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2019 | OriginalPaper | Buchkapitel

The Digitization of the Tangible Cultural Heritage and the Related Policy Framework

verfasst von : Konstantina Siountri, Evangelia Vagena, Dimitrios D. Vergados, Joseph Stefanou, Christos-Nikolaos Anagnostopoulos

Erschienen in: Transdisciplinary Multispectral Modeling and Cooperation for the Preservation of Cultural Heritage

Verlag: Springer International Publishing

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Abstract

Nowadays, the digital revolution has changed the conventional way of acquiring images and reproduction of the existing or the imaginary world, leading to new forms and dimensions of the “reality”. The perception of the user is expanded through 360° technology, Augmented Reality (AR), Mixed Reality (MR), Virtual Reality (VR) platforms that originally sprang through the gaming industry and have influenced, among other things, the field of culture, both in terms of its production and its management and enhancement. Our research work aims to present the issues of the related policy framework that arise from the use of the new digital technologies which in our days drastically change the way of management of the Greek tangible cultural heritage. The paper will concentrate at the interaction between archaeological law, copyright law and the use of digital media of creation, promotion and diffusion of tangible cultural heritage.

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Fußnoten
1
For example buildings, monuments, artefacts, clothing, artwork, books, machines, historic towns, archaeological sites, https://​europa.​eu/​cultural-heritage/​about.
 
2
For example practices, representations, expressions, knowledge, oral traditions, performing arts, social practices and traditional craftsmanship https://​europa.​eu/​cultural-heritage/​about.
 
3
Cultural and creative industries (CCIs) are estimated to be responsible for over 3% of the EU’s gross domestic product and job (https://​ec.​europa.​eu/​culture/​policy/​cultural-creative-industries_​en).
 
4
From Wikipedia, the free encyclopedia ( https://​el.​wikipedia.​org/​ recovering 26.6.2018).
 
5
Govaris, Ch. (1999), Introduction to Intercultural Education. Athens, Publications Path.
 
6
The reference to “copies”, under our interpretation of the law, covers also the technique of 3D printing.
 
7
P.D.4 “Ministry of Culture and Sport Agency,” Official Gazette 7/A/22.01.2018.
 
10
Under Article 2 of N.2121/1993 a protected work is “any original intellectual creation speech, art or science, expressed in any form, notably written or oral texts, musical compositions, with or without text, plays, with music or without, choreographies and pantomimes, audiovisual works, works of fine art, including drawings, paintings and sculptures, engravings and lithographs, works of architecture, photographs, works applied arts, the illustrator in the maps, three-dimensional works relative to geography, topography, architecture or science”. To protected works also belong to translations, the adaptations, arrangements other works or expressions conversions of folklore and works collections or expressions collections of folklore or simple facts and data, such as encyclopedias and anthologies, as the selection or arrangement of their content is original. The protection of the works of this paragraph is without prejudice to the rights to pre-existing works, which were used as object conversions or collections.
 
Literatur
1.
Zurück zum Zitat Kallinikou, D.: Copyright and Digital Libraries. Sakkoulas Publications Kallinikou, D.: Copyright and Digital Libraries. Sakkoulas Publications
2.
Zurück zum Zitat Vagena, E.: Technological Protection and Digital Copyright Management. Nomiki Vivliothiki, Athens (2010) Vagena, E.: Technological Protection and Digital Copyright Management. Nomiki Vivliothiki, Athens (2010)
Metadaten
Titel
The Digitization of the Tangible Cultural Heritage and the Related Policy Framework
verfasst von
Konstantina Siountri
Evangelia Vagena
Dimitrios D. Vergados
Joseph Stefanou
Christos-Nikolaos Anagnostopoulos
Copyright-Jahr
2019
DOI
https://doi.org/10.1007/978-3-030-12957-6_17