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2010 | OriginalPaper | Chapter

(Dis)Connected: Deleuze’s Superject and the Internet

Author : David Savat

Published in: International Handbook of Internet Research

Publisher: Springer Netherlands

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Abstract

This article takes as its starting point Gilles Deleuze’s well-known essay on societies of control. Here Deleuze argued that digital technologies express new social forms, including a new mode of power characterised by modulation. A mode of power that, unlike Foucault’s disciplinary mode of power, no longer has as its main product the individual but, a form of subjectivity that Deleuze termed ‘dividual’. A form of subjectivity where identity, unlike the identity that characterises individuality, is constantly and continuously postponed. As Deleuze suggested, where the disciplinary mode of power operated like a mold, where the disciplinary machine’s product is the individual, this new modulatory mode of power operates more like a sieve and has no product, at least not in the sense of it being a finished object. It is this suggestion of Deleuze’s, and specifically the formation and organisation of dividuality, or rather, one component of it in the form of the ‘superject’, through its interface with digital machines, including the Internet, that is explored in this article.

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Footnotes
1
It should be clear by now that any machine is multiple; for example, the train is itself an assemblage of other machines and practices, including control technologies, but all of this is encapsulated in the assemblage that people refer to as the train. The same goes for the internet. Here it is often talked about as if it is a unitary or singular machine, but it is important to recognise that it is a collection of machines and practices, which is not to say that it does not have a unity to it.
 
2
Of course, a similar deterritorialisation was experienced with the use of the windmill and the water wheel at its time. Notably, this deterritorialisation resulted in a reterritorialisation of another kind, and took some of the worst forms in terms of how people’s capacity for action became, while more autonomous from the so-called natural world, quite limited in being connected to the machines of the factory.
 
3
For example, processes of industrial production, and very importantly, processes of distribution and consumption, have been transformed through the use of digital technologies, including the internet. At the same time, our digital machines run on oil and are produced by the factory form of organisation that is so central to the industrial ensemble. This is partly what Deleuze and Guattari refer to in their earlier quoted text in this piece defining the assemblage. Lines can cross or traverse various assemblages, and an assemblage never stands alone.
 
4
See Schivelbusch (1986) on this in relation to the emergence of railroad space and railroad time. Virilio (1986) has argued that this ‘annihilation’ of space was foreshadowed by ballistics technology, to which the development of computing is not simply incidental.
 
5
At this point I really want to highlight that for the time being the use of the word ‘space’, or any spatial metaphors for that matter, to describe action in the context of the digital ensemble is increasingly problematic, though, as Kirby (1996) has argued so effectively, a language without spatial overtones may well not be a possibility for human beings.
 
6
Deleuze’s work, of course, is worth exploring in terms of building a more critical understanding of the virtual, as Deleuze does not draw a distinction between the virtual and the real, but rather, between the virtual and the actual. On this see Levy (1998) and Bogard (1996, pp. 14–15).
 
7
For one thing, fluids do not move. By their very definition, they flow, that is, they have speed. It is a mistake, however, to think of the internet as a series of pipes through which a fluid flows. Instead, it is more useful to think of the internet as a whole as flow, in the same sense that the air we breathe occupies a room, and is both ‘here’ and ‘there’ at the same time. In other words, it does not move.
 
8
From such a perspective any human being is always already a form of human–machine assemblage, even if it is only the use of a rock to crack a nut open with. In other words, from this perspective we have always been some form of cyborg, and the more interesting question instead is what sort of cyborgs we are. On this the work of Haraway and aspects of Guattari’s (1992) work are very useful.
 
9
When one has to work with a dirty mouse, for example, one can become acutely aware of how this interface is a smoothing device of sorts.
 
10
It is important not to treat these flows in the manner that one treats sand as being capable of flowing, as this leads to a misunderstanding in terms of how the internet functions. Information does not ‘flow’ in the manner that an aggregate of solid bodies do (like particles of sand).
 
11
This is not to suggest that all forms of work in the context of the digital ensemble are filled with creative joy. Far from it, but simply to suggest, just as one example, that both one’s entertainment and one’s work can come by way of the same machine, whereas with the machines of the industrial ensemble one has to disconnect from one machine and connect to another machine.
 
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Metadata
Title
(Dis)Connected: Deleuze’s Superject and the Internet
Author
David Savat
Copyright Year
2010
Publisher
Springer Netherlands
DOI
https://doi.org/10.1007/978-1-4020-9789-8_26

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