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Erschienen in:
Systematic Musicology: A Historical Interdisciplinary Perspective Kapitel lesen Erstes Kapitel lesen

2018 | OriginalPaper | Buchkapitel

10. Musical Instruments as Synchronized Systems

verfasst von : Rolf Bader

Erschienen in: Springer Handbook of Systematic Musicology

Verlag: Springer Berlin Heidelberg

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Abstract

Most musical instrument families have nearly perfect harmonic overtone series, for example plucked, bowed, or wind instruments. However, when considering the complex geometry and nonlinear driving mechanisms many of these instruments have we would expect them to have very inharmonic overtone series. So to make musical instruments play notes that we accept as harmonic sounds, synchronization needs to occur to arrive at the perfect harmonic overtone series the instruments actually produce. The reasons for this synchronization are different in the singing voice, organs, saxophones or clarinets, violin bowing or in plucked stringed instruments. However, when examining the mechanisms of synchronization further, we find general rules and suitable algorithms to understand the basic behavior of these instruments.

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Vorheriges Kapitel Percussion Musical Instruments
Nächstes Kapitel Room Acoustics – Fundamentals and Computer Simulation
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Metadaten
Titel
Musical Instruments as Synchronized Systems
verfasst von
Rolf Bader
Copyright-Jahr
2018
Verlag
Springer Berlin Heidelberg
Buch
Springer Handbook of Systematic Musicology

Print ISBN: 978-3-662-55002-1

Electronic ISBN: 978-3-662-55004-5

Copyright-Jahr: 2018

DOI
https://doi.org/10.1007/978-3-662-55004-5_10

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