Skip to main content
Erschienen in:
Buchtitelbild

Open Access 2021 | OriginalPaper | Buchkapitel

Meme Tourism: A Conceptual Framework

verfasst von : Yerin Yhee, Jahyun Goo, Chulmo Koo

Erschienen in: Information and Communication Technologies in Tourism 2021

Verlag: Springer International Publishing

Aktivieren Sie unsere intelligente Suche, um passende Fachinhalte oder Patente zu finden.

search-config
loading …

Abstract

With advances in technology affordances, contents generated by individual tourists in the tourism context has become an influential source of tourism information besides contents channeled by traditional mass media such as newspapers and broadcasts. Specifically, Meme Tourism (i.e., meme phenomenon in tourism) becomes one of the biggest trends in imitating and transforming/evolving tourism contents online, which is a byproduct of participatory culture that use text and visual images as means of user-generated communications in online communities through the exchange, distribution, and transactions. Understanding the emerging phenomena of meme in tourism would provide insights on tourists’ desires and behaviors in modern traveling. This study conceptualizes three major perspectives in tourism; 1) media-induced tourism, 2) user-generated content, and 3) social media activities, reflecting meme phenomena in tourism. Given the foundation provided, this study calls for a new stream of study in tourism that examines desire, motivation, and behavior of tourists in technology-enabled modern travel culture.
Hinweise
This work was supported by the Ministry of Education of the Republic of Korea and the National Research Foundation of Korea (NRF-2019S1A3A2098438).

1 Introduction

The rise of digital media - most notably social media sites – has provided commonly called “user democracy culture” [1]. Digital media has developed from a broadcast medium to participatory platforms including social media such as YouTube, Instagram and TikTok, encouraging “media” to collaborate and share information on its own [2]. On Web 2.0 platforms, the social system consists of individuals and objects related through mutual viewing, sharing, and commenting [3]. In an era marked by ‘networked individualism’ [4], internet meme has become a new digital culture, which connects tourism to a new territory. This new digital culture in tourism pave a way for opening new fields of research. The term ‘MEME’ is a short for mimeme, which means ‘imitated thing.’, in the book of The Selfish Gene by Richard Dawkins [5]. An Internet meme spreads via through social media platforms (YouTube, Instagram) from person to person. For example, a staircase, the concrete flight of steps in the Bronx, New York, is emerged as the latest tourist hotspot in the film Joker [6]. The memorable scene is spread out to tourists the #jokerstairs by way of hashtag tagged on Instagram and recreate new image. Finally, such the popularity of the location was briefly marked as a religious site on Google Maps. This popularity of unexpected attraction causes a new paradigm in tourism, which is described as ‘meme tourism’. In other word, digital media technologies allow people to create and distribute own travel contents online—and those meme contents have a traction to potential tourists for a hot place to visit. The most popular Pisa and Eiffel Tower are good examples of the meme picture. Despite the fact that these meme phenomena (i.e. to imitate photos posted on SNS and create them in one’s own way) are already prevalent in the tourism industry, thus far, the meme (including internet meme) has not been included in studies in context of tourism. Understanding of meme diffusion in the context of tourism can be important in view travelers such that triggered by tourist-generated contents (i.e. photos, videos and so on) on social media, and have a meaningful insight that non famous place become travel hotspot. This research aims to explore ‘meme tourism’ theoretically and proposes a conceptual framework in explaining the phenomenon for tourism discipline.

2 Meme Tourism

A concept of meme is introduced as an example of ‘gene’ in the human body that is inherited to generation to generation, which can replicate itself through imitation based on the Darwinian [7]. The rise of internet and digital media generate memes and digital cultures. Specifically, Shifman [8] has conducted extensive research on digital memes from the perspective of journalism and communication. She defined the internet meme as artifacts are circulated, imitated, and transformed via the Internet by multiple users” [9]. That is, internet memes are a byproduct of participatory culture that use text and visual images as means of user-generated communication in online communities through the exchange, distribution, and reception [10]. The use of memetic contents in a desirable manner can impact the impressions of the recipients [11] and, thus, influence the perception of the subject (yourself, other individuals, groups, places, phenomena) by individuals or groups of recipients.
The role of this process in the self-presentation of tourist activity in the social media is emphasized by Lo and McKercher [12]. They view that shared photos are expressions of a tourist’s satisfaction with a trip and the people sharing them would like to be perceived as such by the recipients [13]. Internet meme generated by tourists is a potential manifestation of the tourist experience embedded in their context, activities and experiences. That is, in an era of ‘networked individualism’, a tourist can exploit memetic contents to simultaneously express both their uniqueness of themselves and their connectivity to the community [9]. The characteristics of the images as the content of a memetic nature can significantly influence the perception of individual subjects. At the same time, these contents may significantly shape and stimulate other users’ willingness to undertake different online activities of an affective, cognitive, and behavioral nature [13]. The intensity of such activities or behaviors of tourists including consuming, distributing, and recreating contents will, then, become a determinant of the intention to visit a specific destination or attitude toward a certain place of other potential tourists. Eventually, ‘meme tourism’ is defined as a series of processes in which tourists visit tourist sites to share their experiences of copying other tourists or expressing tourist attractions in their own way, can explain the current tourism phenomenon in terms of memes. Hence, this paper explores a conceptual framework, which draw an attention meme tourism on user-generated content, media-induced tourism, and social media use motivation.

3 Meme Tourism: Three Major Perspectives

Internet meme generated by tourists is a potential manifestation of the tourist experience embedded in their context, activities and experiences. Although meme tourism is a new concept, meme tourism has been involved in multiple components and real cases related to the context of tourism [6]. Drawing on the characteristics of internet meme from the prior tourism research, we categorize them into three major perspectives that are essential for understanding meme tourism [14, 15]. They include media-induced tourism [16], user-generated contents [17], and social media activities [18] (Fig. 1).

3.1 Media-Induced Tourism

Media related tourism has been extensively studied in the past 20 years, defined as travel to places associated with books, celebrities, television and film [16, 19]. Numerous studies have tried to explain how media shapes images about destinations and influences tourism [17]. As social media in Web 2.0 allowed people to create and share their travel experiences online in real time [20], various types of content on social media are mostly motivated by altruistic and hedonic desire, thereby a significant relationship between potential tourists’ desires and motivational factors [17] were examined. For example, a friend’s travel-related contents seen in social media tends to elevate envious thoughts that lead to more travel intention [21]. Therefore, it seems becoming spontaneous as less attractive places could become travelers’ hotspots. Considering that memetic contents spread rapidly through social media, theses contents created and shared through various types of media can also boost tourists’ desires. However, there seems a clear difference between general content and memetic content. Even if the social media content becomes viral, the memetic content is transmitted through imitation as a form of the recreated version [22].

3.2 User-Generated Content (UGC)

Customers express their satisfaction or dissatisfaction with a product or service through UGC because social media offers people opportunities to socialize and form communities of interest [23]. Customers use UGC for various reasons, such as evaluating service quality and price [24] and identifying the best attractions, food, and destinations [25]. Others search for social acceptance [26], enjoyment [27], a communal feeling [28], and involvement [29]. In the tourism and hospitality industries, special attention has also been given to user-generated content (UGC) online due to its influence on destination and business image formation [30], tourist behavior [31]. Tourists have a significant influence on other potential tourists by sharing travel experiences through UGC (i.e. text, pictures and videos). Those contents inspire social networks individually to copy or imitate the contents. Although internet memes are also a form of UGC, there is a lack of research on theoretical points of view on them.

3.3 Social Media Activities

The rise of Web 2.0 technologies has led to a wealth of social media websites, popular examples of which are YouTube, Instagram, and TikTok. These platforms provide many opportunities for users to share and create content about anything, including their travel and journey [23]. To study travel-related activities as behavioral construct provides a unifying framework to think about tourist activities pertaining to travel-related content on social media platforms. This concept is not new and also encompasses early typologies of consumer behavior in online brand-related activities. Muntinga et al. [18] categorized into three dimensions that correspond to path of gradual involvement with brand-related content on social media, namely consuming, contributing, and creating as level of activeness. In the context of media use, it is also important to examine travel-related activities’ meme. Particularly, tourists’ meme for engaging with content on travel-related content on social media (cf. [32]) would be important to overview the full spectrum of travel-related social media activities. In this process, we can explore how a memetic content spread and why tourists consume, distribute, and recreate a memetic content.

4 Directions for Future Research

Apparently, meme phenomenon in tourism is already underway and tourism-related meme has grown to become a significant part of the tourist market. However, it appears that a lack of attention to meme tourism is paid by the academia. With this paper, we introduced a new concept of meme tourism and identified three perspectives of meme tourism for the foundation of future research in understanding the current phenomenon in the context of tourism. While not meant to be concrete or comprehensive, this research aims to serve as a starting point for further development of the theoretical aspect of meme phenomenon. In the future, it is recommended to identify the attributes of meme tourism through a mixed method approach including qualitative and quantitative study.
Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://​creativecommons.​org/​licenses/​by/​4.​0/​), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.
The images or other third party material in this chapter are included in the chapter's Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the chapter's Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder.
Literatur
2.
Zurück zum Zitat Thevenot G (2007) Blogging as a social media. Tour Hosp Res 7(3–4):287–289CrossRef Thevenot G (2007) Blogging as a social media. Tour Hosp Res 7(3–4):287–289CrossRef
3.
Zurück zum Zitat Xu WW, Park JY, Park HW (2015) The networked cultural diffusion of Korean wave. Online Inf Rev 39(1):43–60CrossRef Xu WW, Park JY, Park HW (2015) The networked cultural diffusion of Korean wave. Online Inf Rev 39(1):43–60CrossRef
4.
Zurück zum Zitat Wellman B, et al (2003) The social affordances of the Internet for networked individualism. J Comput Commun 8(3):JCMC834 Wellman B, et al (2003) The social affordances of the Internet for networked individualism. J Comput Commun 8(3):JCMC834
5.
Zurück zum Zitat Dawkins R (1976) The selfish gene. Oxford University Press, New York Dawkins R (1976) The selfish gene. Oxford University Press, New York
6.
Zurück zum Zitat Mahdawi A (2020) Meme tourism has turned the world into the seventh circle of selfie hell, pp 2019–2021 Mahdawi A (2020) Meme tourism has turned the world into the seventh circle of selfie hell, pp 2019–2021
9.
Zurück zum Zitat Shifman, L (2014) Memes in digital culture. MIT Press, Cambridge Shifman, L (2014) Memes in digital culture. MIT Press, Cambridge
10.
Zurück zum Zitat Kietzmann JH, Hermkens K, McCarthy IP, Silvestre BS (2011) Social media? Get serious! Understanding the functional building blocks of social media. Bus Horiz 54(3):241–251CrossRef Kietzmann JH, Hermkens K, McCarthy IP, Silvestre BS (2011) Social media? Get serious! Understanding the functional building blocks of social media. Bus Horiz 54(3):241–251CrossRef
11.
Zurück zum Zitat Schlenker BR (1980) Impression management. Brooks/Cole, Monterey, pp 79–80 Schlenker BR (1980) Impression management. Brooks/Cole, Monterey, pp 79–80
12.
Zurück zum Zitat Lo IS, McKercher B (2015) Ideal image in process: online tourist photography and impression management. Ann Tour Res 52:104–116CrossRef Lo IS, McKercher B (2015) Ideal image in process: online tourist photography and impression management. Ann Tour Res 52:104–116CrossRef
13.
Zurück zum Zitat Stepaniuk K (2016) Memetic management of tourist social networks content. Prep Future Innov Econ 221 Stepaniuk K (2016) Memetic management of tourist social networks content. Prep Future Innov Econ 221
15.
16.
Zurück zum Zitat Busby G, Klug J (2001) Movie-induced tourism: the challenge of measurement and other issues. J Vacat Mark 7(4):316–332CrossRef Busby G, Klug J (2001) Movie-induced tourism: the challenge of measurement and other issues. J Vacat Mark 7(4):316–332CrossRef
17.
Zurück zum Zitat Yoo K-H, Gretzel U (2011) Influence of personality on travel-related consumer-generated media creation. Comput Human Behav 27(2):609–621CrossRef Yoo K-H, Gretzel U (2011) Influence of personality on travel-related consumer-generated media creation. Comput Human Behav 27(2):609–621CrossRef
18.
Zurück zum Zitat Muntinga DG, Moorman M, Smit EG (2011) Introducing COBRAs: exploring motivations for brand-related social media use. Int J Advert 30(1):13–46CrossRef Muntinga DG, Moorman M, Smit EG (2011) Introducing COBRAs: exploring motivations for brand-related social media use. Int J Advert 30(1):13–46CrossRef
19.
Zurück zum Zitat Lee S, Scott D, Kim H (2008) Celebrity fan involvement and destination perceptions. Ann Tour Res 35(3):809–832CrossRef Lee S, Scott D, Kim H (2008) Celebrity fan involvement and destination perceptions. Ann Tour Res 35(3):809–832CrossRef
20.
Zurück zum Zitat Berger J, Schwartz EM (2011) What drives immediate and ongoing word of mouth? J Mark Res 48(5):869–880CrossRef Berger J, Schwartz EM (2011) What drives immediate and ongoing word of mouth? J Mark Res 48(5):869–880CrossRef
22.
Zurück zum Zitat Blackmore S, Dugatkin LA, Boyd R, Richerson PJ, Plotkin H (2000) The power of memes. Sci Am 283(4):64–73CrossRef Blackmore S, Dugatkin LA, Boyd R, Richerson PJ, Plotkin H (2000) The power of memes. Sci Am 283(4):64–73CrossRef
24.
Zurück zum Zitat Liu C-HS, Lee T (2016) Service quality and price perception of service: Influence on word-of-mouth and revisit intention. J Air Transp Manag 52:42–54CrossRef Liu C-HS, Lee T (2016) Service quality and price perception of service: Influence on word-of-mouth and revisit intention. J Air Transp Manag 52:42–54CrossRef
25.
Zurück zum Zitat Lee W, Xiong L, Hu C (2012) The effect of Facebook users’ arousal and valence on intention to go to the festival: applying an extension of the technology acceptance model. Int J Hosp Manag 31(3):819–827CrossRef Lee W, Xiong L, Hu C (2012) The effect of Facebook users’ arousal and valence on intention to go to the festival: applying an extension of the technology acceptance model. Int J Hosp Manag 31(3):819–827CrossRef
26.
Zurück zum Zitat Khan G, Khan F (2015) Motivations to engage in eWom among Muslim tourists: a study of inbound Muslim tourists to Malaysia. Int J Islam Mark Brand 1(1):69–80 Khan G, Khan F (2015) Motivations to engage in eWom among Muslim tourists: a study of inbound Muslim tourists to Malaysia. Int J Islam Mark Brand 1(1):69–80
28.
Zurück zum Zitat Ku ECS (2011) Recommendations from a virtual community as a catalytic agent of travel decisions. Internet Res (2011) Ku ECS (2011) Recommendations from a virtual community as a catalytic agent of travel decisions. Internet Res (2011)
29.
Zurück zum Zitat Sotiriadis MD, Van Zyl C (2013) Electronic word-of-mouth and online reviews in tourism services: the use of twitter by tourists. Electron Commer Res 13(1):103–124CrossRef Sotiriadis MD, Van Zyl C (2013) Electronic word-of-mouth and online reviews in tourism services: the use of twitter by tourists. Electron Commer Res 13(1):103–124CrossRef
30.
Zurück zum Zitat Mariné-Roig E (2017) Measuring destination image through travel reviews in search engines. Sustainability 9(8):1425CrossRef Mariné-Roig E (2017) Measuring destination image through travel reviews in search engines. Sustainability 9(8):1425CrossRef
31.
Zurück zum Zitat Kim H, Stepchenkova S (2015) Effect of tourist photographs on attitudes towards destination: manifest and latent content. Tour Manag 49:29–41CrossRef Kim H, Stepchenkova S (2015) Effect of tourist photographs on attitudes towards destination: manifest and latent content. Tour Manag 49:29–41CrossRef
32.
Zurück zum Zitat Rodgers S, Wang Y, Rettie R, Alpert F (2007) The web motivation inventory: replication, extension and application to internet advertising. Int J Advert 26(4):447–476CrossRef Rodgers S, Wang Y, Rettie R, Alpert F (2007) The web motivation inventory: replication, extension and application to internet advertising. Int J Advert 26(4):447–476CrossRef
Metadaten
Titel
Meme Tourism: A Conceptual Framework
verfasst von
Yerin Yhee
Jahyun Goo
Chulmo Koo
Copyright-Jahr
2021
DOI
https://doi.org/10.1007/978-3-030-65785-7_32