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This text analyses how faith in data and its accompanied politics, practices and forms of knowledge production and forms of visibility are configuring and shifting the relations of contemporary subjects and objects and their realities. In doing this, the analysis relates as well to the forensic turn (Eyal Weizman) and to its prevailing forensic methodology and aesthetics conducted through different “forums,” as for example, of international humanitarian politics, law and art. Today databases are widely promoted as gender-, class- and race-neutral, even emancipatory. If the database is propagated as a desired cultural form of our age, it is necessary to rethink which of those forms are celebrated as democratizing.
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- Politics and Aesthetics of Databases and Forensics