- 1.Brown, J., Sex Machine 1970, Polygram Records (CD #314 517 984-2): New York.]]Google Scholar
- 2.Button, G., Going Up a Blind Alley: Conflating Conversation Analysis and Computational Modelling, in Computers and Conversation, P. Luff, N. Gilbert, andD. Frohlich, Editors. 1990, Academic Press Limited: London. p. 67-90.]]Google ScholarCross Ref
- 3.Caramia, T., A Guide for Jazz Piano Harmonization. 1983, San Diego: Neil A. Kjos Music Company.]]Google Scholar
- 4.Davis, M., Kind of Blue 1959, Columbia: New York.]]Google Scholar
- 5.Ellinger, J. and M. Baker, MiBACTM Jazz Improvisation Software 1990, MiBAC Music Software: Northfield, Minnesota.]]Google Scholar
- 6.Franco, S., Hardware Design of a Real-Time Musical System, 1974. Doctoral Dissertation, University of Illinois at Urbana-Champaign.]] Google ScholarDigital Library
- 7.Giomi, F. and M. Ligabue. An Interactive System for Music Improvisation in Proceedings of the International Computer Music Conference (Cologne, Germany, 1988), ICMA, 47-63.]]Google Scholar
- 8.Gridley, M., Jazz Styles. 1985, Englewood Cliffs: Prentice-Hail.]]Google Scholar
- 9.Hartmann, C., Jazz Text: Voice and Improvisation in Poetry, Jazz and Song. 1991, Princeton: Princeton University Press.]]Google Scholar
- 10.Heath, C. and P. Luff. Collaborative Activity and Technological Design in Proceedings of ECSCW '91 1991), 65-80.]] Google ScholarDigital Library
- 11.Jefferson, G., List construction as a Task and Resource, in Interaction Competence, G. Psathas, Editor. 1990, University Press of America: Lanham.]]Google Scholar
- 12.Johnson, R. and B. Foote, Designing Reusable Classes. Journal of Object-Oriented Programming, 1988. 1(2): p. 22B35.]]Google Scholar
- 13.Kaplan, S., A. Carroll, and K. MacGregor, Supporting Collaborative Processes with ConversationBuilder. ACM Special Interest Group in Office Information Systems, 1991. 12(2/3).]] Google ScholarDigital Library
- 14.Levitt, D., A Melody Description System for jazz Improvisation, 1981. Master's Thesis, Massachussets Institute of Technology.]]Google Scholar
- 15.Luff, P., N. Gilbert, and D. Frolich, ed. Computers and Conversation. Computers and People Series, eds. B. Gaines and A. Monk. 1990, Academic Press: London. 284.]]Google Scholar
- 16.Martirano, S., A Salvatore Martirano Retrospective: 1962-1992 1995, Centaur Records: Baton Rouge.]]Google Scholar
- 17.Nass, C., et al., Can computer personalities be human personalities? International Journal of Human- Computer Studies, 1995.43: p. 223-239.]] Google ScholarDigital Library
- 18.Pachet, F. Representing Knowledge Used by Jazz Musicians in Proceedings of the International Computer Music Conference (Montr6al, 1991), ICMA, 285-288.]]Google Scholar
- 19.Perlman, A. and D. Greenblatt, Miles Davis Meets Noam Chomsky: Some Observations on Jazz Improvisation and Language Structure, in The Sign in Music and Language, W. Steiner, Editor. 1981, University of Texas Press: Austin.]]Google Scholar
- 20.Sacks, H., E. Schegloff, and G. Jefferson, A Simplest Systematics for the Organization of Turntaking for Conversation. Language: Journal of the Linguistic Society of America, 1974.50(4): p. 39.]]Google Scholar
- 21.Suchmann, L., Plans and Situated Actions. 1987, Cambridge: Cambridge University Press.]]Google Scholar
- 22.Turkle, S., The Second Self: Computer and the Human Spirit. 1984, New York: Simon and Schuster.]] Google ScholarDigital Library
- 23.Ulrich, J. The analysis and synthesis of jazz by computer in Fifth International Joint Conference on Artificial Intelligence (Cambridge, MA, 1977), William Kaufmann, 865-872.]]Google Scholar
- 24.Walker, W. and B. Belet. Applying ImprovisationBuilder to Interactive Composition with MIDI Piano in Proceedings of the International Computer Music Conference (Hong Kong, 1996), ICMA, 386-389.]]Google Scholar
- 25.Walker, W., K. Hebel, S. Martirano, and C. Scaletti. ImprovisationBuilder: Improvisation as Conversation in Proceedings of the International Computer Music Conference (San Jose, 1992), ICMA, 190-193.]]Google Scholar
Index Terms
- A computer participant in musical improvisation
Recommendations
Reflexive loopers for solo musical improvisation
CHI '13: Proceedings of the SIGCHI Conference on Human Factors in Computing SystemsLoop pedals are real-time samplers that playback audio played previously by a musician. Such pedals are routinely used for music practice or outdoor "busking". However, loop pedals always playback the same material, which can make performances ...
Duet musical companion: improvisational interfaces for children
NIME '03: Proceedings of the 2003 conference on New interfaces for musical expressionWe present a sensor-doll interface as a musical outlet for personal expression. A doll serves the dual role of being both an expressive agent and a playmate by allowing solo and accompanied performance. An internal computer and sensor system allow the ...
LyricJam Sonic: A Generative System for Real-Time Composition and Musical Improvisation
Artificial Intelligence in Music, Sound, Art and DesignAbstractElectronic music artists and sound designers have unique workflow practices that necessitate specialized approaches for developing music information retrieval and creativity support tools. Furthermore, electronic music instruments, such as modular ...
Comments