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Erschienen in:
2021 | OriginalPaper | Buchkapitel
Timbre
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Abstract
Until now, no generally accepted music theory of timbre exists. This is in strong contrast to pitch, where we have several music theories, like the functional harmonics (Funktionsharmonik) of Hugo Riemann [220] with terms like tonic, dominant, subdominant, and the like mainly used in Europe, or like Schenkerism [78], deriving skeleton melodies and chords from a musical piece, more based in the USA. Although there also have been several suggestions to understanding timbre, there is no generally accepted theory here.