Weitere Kapitel dieses Buchs durch Wischen aufrufen
Podcasting has been adopted by a host of academics, writers and artists in ways that both enhance, but also diversify from, their primary field of interest or mode of communication. In this chapter Dario Llinares, film academic and co-creator of The Cinematologists Podcast, reflects on his own experience of podcasting production, presentation and dissemination, and analyses interviews with a range of such podcast adopters, to conceptualise the ways in which the medium provokes a self-reflexive interrogation of one’s identity as a mediated and mediating subject. Through an exploration of podcasting praxis—the enactment and subsequent acquisition of knowledge through materialised audio practice—Llinares examines how a range of podcasters assess the effects of working in this audio format, particularly in terms of its potential challenge to the logocentric basis of information communication. Furthermore, Llinares argues that podcasting represents a regeneration of the dialectical possibilities of audio and, concomitantly, reopens debates as to how the form and process of mediation are fundamentally implicated in the formation of knowledge.
Bitte loggen Sie sich ein, um Zugang zu diesem Inhalt zu erhalten
Sie möchten Zugang zu diesem Inhalt erhalten? Dann informieren Sie sich jetzt über unsere Produkte:
Augoyard, J.-F., & Torgue, H. (2005). Sonic experience: A guide to the effects of sound. Montréal: McGill-Queen’s University Press.
Barthes, R. (1977). Image music text. London: Fontana Press.
Berry, R. (2006). Will the iPod kill the radio star? Profiling podcasting as radio. Convergence, 12(2), 143–162. CrossRef
Berry, R. (2015). A golden age of podcasting: Evaluating serial in the context of podcast histories. The Journal of Radio and Audio Media, 22(2), 170–178. CrossRef
Bottomley, A. J. (2015). A decade in the life of a “new” audio medium: Introduction. Journal of Radio and Audio Media, 22(2), 164–169. CrossRef
Brodbeck, D. (2017). [Interview] April 27, 2017.
Cowley, N. (2008). What is praxis? Discussed in relation to Hegel, Marx, Nietzsche and Sartre. TKKA: Graduate and PostGraduate E-Journal, 4. https://www.waikato.ac.nz/__data/assets/pdf_file/0005/149261/NatalieCowley.pdf [Internet]. Accessed 1 Nov 2017.
Dann, L. (2017a). [Interview] May 5, 2017.
Dann, L. (2017b–). Blood culture. www.blood-culture.com [Podcast] Accessed 4 Sept 2017.
de Certeau, M. (1988). The practice of everyday life. Berkeley/London: University of California Press.
Dean, M. (2017). Voices of America: Can podcasts tell more than stories of individual expression? www.newrepublic.com [Internet]. Accessed 25 May 2017.
Derrida, J. (1976). Of grammatology (trans: Spivak, G. C.). Baltimore: The Johns Hopkins University Press.
Donnelly, K. M., & Berge, Z. L. (2006). Podcasting: Co-opting MP3 players for education and training purposes. Online Journal of Distance Learning Administration, 9(3). https://www.westga.edu/~distance/ojdla/fall93/donnelly93.htm [Internet]. Accessed 11 May 2017.
Dunham, L. (2016–). Woman of the hour. www.art19.com [Podcast]. Accessed 26 Sept 2017.
Edmonds, D., & Warburton, N. (2012). Philosophy bites. Oxford: University Press.
Freire, P. (1970). Pedagogy of the oppressed. London: Continuum.
Fritz, J. H. (2015). Plato and the elements of dialogue. Lanham: Lexington Books.
Gabrielsson, A. (2001). Emotion perceived and emotion felt: Same or different? Musicae Scientiae, 5(1), 123–147. CrossRef
Ganesh, J. (2016). Podcasts create golden age of audio. www.ft.com [Internet]. Accessed 19 May 2017.
Gladwell, M. (2016–). Revisionist history. www.revisionisthistory.com [Internet]. Accessed 2 June 2017.
Gross, T. (2015). From Upspeak to vocal fry: Are we ‘policing’ Young Women’s Voices. Fresh Air podcast. https://wwwnprorg/programs/fresh-air/ [Podcast]. Accessed 5 Sept 2017.
Heise, H. (2017). On the shoulders of giants: How audio podcasters adopt, transform and reinvent radio storytelling. MOOC Transnation Radio Stories. https://hamburgergarnele.files.wordpress.com/2014/09/podcasts_heise_public.pdf [Internet]. Accessed 26 Apr 2017
Herrman, J. (2016). Podcasts surge, but producers fear apple isn’t listening. www.nytimes.com [Internet]. Accessed 11 May 2017.
Hills, M. (2011). Participatory culture: Mobility, interactivity and identity. In G. Creeber & R. Martin (Eds.), Digital cultures: Understanding new media (pp. 117–121). Maidenhead: Open University Press.
Jenkins, H. (2006). Convergence culture: Where old and new media collide. New York: NYU Press.
Karpf, A. (2006). The human voice: How this extraordinary instrument reveals essential clues about who we are. London: Bloomsbury.
Kight, C. (2017). [Interview] May 4.
Klein, E. (2016). Malcolm Gladwell on the danger of joining consensus culture. www.vox.com [Podcast]. Accessed 8 June 2017.
Klein, E. (2017). Tim Ferris on suffering, psychedelics and spirituality. www.vox.com [Podcast]. Accessed 11 June 2017.
Leventhal-Weiner, R. (2017a). Podcasting. www.roguecheerios.com [Internet]. Accessed 12 May 2017.
Leventhal-Weiner, R. (2017b). [Interview] May 5, 2017.
Leventhal-Weiner, R., & Dix, M. Boy v girl: A podcast. http://boyvgirlpodcast.libsyn.com [Podcast]. Accessed 14 June 2017.
Llinares, D. (2016). The anxiety of the speech act-podcast editing and the shaping of meaning. www.dariollinares.com [Internet]. Accessed 2 May 2017.
Llinares, D., & Fox, N. (2015–). The cinematologists podcast. www.cinematologists.com [Podcast]. Accessed 25 Mar 2017.
Llinares, D., & Fox, N. (2018). Knowing sounds: Podcasting as academic practice. Journal of Media Practice, 9(1), 50–53.
Longform Podcast. (2015). Lena Dunham. www.longform.com [Internet]. Accessed 6 Sept 2017.
Longform Podcast. (2016). Malcolm Gladwell. www.longform.com [Internet]. Accessed 10 June 2017.
Madsen, V., & Potts, J. (2010). Voice-cast: The distribution of the voice via podcasting. In N. Neumark, R. Gibson, & T. van Leeuwen (Eds.), Vø1ce: Vocal aesthetics in digital media (pp. 33–59). Cambridge, MA: MIT Press. CrossRef
Markman, K. M. (2012). Doing radio, making friends, and having fun: Exploring the motivations of independent audio podcasters. New Media & Society, 14(2), 547–565. CrossRef
Markman, K., & Sawyer, C. E. (2014). Why pod? Further explorations of the motivations for independent podcasting. Journal of Radio & Audio Media, 21(1), 20–35. CrossRef
McElearney, G., & Middleton, A. (2013). Podcasting and RSS – The changing relationship. In E. Middleton (Ed.), Digital voices – A collaborative exploration of the recorded voice in post-compulsory education (pp. 18–17). Media-Enhanced Learning Special Interest Group and Sheffield Hallam University. https://melsig.shu.ac.uk/melsig/files/2017/10/Digital-Voices.pdf [Internet]. Accessed 2 May 2017.
Meng, P. (2005). Podcasting and vodcasting: Definitions, discussions and implications. A white paper by IAT services at University of Missouri. http://www.tfaoi.com/cm/3cm/3cm310.pdf [Internet]. Accessed 11 May 2017.
Meyer, L. B. (2008). Emotion and meaning in music. Chicago: University of Chicago Press.
Middleton, A. (2013). Digital voices – A collaborative exploration of the recorded voice in post-compulsory education (pp. 28–32). Media-Enhanced Learning Special Interest Group and Sheffield Hallam University. https://melsig.shu.ac.uk/melsig/files/2017/10/Digital-Voices.pdf
Miller, K. (2015, May 19). Why do these women’s voices bother you so much? Refinary290. https://www.refinery29.com/2015/05/87351/female-podcast-voices-vocal-fry [Internet]. Accessed 12 May 2017.
Millette, M. (2011). Independent podcasting as a specific online participative subculture: A case study of Montreal’s podcasters. IR12 Association of Internet Researchers. Conference proceedings. https://spir.aoir.org/index.php/spir/article/viewFile/24/26 [Internet]. Accessed 10 June 2017.
Morris, J. W., & Patterson, E. (2015). Podcasting and its apps: Software, sound, and the interfaces of digital audio. Journal of Radio & Audio Media, 22(2), 220–230. CrossRef
Mottram, C. (2016). Finding a pitch that resonates: An examination of gender and vocal authority in podcast. Voice and Speech Review, 10(1), 53–69. CrossRef
Munro, E. (2013). Feminism: A fourth wave ? Political Insight, 4(2), 22–25. CrossRef
Ong, W. (2002). Orality and literacy: The Technologising of the word. Suffolk: Routledge.
Pierce, D. (2014). The new radio stars: Welcome to the podcast age. www.theverge.com [Internet]. Accessed 14 May 2017.
Proops, G. (2013–). The smartest man in the world podcast. www.gregproops.com [Podcast]. Accessed 17 Apr 2017.
Proops, G. (2015). The smartest book in the world. New York: Touchstone.
Rodero, E. (2015). The principle of distinctive and contrastive coherence of prosody in radio news: An analysis of perception and recognition. Journal of Nonverbal Behaviour, 39, 79–92. CrossRef
Tiffe, R., & Hoffmann, M. (2017). Taking up sonic space: Feminized vocality and podcasting as resistance. Feminist Media Studies, 17(1), 115–118. CrossRef
Webster, J. G. (2014). The marketplace of attention: How audiences take shape in a digital age. Cambridge, MA: MIT Press.
Williams, S. (1998). Modernity and the emotions: Corporeal reflections on the (ir)rational. Sociology, 32(1), 747–769. CrossRef
Williams, S. (2017a). Tough girl podcast. www.toughgirlchallenges.com [Podcast]. Accessed 25 Apr 2017.
Williams, S. (2017b). [Interview] May 5, 2017.
Wolf, N. (2015). Young women, give up the vocal fry and reclaim your strong female voice. www.guardian.co.uk [Internet]. Accessed 14 June 2017.
- Podcasting as Liminal Praxis: Aural Mediation, Sound Writing and Identity
Entwicklung einer Supply-Strategie bei der Atotech Deutschland GmbH am Standort Feucht