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Erschienen in:
Introduction: Re-Imagining Creative Cities in Twenty-First Century Asia Kapitel lesen Erstes Kapitel lesen

2020 | OriginalPaper | Buchkapitel

8. Whose Cultural Memory? Disruptive Tactics by the Creative Collectives in George Town, Malaysia

verfasst von : Zaki Habibi

Erschienen in: Re-Imagining Creative Cities in Twenty-First Century Asia

Verlag: Springer International Publishing

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Abstract

This chapter examines everyday lived experiences of individuals and groups from various creative collectives in George Town, Malaysia. The process of these articulations is explored through their everyday dwelling in this city, especially in responding to the so-called official narrative of creative city within heritage context. This chapter aims to understand how the everyday tactics of creative collectives disrupt, or counteract, official narratives and top down creative branding of George Town as UNESCO World Heritage Site. The three analytical areas of which this alternative narrative is constructed are disrupting memories, politics of exclusion-inclusion, and formation of organic space. All these are articulated in their identities as artists, craft persons, and creative collectives organically formed from below.

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Metadaten
Titel
Whose Cultural Memory? Disruptive Tactics by the Creative Collectives in George Town, Malaysia
verfasst von
Zaki Habibi
Copyright-Jahr
2020
Verlag
Springer International Publishing
Buch
Re-Imagining Creative Cities in Twenty-First Century Asia

Print ISBN: 978-3-030-46290-1

Electronic ISBN: 978-3-030-46291-8

Copyright-Jahr: 2020

DOI
https://doi.org/10.1007/978-3-030-46291-8_8