Land: First World War Trauma in Raymond Chandler’s Detective Fiction

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Abstract

In the work of American hard-boiled crime writer Raymond Chandler the city of Los Angeles is portrayed as a corrupt and decaying environment that consistently thwarts the protagonist’s efforts to find justice and closure. As a veteran of the First World War, Chandler imbues his detective protagonist Philip Marlowe with a profound level of disillusionment in the face of an apparently meaningless and combative post-war world. Drawing upon Chandler’s veteran status, this essay argues that Marlowe’s disillusionment towards society, and the city specifically, is suggestive of the author’s vision of Los Angeles as a hostile post-war No Man’s Land; a physical and psychological battleground relocated from the trenches of Europe to urban California. It is a location where human existence, time, space, and emotion have been eroded beyond the detective’s comprehension, and the only escape is to retreat to the pastoral areas outside of the corrosive urban environment.

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Fußnoten
1
For an in-depth examination of Chandler’s war experiences and the implied veteran status of his protagonist, please see Trott, Sarah, War Noir: Raymond Chandler and the Hard Boiled Detective as Veteran in American Fiction (Jackson, MS: University Press of Mississippi, 2016).
 
2
See Trott, War Noir. Chapter two specifically discusses Chandler’s combat experience with the Canadian Corps during the First World War, and chapters four, five, and six examine how Chandler’s protagonist can be reinterpreted as a war veteran.
 
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Metadaten
Titel
Los Angeles as a No Man’s Land: First World War Trauma in Raymond Chandler’s Detective Fiction
verfasst von
Sarah Trott
Copyright-Jahr
2021
DOI
https://doi.org/10.1007/978-3-030-55961-8_12