Skip to main content

2020 | OriginalPaper | Buchkapitel

10. The Discourse Community of Electronic Dance Music Through the Example of the TB-303 Owners Club

verfasst von : Anita Jóri

Erschienen in: TheNewAge of Electronic Dance Music and Club Culture

Verlag: Springer International Publishing

Aktivieren Sie unsere intelligente Suche, um passende Fachinhalte oder Patente zu finden.

search-config
loading …

Abstract

The aim of this chapter is to introduce the model of the discourse community of electronic dance music using a case study of the Facebook group TB-303 Owners Club. This model is based on the discourse community theories of John M. Swales and the analytical system of computer-mediated discourse analysis put forward by Susan C. Herring. The methodology presented in this study is new in research on electronic dance music cultures. It can help us to understand the fine details about online community building and social identity construction via language use. Here, discourse is seen as language in use and as a tool for expressing identity. Therefore, different examples are examined of how identity construction works through discourse and how discourse influences these mechanisms. Furthermore, the results of this study add up-to-date information to the research on computer-mediated communication, with a special focus on the communication processes of social media.

Sie haben noch keine Lizenz? Dann Informieren Sie sich jetzt über unsere Produkte:

Springer Professional "Wirtschaft+Technik"

Online-Abonnement

Mit Springer Professional "Wirtschaft+Technik" erhalten Sie Zugriff auf:

  • über 102.000 Bücher
  • über 537 Zeitschriften

aus folgenden Fachgebieten:

  • Automobil + Motoren
  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Elektrotechnik + Elektronik
  • Energie + Nachhaltigkeit
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Maschinenbau + Werkstoffe
  • Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Springer Professional "Wirtschaft"

Online-Abonnement

Mit Springer Professional "Wirtschaft" erhalten Sie Zugriff auf:

  • über 67.000 Bücher
  • über 340 Zeitschriften

aus folgenden Fachgebieten:

  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Versicherung + Risiko




Jetzt Wissensvorsprung sichern!

Fußnoten
1
Acid house is a subgenre of the genre house music developed in the mid-1980s in Chicago, USA. The style is defined primarily by the squelching sounds of the famous analogue bass line TB-303.
 
2
Acid techno is also one of the subgenres of techno that developed out of acid house. The sound of TB-303 is a very important landmark of the subgenre, but aesthetically it is considered darker and harder than acid house.
 
3
The comment is from 2008. At this time the 303’s price was much lower than at present.
 
4
Mainly from YouTube or Soundcloud.
 
Literatur
Zurück zum Zitat Alim, H. S., Ibrahim, A., & Pennycook, A. (Eds.). (2009). Global linguistic flows: Hip hop cultures, youth identities, and the politics of language. New York: Routledge. Alim, H. S., Ibrahim, A., & Pennycook, A. (Eds.). (2009). Global linguistic flows: Hip hop cultures, youth identities, and the politics of language. New York: Routledge.
Zurück zum Zitat Androutsopoulos, J. (2007). Style online: Doing hip-hop on the German-speaking Web. In P. Auer (Ed.), Style and social identities: Alternative approaches to linguistic heterogeneity (pp. 279–320). Berlin: de Gruyter. Androutsopoulos, J. (2007). Style online: Doing hip-hop on the German-speaking Web. In P. Auer (Ed.), Style and social identities: Alternative approaches to linguistic heterogeneity (pp. 279–320). Berlin: de Gruyter.
Zurück zum Zitat Bishop, J. (2009). Enhancing the understanding of genres of web-based communities: The role of the ecological cognition framework. International Journal of Web Based Communities, 5(1), 4–17.CrossRef Bishop, J. (2009). Enhancing the understanding of genres of web-based communities: The role of the ecological cognition framework. International Journal of Web Based Communities, 5(1), 4–17.CrossRef
Zurück zum Zitat Crystal, D. (2006). Language and the internet. Cambridge: Cambridge University Press.CrossRef Crystal, D. (2006). Language and the internet. Cambridge: Cambridge University Press.CrossRef
Zurück zum Zitat Fish, S. (1980). Is there a text in this class? The authority of interpretative communities. Cambridge, UK: Harvard University Press. Fish, S. (1980). Is there a text in this class? The authority of interpretative communities. Cambridge, UK: Harvard University Press.
Zurück zum Zitat Herring, S. C. (2004). Computer-mediated discourse analysis: An approach to researching online behavior. In S. A. Barab, R. Kling, & J. H. Gray (Eds.), Designing for virtual communities in the service of learning (pp. 338–376). Cambridge, NY: Cambridge University Press.CrossRef Herring, S. C. (2004). Computer-mediated discourse analysis: An approach to researching online behavior. In S. A. Barab, R. Kling, & J. H. Gray (Eds.), Designing for virtual communities in the service of learning (pp. 338–376). Cambridge, NY: Cambridge University Press.CrossRef
Zurück zum Zitat Jóri, A. (2015). A metaforikus nyelvi kifejezések vizsgálata a “funkkal szaggatott androidtechno” területén. In A. Jóri & M. Folmeg (Eds.), Világ és nyelv szenvedéllyel (pp. 288–297). Budapest: Tinta könyviadó. Jóri, A. (2015). A metaforikus nyelvi kifejezések vizsgálata a “funkkal szaggatott androidtechno” területén. In A. Jóri & M. Folmeg (Eds.), Világ és nyelv szenvedéllyel (pp. 288–297). Budapest: Tinta könyviadó.
Zurück zum Zitat Jóri, A. (2016). On the discourse community of electronic dance music. Doctoral dissertation. Faculty of Humanities, Eötvös Loránd University, Budapest. Jóri, A. (2016). On the discourse community of electronic dance music. Doctoral dissertation. Faculty of Humanities, Eötvös Loránd University, Budapest.
Zurück zum Zitat Kövecses, Z. (2010). Metaphor. Oxford: Oxford University Press. Kövecses, Z. (2010). Metaphor. Oxford: Oxford University Press.
Zurück zum Zitat Kuhn, T. S. (1962). The structure of scientific revolutions. Chicago, IL: University of Chicago Press. Kuhn, T. S. (1962). The structure of scientific revolutions. Chicago, IL: University of Chicago Press.
Zurück zum Zitat Lakoff, G., & Johnson, M. (1980). Metaphors we live by. London: University of Chicago Press. Lakoff, G., & Johnson, M. (1980). Metaphors we live by. London: University of Chicago Press.
Zurück zum Zitat McLeod, K. (2001). Genres, subgenres, sub-subgenres and more: Musical and social differentiation within electronic/dance music communities. Journal of Popular Music Studies, 13, 59–75.CrossRef McLeod, K. (2001). Genres, subgenres, sub-subgenres and more: Musical and social differentiation within electronic/dance music communities. Journal of Popular Music Studies, 13, 59–75.CrossRef
Zurück zum Zitat Nystrand, M. (1982). What writers know: The language, process, and structure of written discourse. New York: Academic. Nystrand, M. (1982). What writers know: The language, process, and structure of written discourse. New York: Academic.
Zurück zum Zitat Perelman, C., & Olbrechts-Tyteca, L. (1969). The new rhetoric: A treatise on argumentation. Notre Dame: University of Notre Dame Press. Perelman, C., & Olbrechts-Tyteca, L. (1969). The new rhetoric: A treatise on argumentation. Notre Dame: University of Notre Dame Press.
Zurück zum Zitat Peterson, R. A., & Bennett, A. (2004). Introducing music scenes. In A. Andy Bennett & R. A. Peterson (Eds.), Music scenes: Local, translocal, and virtual (pp. 1–15). Nashville, TN: Vanderbilt University Press. Peterson, R. A., & Bennett, A. (2004). Introducing music scenes. In A. Andy Bennett & R. A. Peterson (Eds.), Music scenes: Local, translocal, and virtual (pp. 1–15). Nashville, TN: Vanderbilt University Press.
Zurück zum Zitat Rasulo, M. (2008). The role of participant discourse in online community formation. Rome: Aracne. Rasulo, M. (2008). The role of participant discourse in online community formation. Rome: Aracne.
Zurück zum Zitat Reynolds, S. (2013). Energy flash: A journey through rave music and dance culture. London: Faber & Faber. Reynolds, S. (2013). Energy flash: A journey through rave music and dance culture. London: Faber & Faber.
Zurück zum Zitat Swales, J. M. (1990). Genre analysis: English in academic and research settings. Cambridge: Cambridge University Press. Swales, J. M. (1990). Genre analysis: English in academic and research settings. Cambridge: Cambridge University Press.
Zurück zum Zitat Whelan, A. (2008). Breakcore: Identity and interaction on peer-to-peer. Cambridge: Cambridge Scholars. Whelan, A. (2008). Breakcore: Identity and interaction on peer-to-peer. Cambridge: Cambridge Scholars.
Zurück zum Zitat Widdicombe, S., & Wooffitt, R. (1995). The language of youth subcultures: Social identity in action. New York: Harvester Wheatsheaf. Widdicombe, S., & Wooffitt, R. (1995). The language of youth subcultures: Social identity in action. New York: Harvester Wheatsheaf.
Metadaten
Titel
The Discourse Community of Electronic Dance Music Through the Example of the TB-303 Owners Club
verfasst von
Anita Jóri
Copyright-Jahr
2020
Verlag
Springer International Publishing
DOI
https://doi.org/10.1007/978-3-030-39002-0_10