ABSTRACT
The design of tools for creative activities affects the creative processes and output of users. In this paper we consider how an understanding of creative interaction can inform the design of support tools in a creative domain, and where creative needs cross domain boundaries. Using observations of musical composers we analyse the theoretical approaches to understanding creativity and their use to HCI. Cycles of ideation and evaluation are suggested as atomic elements of creative interactions, with the representation of ideas a central activity for individual and collaborating composers. A model of collaborative composition was developed, along with an analysis of the representational types used in the domain. This led to the design and evaluation of a prototype Sonic Sketchpad for musical idea representation.
- Abrams, S., Bellofatto, R., Fuhrer, R., Oppenheim, D, Wright, J., Boulanger, R., Leonard, N., Mash, D., Rendish, M., Smith, J., QSketcher: An Environment for Composing Music for Film. Creativity & Cognition 2002. ACM Press (2002). Google ScholarDigital Library
- Amitani, S. & Hori, K., Supporting Musical Composition by Externalising the Composer's Mental Space. Creativity & Cognition 2002, ACM Press (2002). Google ScholarDigital Library
- Baer, J., Evaluative Thinking, Creativity, and Task Specificity, In M. A. Runco (Ed.), Critical Creative Processes. Hampton Press, USA. (2003), 129--151.Google Scholar
- Boden, M. A., The Creative Mind: Myths and Mechanisms. Abacus, UK, 1993. Google ScholarDigital Library
- Boden, M. A., What is Creativity?, In M. A. Boden (Ed.) Dimensions of Creativity. MIT Press (1994).Google ScholarCross Ref
- Candy, L., & Edmonds, E., Collaborative Creativity, Communications of the ACM, Vol. 45, Issue 10, ACM Press (2002). Google ScholarDigital Library
- Craft, A., Little c Creativity, In A. Craft, B. Jeffrey & M. Leibling (Eds.), Creativity in Education. Continuum, UK. (2001) 45--61.Google Scholar
- Clark, A. & Chalmers, D. J., The Extended Mind. Analysis 58 (1998) 7--19.Google ScholarCross Ref
- Csikszentmihalyi, M., Creativity: Flow and the Psychology of Discovery and Invention. Harper Collins. 1996.Google Scholar
- Diehl, M. & Strobe, W., Productivity Loss in Brainstorming Groups: Towards the Solution of a Riddle. Journal of Personality and Social Psychology 53 (1987) 497--509.Google Scholar
- Farbood, M. M., Pasztor, E. & Jennings, K., Hyperscore: A Graphical Sketchpad for Novice Composers. IEEE Emerging Technologies Jan/Feb 2004. 50--54. Google ScholarDigital Library
- Fischer, G., Giaccardi, E., Eden, H., Sugimoto, M., Ye, Y., Beyond Binary Choices: Integrating Individual and Social Creativity. In Int. J. Human-Computer Studies 63 (2005) 482--512. Google ScholarDigital Library
- Gabora, L., Cognitive Mechanisms Underlying the Creative Process. Creativity & Cognition 2002. ACM Press (2002). Google ScholarDigital Library
- Grudin, J., Groupware and Social Dynamics: Eight Challenges for Developers. Communications of the ACM. Vol. 37, Issue 1. Google ScholarDigital Library
- Johnson, H. & Hyde, J., Towards Modelling Individual and Collaborative Construction of Jigsaws Using Task Knowledge Structures (TKS). TOCHI Vol. 10, No. 4 pp 339--387. ACM Press (2003). Google ScholarDigital Library
- Johnston, A. Amitani, S. and Edmonds, E., (2005). Amplifying Reflective Thinking in Musical Performance. Creativity & Cognition 2005. ACM Press (2005). Google ScholarDigital Library
- Li, T., Who or What is Making the Music: Music Creation in a Machine Age. Creativity & Cognition 3, ACM Press (1999). Google ScholarDigital Library
- Nakakoji, K. & Yamamoto, Y., Toward a Taxonomy of Interaction Design Techniques for Externalising in Creative Work. In Proc. HCII 2003.Google Scholar
- Nakakoji, K., Yamamoto, Y., Takada, S. & Reeves, B. N., Two-Dimensional Spatial Positioning as a Means for Reflection in Design, In Proc. DIS 2000, ACM Press (2000). Google ScholarDigital Library
- Necka, E., Creative Interaction: A Conceptual Schema for the Process of Producing Ideas and Judging the Outcomes. In M. A. Runco (Ed.), Critical Creative Processes. Hampton Press, USA. (2003), 115--127.Google Scholar
- Oxman, R., Design by Re-Representation: A Model of Visual Reasoning in Design, Design Studies 18, 4 (1997), 329--347.Google ScholarCross Ref
- Sawyer, R. K., Group Creativity: Music, Theatre, Collaboration. Lawrence Erlbaum, NJ, USA, 2003.Google Scholar
- Shneiderman, B., Leonardo's Laptop: Human Needs and the New Computing Technologies. MIT Press, MA, USA, 2003. Google ScholarDigital Library
- Schön, D. A., Educating the Reflective Practitioner. Josey-Bass Publishers, CA, USA. 1987.Google Scholar
- Sedivy, J., Johnson, H., Supporting Creative Work Tasks: The Potential of Multimodal Tools to Support Sketching. Creativity & Cognition 1999, ACM Press (1999). Google ScholarDigital Library
- Shaffer, L. H. & McAngus Todd, N. P., The Interpretive Component in Musical Performance. In Aiello, R & Sloboda, J. A eds., Musical Perceptions, Oxford University Press (1994), 258--270.Google Scholar
- Terry, M. & Mynatt, E. D., Recognizing Creative Needs in User Interface Design. Creativity & Cognition 2002. ACM Press (2002). Google ScholarDigital Library
- Thomas, S., The Tools of Online Community: The First Five Years of the trAce Online Writing Centre. Creativity & Cognition 2005. ACM Press (2005). Google ScholarDigital Library
- Yamamoto, Y. & Nakakoji, K., Interation design of tools for fostering creativity in the early stages of information design, Int. J. Human-Computer Studies 63 (2005) 513--535. Google ScholarDigital Library
- Zhang, J., 1997. The Nature of External Representations in Problem Solving. Cognitive Science Vol. 21 (2), 179--217.Google Scholar
Index Terms
- Interaction in creative tasks
Recommendations
The creative personality: composers of music, their inspirations and working methods
C&C '13: Proceedings of the 9th ACM Conference on Creativity & CognitionThe stereotypical image that many people would picture when they think of a composer is that of the classical musician like Beethoven who was reportedly an introvert, moody and angst-ridden. However, findings in relation to personality traits that ...
Digital tools in collaborative creative work
NordiCHI '18: Proceedings of the 10th Nordic Conference on Human-Computer InteractionThe aim of the workshop is to examine and discuss the role and functions of digital tools in collaborative creative work. While advancements in Human-Computer Interaction (HCI) research offer considerable potential for supporting creative work practices,...
Intermodulation: Improvisation and Collaborative Art Practice for HCI
CHI '18: Proceedings of the 2018 CHI Conference on Human Factors in Computing SystemsThis paper integrates theory, ethnography, and collaborative artwork to explore improvisational activity as both topic and tool of multidisciplinary HCI inquiry. Building on theories of improvisation drawn from art, music, HCI and social science, and ...
Comments