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2018 | OriginalPaper | Buchkapitel

2. Participated Images

verfasst von : Paolo S. H. Favero

Erschienen in: The Present Image

Verlag: Springer International Publishing

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Abstract

This chapter addresses the tensions between liberating and oppressive forces that arise in the context of contemporary interactive and participatory image-based practices. Exploring the field of iDocs (also known as interactive documentaries), it opens with an introduction to this visual form. Suggesting that iDocs signal, among other things, a search for universal human qualities, the chapter proceeds to analyze this terrain through the lens of the politics of late capitalism. Building mainly, but not exclusively, on the work of Negri, Hardt and Virno (and on the notion of “multitude”), it explores the extent to which iDocs mirror the principles that define the production modes of this historical phase. iDocs, the chapter suggests, constitute a precious window for understanding the paradoxes of contemporary late capitalism.

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Metadaten
Titel
Participated Images
verfasst von
Paolo S. H. Favero
Copyright-Jahr
2018
DOI
https://doi.org/10.1007/978-3-319-69499-3_2