Abstract
This chapter discusses urban transparency activism and the digital applications it produces. Based on exploratory ethnographic data, I ask how this local activism orders the social and ‘does politics’. I conclude that an aesthetic approach to local urban politics is enacted, where ‘making things visible’ becomes a political end as well as a ludic joy in itself. Secondly, I show how urban space is transformed into informational space. In doing ‘frontier-work’, activists annex urban space to a socio-technical form which is typical for so-called Cyberculture: a recursive community constantly concerned with the maintenance of its own grounds of association. Conventional notions of political protest, participation and political representation are not present in activist practices of mapping and programming. Instead, and thirdly, activism articulates a techno-centric image of social order. This imagery of the social is characterized by a paradoxical relationship to the state’s institutions and a transformation of urban participation into urban usability.