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2019 | OriginalPaper | Chapter

17. Contra-STEAM: On the Value of the Autonomy of Art

Author : Robert F. Arnold

Published in: The STEAM Revolution

Publisher: Springer International Publishing

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Abstract

While recognizing the educational and ultimately societal values of STEM initiatives to confront gender imbalance in science and technical fields early on, as well as the virtues of interdisciplinary and collaborative problem-solving associated with STEAM, this chapter will tease out and call into question some of the assumptions and possible impacts of including art in that mix of disciplines, from the standpoint of a longstanding split in the theorization of art between utilitarian and non-utilitarian conceptions of aesthetic practice. While incorporating art into STEM has many potential benefits, does it ultimately undermine the societal value of art as an independent, autonomous sphere, that sits outside of the practical utilitarian framework of STEM? Does it sacrifice art’s potential to serve as a critical mirror of society, or as an escape from the practical, to put it in service to the ideology of “creative problem-solving?”

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Footnotes
1
In an earlier essay (Arnold 1998), I examined the function of technological integration in the first two Terminator films (James Cameron) where fears of job loss – termination – due to automation were exploited and simultaneously displaced into the imaginary realm, as we are saved from extermination in a war with machines by a humanized robot called a “terminator.”
 
2
These ideas are sketched out in two essays, “A Letter on Art in Reply to Andre Daspre” and “Cremonini, Painter of the Abstract,” included in ALTHUSSER, L. 1971. Lenin and Philosophy and Other Essays, New York, Monthly Review Press.
 
3
My own video, Echolalia (2003), explored the deadening effect caused by the endless repetition of the phrase, “weapons of mass destruction,” that served as justification for the second war in Iraq that, despite the verified absence of such weapons, still continues today.
 
5
See, for example, Kleinman, N. K., BILL 1969. The Dream that Was No More a Dream: The Search for Aesthetic Reality in Germany 1890–1945, Cambridge, MA, Schenkman Publishing.
 
Literature
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Metadata
Title
Contra-STEAM: On the Value of the Autonomy of Art
Author
Robert F. Arnold
Copyright Year
2019
DOI
https://doi.org/10.1007/978-3-319-89818-6_17