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2017 | OriginalPaper | Buchkapitel

6. Provocative Screens

verfasst von : Ranjana Das, Anne Graefer

Erschienen in: Provocative Screens

Verlag: Springer International Publishing

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Abstract

This chapter concludes the book with six key findings from the analysis presented in the preceding chapters, and concludes with some thoughts on the policy-relevant aspects of audience responses to offensive content and on future research. The chapter notes first, that avoiding the feeling of being offended can operate as a strategy for evading responsibility and action. Second, identity-forming ‘us-and-them’ boundaries invoked by audiences to describe taste cultures are actually porous and thus need constant reinforcing and maintenance. Third, the neoliberal sovereign consumer judges which television programme is offensive through the device of ‘choice’. Fourth, feelings of offence operate often in and through the body, but they sometimes stay discursively unarticulated. Fifth, affective, bodily reactions to offensive television content can create a productive space with potential for action. Sixth, humour regimes continue to matter, but are intersected by exclusionary taste cultures where being offended is perceived as ‘uncool’. The chapter argues that in terms of the regulatory treatment of offensive material, the category itself is currently insufficiently defined and populated. And finally, the chapter posits that a conversation on the subject matter of ‘offensive’ content is readily derailed into a conversation on free speech and censorship, which is an unproductive and reductive outcome.

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Literatur
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Zurück zum Zitat Attwood, F., Campbell, V., & Hunter, I. Q. (2012). Controversial Images: Media Representations on the Edge. Basingstoke: Palgrave. Attwood, F., Campbell, V., & Hunter, I. Q. (2012). Controversial Images: Media Representations on the Edge. Basingstoke: Palgrave.
Zurück zum Zitat Bonner, F. (2003). Ordinary Television: Analyzing Popular TV. London: Sage. Bonner, F. (2003). Ordinary Television: Analyzing Popular TV. London: Sage.
Zurück zum Zitat Kuipers, G. (2011). The Politics of Humour in the Public Sphere: Cartoons, Power and Modernity in the First Transnational Humour Scandal. European Journal of Cultural Studies, 14(1), 63–80.CrossRef Kuipers, G. (2011). The Politics of Humour in the Public Sphere: Cartoons, Power and Modernity in the First Transnational Humour Scandal. European Journal of Cultural Studies, 14(1), 63–80.CrossRef
Metadaten
Titel
Provocative Screens
verfasst von
Ranjana Das
Anne Graefer
Copyright-Jahr
2017
DOI
https://doi.org/10.1007/978-3-319-67907-5_6