Skip to main content

2019 | OriginalPaper | Buchkapitel

Moderate Recursion: A Digital Artifact of Interactive Dance

verfasst von : Celine Latulipe, Berto Gonzalez, Melissa Word, Sybil Huskey, David Wilson

Erschienen in: Interactivity, Game Creation, Design, Learning, and Innovation

Verlag: Springer International Publishing

Aktivieren Sie unsere intelligente Suche, um passende Fachinhalte oder Patente zu finden.

search-config
loading …

Abstract

In this paper, we describe the process and technology behind the creation of a video art piece, ‘Moderate Recursion,’ that is a by-product of the dance performance, ‘Heavy Recursion.’ The original interactive dance work was part of the Dance.Draw project and was a reflection on the role of technology in our lives. The resulting video art piece, ‘Moderate Recursion,’ uses a combination of recorded videos of the projected visualizations and of the dancers on the stage. This paper presents the emergence of this new visual art piece. This demonstrates how ephemeral instances of interactive performance art can be captured for broader audiences to experience, through a permanent video artifact.

Sie haben noch keine Lizenz? Dann Informieren Sie sich jetzt über unsere Produkte:

Springer Professional "Wirtschaft+Technik"

Online-Abonnement

Mit Springer Professional "Wirtschaft+Technik" erhalten Sie Zugriff auf:

  • über 102.000 Bücher
  • über 537 Zeitschriften

aus folgenden Fachgebieten:

  • Automobil + Motoren
  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Elektrotechnik + Elektronik
  • Energie + Nachhaltigkeit
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Maschinenbau + Werkstoffe
  • Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Springer Professional "Technik"

Online-Abonnement

Mit Springer Professional "Technik" erhalten Sie Zugriff auf:

  • über 67.000 Bücher
  • über 390 Zeitschriften

aus folgenden Fachgebieten:

  • Automobil + Motoren
  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Elektrotechnik + Elektronik
  • Energie + Nachhaltigkeit
  • Maschinenbau + Werkstoffe




 

Jetzt Wissensvorsprung sichern!

Springer Professional "Wirtschaft"

Online-Abonnement

Mit Springer Professional "Wirtschaft" erhalten Sie Zugriff auf:

  • über 67.000 Bücher
  • über 340 Zeitschriften

aus folgenden Fachgebieten:

  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Versicherung + Risiko




Jetzt Wissensvorsprung sichern!

Literatur
2.
Zurück zum Zitat Birringer, J.: Dance and media technologies. PAJ: J. Perform. Art 24(1), 84–93 (2002) Birringer, J.: Dance and media technologies. PAJ: J. Perform. Art 24(1), 84–93 (2002)
3.
Zurück zum Zitat Birringer, J.: Interactive dance, the body and the internet. J. Vis. Art Pract. 3(3) (2004)CrossRef Birringer, J.: Interactive dance, the body and the internet. J. Vis. Art Pract. 3(3) (2004)CrossRef
4.
Zurück zum Zitat Bizzocchi, J.: Winterscape and ambient video: an intermedia border zone. In: Proceedings of the 16th ACM International Conference on Multimedia, MM 2008, pp. 949–952. ACM, New York (2008) Bizzocchi, J.: Winterscape and ambient video: an intermedia border zone. In: Proceedings of the 16th ACM International Conference on Multimedia, MM 2008, pp. 949–952. ACM, New York (2008)
5.
Zurück zum Zitat Brown, M.D., Smoliar, S.W.: A graphics editor for labanotation. SIGGRAPH Comput. Graph. 10(2), 60–65 (1976)CrossRef Brown, M.D., Smoliar, S.W.: A graphics editor for labanotation. SIGGRAPH Comput. Graph. 10(2), 60–65 (1976)CrossRef
6.
Zurück zum Zitat Cabral, D., Valente, J.G., Aragão, U., Fernandes, C., Correia, N.: Evaluation of a multimodal video annotator for contemporary dance. In: Proceedings of the International Working Conference on Advanced Visual Interfaces, AVI 2012, pp. 572–579. ACM, New York (2012) Cabral, D., Valente, J.G., Aragão, U., Fernandes, C., Correia, N.: Evaluation of a multimodal video annotator for contemporary dance. In: Proceedings of the International Working Conference on Advanced Visual Interfaces, AVI 2012, pp. 572–579. ACM, New York (2012)
7.
Zurück zum Zitat Calvert, T.W., Bruderlin, A., Mah, S., Schiphorst, T., Welman, C.: The evolution of an interface for choreographers. In: Proceedings of the INTERACT 1993 and CHI 1993 conference on Human Factors in Computing Systems, pp. 115–122. ACM, New York (1993) Calvert, T.W., Bruderlin, A., Mah, S., Schiphorst, T., Welman, C.: The evolution of an interface for choreographers. In: Proceedings of the INTERACT 1993 and CHI 1993 conference on Human Factors in Computing Systems, pp. 115–122. ACM, New York (1993)
8.
Zurück zum Zitat Carlson, K., Tsang, H.H., Phillips, J., Schiphorst, T., Calvert, T.: Sketching movement: designing creativity tools for in-situ, whole-body authorship. In: Proceedings of the 2nd International Workshop on Movement and Computing, MOCO 2015, pp. 68–75. ACM, New York (2015) Carlson, K., Tsang, H.H., Phillips, J., Schiphorst, T., Calvert, T.: Sketching movement: designing creativity tools for in-situ, whole-body authorship. In: Proceedings of the 2nd International Workshop on Movement and Computing, MOCO 2015, pp. 68–75. ACM, New York (2015)
9.
Zurück zum Zitat deSpain, K.: Dance and technology: a pas de deux for post-humans. Dance Res. J. 32(1), 2–17 (2000) deSpain, K.: Dance and technology: a pas de deux for post-humans. Dance Res. J. 32(1), 2–17 (2000)
10.
Zurück zum Zitat El Raheb, K., Ioannidis, Y.: From dance notation to conceptual models: a multilayer approach. In: Proceedings of the 2014 International Workshop on Movement and Computing, MOCO 2014, pp. 25:25–25:30. ACM, New York (2014) El Raheb, K., Ioannidis, Y.: From dance notation to conceptual models: a multilayer approach. In: Proceedings of the 2014 International Workshop on Movement and Computing, MOCO 2014, pp. 25:25–25:30. ACM, New York (2014)
11.
Zurück zum Zitat El Raheb, K., Papapetrou, N., Katifori, V., Ioannidis, Y.: BalOnSe: ballet ontology for annotating and searching video performances. In: Proceedings of the 3rd International Symposium on Movement and Computing, MOCO 2016, pp. 5:1–5:8. ACM, New York (2016) El Raheb, K., Papapetrou, N., Katifori, V., Ioannidis, Y.: BalOnSe: ballet ontology for annotating and searching video performances. In: Proceedings of the 3rd International Symposium on Movement and Computing, MOCO 2016, pp. 5:1–5:8. ACM, New York (2016)
12.
Zurück zum Zitat Farley, K.: Digital dance theatre: the marriage of computers, choreography and techno/human reactivity. Body Space Technol. 3(1), 39–46 (2002)CrossRef Farley, K.: Digital dance theatre: the marriage of computers, choreography and techno/human reactivity. Body Space Technol. 3(1), 39–46 (2002)CrossRef
13.
Zurück zum Zitat Faver, C., Stein, G.: Toward a digital stage architecture: a long-term research agenda in digitally enabled theater. IEEE MultiMedia 4, 6–9 (2001) Faver, C., Stein, G.: Toward a digital stage architecture: a long-term research agenda in digitally enabled theater. IEEE MultiMedia 4, 6–9 (2001)
14.
Zurück zum Zitat Forsythe, W., Palazzi, M., Zuniga Shaw, N., deLahunta, S.: Synchronous objects for one flat thing, reproduced. In: 2009 Website Installation or On Line Resource, Columbus, Ohio. The Ohio State University and The Forsythe Company (2009) Forsythe, W., Palazzi, M., Zuniga Shaw, N., deLahunta, S.: Synchronous objects for one flat thing, reproduced. In: 2009 Website Installation or On Line Resource, Columbus, Ohio. The Ohio State University and The Forsythe Company (2009)
15.
Zurück zum Zitat Latulipe, C., Carroll, E.A., Lottridge, D.: Evaluating longitudinal projects combining technology with temporal arts. In: Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, CHI 2011, pp. 1835–1844. ACM, New York(2011) Latulipe, C., Carroll, E.A., Lottridge, D.: Evaluating longitudinal projects combining technology with temporal arts. In: Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, CHI 2011, pp. 1835–1844. ACM, New York(2011)
16.
Zurück zum Zitat Latulipe, C., Carroll, E.A., Lottridge, D.: Love, hate, arousal and engagement: exploring audience responses to performing arts. In: Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, CHI 2011, pp. 1845–1854. ACM, New York (2011) Latulipe, C., Carroll, E.A., Lottridge, D.: Love, hate, arousal and engagement: exploring audience responses to performing arts. In: Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, CHI 2011, pp. 1845–1854. ACM, New York (2011)
17.
Zurück zum Zitat Loke, L., Khut, G.P., Kocaballi, A.B.: Bodily experience and imagination: designing ritual interactions for participatory live-art contexts. In: Proceedings of the Designing Interactive Systems Conference, DIS 2012, pp. 779–788. ACM, New York (2012) Loke, L., Khut, G.P., Kocaballi, A.B.: Bodily experience and imagination: designing ritual interactions for participatory live-art contexts. In: Proceedings of the Designing Interactive Systems Conference, DIS 2012, pp. 779–788. ACM, New York (2012)
18.
Zurück zum Zitat Loke, L., Robertson, T.: Studies of dancers: moving from experience to interaction design. Int. J. Des. 4(2) (2010) Loke, L., Robertson, T.: Studies of dancers: moving from experience to interaction design. Int. J. Des. 4(2) (2010)
19.
Zurück zum Zitat Mandilian, L.E., Diefenbach, P., Kim, Y.: Information overload: a collaborative dance performance. In: Proceedings of the 1st ACM International Workshop on Semantic Ambient Media Experiences, pp. 57–60. ACM (2008) Mandilian, L.E., Diefenbach, P., Kim, Y.: Information overload: a collaborative dance performance. In: Proceedings of the 1st ACM International Workshop on Semantic Ambient Media Experiences, pp. 57–60. ACM (2008)
20.
Zurück zum Zitat Martella, C., Gedik, E., Cabrera-Quiros, L., Englebienne, G., Hung, H.: How was it?: Exploiting smartphone sensing to measure implicit audience responses to live performances. In: Proceedings of the 23rd ACM International Conference on Multimedia, MM 2015, pp. 201–210. ACM, New York (2015) Martella, C., Gedik, E., Cabrera-Quiros, L., Englebienne, G., Hung, H.: How was it?: Exploiting smartphone sensing to measure implicit audience responses to live performances. In: Proceedings of the 23rd ACM International Conference on Multimedia, MM 2015, pp. 201–210. ACM, New York (2015)
21.
Zurück zum Zitat Meador, W.S., Rogers, T.J., O’Neal, K., Kurt, E., Cunningham, C.: Mixing dance realities: collaborative development of live-motion capture in a performing arts environment. Comput. Entertain. (CIE) 2(2), 12 (2004)CrossRef Meador, W.S., Rogers, T.J., O’Neal, K., Kurt, E., Cunningham, C.: Mixing dance realities: collaborative development of live-motion capture in a performing arts environment. Comput. Entertain. (CIE) 2(2), 12 (2004)CrossRef
22.
Zurück zum Zitat Meigh-Andrews, C.: A History of Video Art. A&C Black (2013) Meigh-Andrews, C.: A History of Video Art. A&C Black (2013)
23.
Zurück zum Zitat Molina-Tanco, L., García-Berdonés, C., Reyes-Lecuona, A.: The delay mirror: a technological innovation specific to the dance studio. In: Proceedings of the 4th International Conference on Movement Computing, MOCO 2017, pp. 9:1–9:6. ACM, New York (2017) Molina-Tanco, L., García-Berdonés, C., Reyes-Lecuona, A.: The delay mirror: a technological innovation specific to the dance studio. In: Proceedings of the 4th International Conference on Movement Computing, MOCO 2017, pp. 9:1–9:6. ACM, New York (2017)
24.
Zurück zum Zitat Paik, N.J.: Input-time and output-time. Video art: an anthology, p. 98 (1976) Paik, N.J.: Input-time and output-time. Video art: an anthology, p. 98 (1976)
25.
Zurück zum Zitat Peeters, J., Trotto, A.: Designing expressions of movement qualities. In: Proceedings of the 2018 Designing Interactive Systems Conference, DIS 2018, pp. 679–690. ACM, New York (2018) Peeters, J., Trotto, A.: Designing expressions of movement qualities. In: Proceedings of the 2018 Designing Interactive Systems Conference, DIS 2018, pp. 679–690. ACM, New York (2018)
26.
Zurück zum Zitat Phelan, P.: Unmarked: The Politics of Performance. Routledge, London (1993) Phelan, P.: Unmarked: The Politics of Performance. Routledge, London (1993)
27.
Zurück zum Zitat Ribeiro, C., dos Anjos, R.K., Fernandes, C.: Capturing and documenting creative processes in contemporary dance. In: Proceedings of the 4th International Conference on Movement Computing, MOCO 2017, pp. 7:1–7:7. ACM, New York (2017) Ribeiro, C., dos Anjos, R.K., Fernandes, C.: Capturing and documenting creative processes in contemporary dance. In: Proceedings of the 4th International Conference on Movement Computing, MOCO 2017, pp. 7:1–7:7. ACM, New York (2017)
28.
Zurück zum Zitat Röggla, T., Wang, C., César, P.S.: Analysing audience response to performing events: a web platform for interactive exploration of physiological sensor data. In: Proceedings of the 23rd ACM International Conference on Multimedia, MM 2015, pp. 749–750. ACM, New York (2015) Röggla, T., Wang, C., César, P.S.: Analysing audience response to performing events: a web platform for interactive exploration of physiological sensor data. In: Proceedings of the 23rd ACM International Conference on Multimedia, MM 2015, pp. 749–750. ACM, New York (2015)
29.
Zurück zum Zitat Rostami, A., McMillan, D., Márquez Segura, E., Rossito, C., Barkhuus, L.: Bio-sensed and embodied participation in interactive performance. In: Proceedings of the Eleventh International Conference on Tangible, Embedded, and Embodied Interaction, TEI 2017, pp. 197–208. ACM, New York (2017) Rostami, A., McMillan, D., Márquez Segura, E., Rossito, C., Barkhuus, L.: Bio-sensed and embodied participation in interactive performance. In: Proceedings of the Eleventh International Conference on Tangible, Embedded, and Embodied Interaction, TEI 2017, pp. 197–208. ACM, New York (2017)
30.
Zurück zum Zitat Schechner, R.: Between Theater & Anthropology. University of Pennsylvania Press, Philadelphia (1985)CrossRef Schechner, R.: Between Theater & Anthropology. University of Pennsylvania Press, Philadelphia (1985)CrossRef
32.
Zurück zum Zitat Singh, V., Latulipe, C., Carroll, E., Lottridge, D.: The choreographer’s notebook - a video annotation system for dancers and choreographers. In: Proceedings of the 2011 Conference on Creativity & Cognition, C&C 2011, pp. 197–206, New York (2011) Singh, V., Latulipe, C., Carroll, E., Lottridge, D.: The choreographer’s notebook - a video annotation system for dancers and choreographers. In: Proceedings of the 2011 Conference on Creativity & Cognition, C&C 2011, pp. 197–206, New York (2011)
33.
Zurück zum Zitat Yan, S., et al.: Exploring audience response in performing arts with a brain-adaptive digital performance system. ACM Trans. Interact. Intell. Syst. 7(4), 16:1–16:28 (2017)CrossRef Yan, S., et al.: Exploring audience response in performing arts with a brain-adaptive digital performance system. ACM Trans. Interact. Intell. Syst. 7(4), 16:1–16:28 (2017)CrossRef
Metadaten
Titel
Moderate Recursion: A Digital Artifact of Interactive Dance
verfasst von
Celine Latulipe
Berto Gonzalez
Melissa Word
Sybil Huskey
David Wilson
Copyright-Jahr
2019
DOI
https://doi.org/10.1007/978-3-030-06134-0_6