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2017 | Supplement | Buchkapitel

6. Radical Contemporaneity

Politics of the Image in the Video-Films by Gržinić and Šmid

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Abstract

This essay explores an understanding of the politics of the image in the video works by Marina Gržinić and Aina Šmid that speak about the historical account of events in the transition from socialism to post-socialism and expose the conditions of contemporary global necrocapitalism, leveling a harsh critique of discrimination, racism, and fascism in Europe today. Stojnić takes this analysis as a starting point for re-thinking artistic, cultural, and political questioning of the contemporary relations of segregation and exploitation in Europe, particularly in terms of class, race, and gender. She pays special attention to the conceptual usage of image and text in works by Gržinić and Šmid in order to show how the relations between these various elements become performative, and as such political.

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Fußnoten
1
This selection of works were presented at the exhibition “EUROPE after the Cold War: Memory, History, Visuality” that I curated as a part of conference “Image, Racialization, History” at Faculty of Media and Communication in Belgrade (September 2015).
 
2
Cathy Caruth, “Recapturing the Past: Introduction” in Cathy Caruth (ed.), Trauma: Explorations in Memory, Baltimore, Maryland: Johns Hopkins University Press, 1985, 151
 
3
 
5
Giorgio Agamben, Homo Sacer: Sovereign Power and Bare Life, tr. Daniel Heller-Roazen, Stanford: Stanford University Press, 1998.
 
6
In his famous essay “Necropolitics,” Mbembe argued that Foucault’s concept of biopolitics is no longer sufficient to explain contemporary relations of power. Unlike biopolitics that govern from the perspective of the production and regulation of life, necropolitics regulate life from the perspective of a production and regulation of death (in Latin: necro). The notion of “necropolitics” refers to life reduced to its bare existence, in other words, to life at the verge of death. This new logic of capital and its processes of geopolitical demarcation of world zones is based on the mobilization of the war machine. While Mbembe articulated the concept of necropolitics to explain a process of total subjection in Africa, Gržinić was the first to use necropolitics for explaining and understanding processes in Europe.
 
7
The term turbo-capitalism was elaborated by Marina Gržinić in relation to “turbo-fascism,” a term coined by the late feminist Žarana Papić in 2000, in order to explain the violent discriminatory processes of the hegemonic and separatist nationalism during the Balkan wars of the 1990s, and specifically the Serbian militaristic reality in the 1990s. “The prefix “turbo” refers to the specific mixture of cultural and political references […] but there is still fascism in its proper sense” (Gržinić, “The emergence of the political subject,” 2013 https://​emancipationofre​sistance.​wordpress.​com/​grzinic/​).
 
Metadaten
Titel
Radical Contemporaneity
verfasst von
Aneta Stojnić
Copyright-Jahr
2017
DOI
https://doi.org/10.1007/978-3-319-55173-9_6