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Über dieses Buch

This is the first book in English exclusively devoted to the long take, one of the key elements of film style. Increasingly visible in contemporary international media, the long take currently attracts a good deal of attention in criticism and commentary. There are also significant strands of film theory in which duration has become a recurrent concern.

In keeping with the approach of Palgrave Close Readings in Film and Television, this collection is devoted to the detailed critical analysis of specific long takes, explored in terms of how they function within their contexts, how they shape the visual field, the meanings they generate and the effects they create. The Long Take: Critical Approaches brings together essays by established and emerging scholars (all but one essay commissioned for this volume) in an exciting collection that analyses works from a range of filmmaking traditions, from the 1930s to the present day, selected to represent varied long take practices and to explore associated debates.

Inhaltsverzeichnis

Frontmatter

2017 | OriginalPaper | Buchkapitel

Introduction 1: The Long Take—Critical Approaches

John Gibbs, Douglas Pye

2017 | OriginalPaper | Buchkapitel

Introduction 2: The Long Take—Concepts, Practices, Technologies, and Histories

Steve Neale

2017 | OriginalPaper | Buchkapitel

Three Long Takes: Le Crime de M. Lange (Jean Renoir 1935)

Douglas Pye

2017 | OriginalPaper | Buchkapitel

The Average Long Take

Christian Keathley

2017 | OriginalPaper | Buchkapitel

Looking and Touching: The Long Take in Five Women Around Utamaro (Mizoguchi Kenji 1946)

Alexander Jacoby

2017 | OriginalPaper | Buchkapitel

Opening Movements in Ophuls: Long Takes, Leading Characters and Luxuries

John Gibbs

2017 | OriginalPaper | Buchkapitel

Like Motion Pictures: Long Take Staging in Vincente Minnelli’s Bells Are Ringing (1960)

Joe McElhaney

2017 | OriginalPaper | Buchkapitel

Roberto Rossellini Presents

Adam O’Brien

2017 | OriginalPaper | Buchkapitel

Last Chants for a Slow Dance (Jon Jost 1977)

Jim Hillier

2017 | OriginalPaper | Buchkapitel

To Be in the Moment: On (Almost) Not Noticing Time Passing in Before Sunrise (Richard Linklater 1995)

James MacDowell

2017 | OriginalPaper | Buchkapitel

Watching Cinema Disappear: Intermediality and Aesthetic Experience in Tsai Ming-liang’s Goodbye Dragon Inn (2003) and Stray Dogs (2013)

Tiago de Luca

2017 | OriginalPaper | Buchkapitel

13 Ways of Looking at a Lake

Alison Butler

2017 | OriginalPaper | Buchkapitel

The Artists’ Long Take as Passage in Sharon Lockhart’s Installation Lunch Break (2008)

Catherine Fowler

2017 | OriginalPaper | Buchkapitel

The Search for Meaning in Once Upon a Time in Anatolia (Nuri Bilge Ceylan 2011)

James Rattee

2017 | OriginalPaper | Buchkapitel

Working Space: Gravity (Alfonso Cuarón 2013) and the Digital Long Take

Lisa Purse

2017 | OriginalPaper | Buchkapitel

True Detective (2014), Looking (2014), and the Televisual Long Take

Sean O’Sullivan

Backmatter

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