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2021 | OriginalPaper | Chapter

2. Dissecting the Subject: Brain Localization in The Nightwatches of Bonaventura

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Abstract

This chapter performs a reading of Ernst August Klingemann’s The Nightwatches of Bonaventura (1804), suggesting that the sporadic dislocations of this unusual narrative are consistent with Franz Josef Gall’s map of the brain, which assigns various cerebral functions to specialized domain-specific modules. This chapter contends further that the novel’s unstable and nervously volatile protagonist both embodies and effectively dissects the “organ” of the soul as theorized by Samuel Thomas von Soemmering.

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Footnotes
1
August Klingemann, Nachtwachen von Bonaventura, ed. Jost Schillemeit (Göttingen: Wallstein, 2012). August Klingemann, The Nightwatches of Bonaventura, trans. Gerald Gillespie (Chicago: University of Chicago Press, 2014). Hereafter cited in the text. Friedrich Schlegel defined the novel as the distinctively modern genre that epitomized a “progressive, universal poetry” (progressive Universalpoesie) reuniting all the separate species of poetry. Friedrich Schlegel, Friedrich Schlegel. Kritische Ausgabe seiner Werke, ed. Ernst Behler et al., 35 vols. (Paderborn: Ferdinand Schöning, 1958–), Vol. 2: “Charakteristiken und Kritiken I [1796–1801],” 182.
 
2
Commentators have established August Klingemann, director of the court theatre in Braunschweig, as the author of the Nightwatches. Jost Schillemeit, “Bonaventura: der Verfasser der ‘Nachtwachen’” Studien zur Goethezeit 2006, 309–437. Ruth Haag, “Noch einmal: Der Verfasser der ‘Nachtwachen von Bonaventura,’” Euphorion 81 (1987): 286–297.
 
3
For an overview of the debate, see Gerald Gillespie, “Afterword: Authorship and Reception,” The Nightwatches of Bonaventura, 127–135.
 
4
See Oliver Breidbach, “The Origin and Development of the Neurosciences,” 9.
 
5
Gall did not publish an authorized version of his findungs until his 1806 Untersuchungen ueber die Anatomie des Nervensystems ueberhaupt, und des Gehirns insbesondere. Ein dem französischen Institut ueberreichtes Mémoire von Gall und Spurzheim; nebst dem Berichte der H. H. Commissaire des Institutes und den Bemerkungen der Verfasser über diesen Bericht (Paris und Strasburg: Treuttel und Würtz, 1809). He subsequently published (albeit in limited circulation) a massive four-volume work in French, entitled Anatomie et physiologie du système nerveux (Paris: E. Scholl, 1810–1819). The first two volumes of the work were coauthored by Johann Spurzheim. A subsequent revised version of the same work, which was aimed at a general public, omitted the name of Spurzheim. F. J. Gall, Sur les fonctions du cerveau et sur celles de chacune de ses parties (Paris: Ballière, 1822–1825). Translated as Franz Joseph Gall, On the Functions of the Brain and each of its Parts: with Observations on the Possibility of Determining the Instincts, Propensities, and Talents, or the Moral and Intellectual Dispositions of Men and Animals, by the Configuration of the Brain and Head, 6 vols., trans. Winslow Lewis (Boston: Marsh, Capen & Lyon, 1835). By that time, Spurzheim’s phrenology had superseded Gall’s craniology in general popularity. For a general introduction to Gall’s work, and the legacy of craniology in the Anglo-Saxon world in particular, see John van Wyhe, “The Authority of Human Nature: the Schädellehre of Franz Joseph Gall,” The British Journal for the History of Science 35.1 (2002): 17–42. See also Stanley Finger, Origins of Neuroscience: A History of Explorations into Brain Function (London: Oxford University Press, 1994), 32–38.
 
6
See Tadeusz Zawidzki and William Bechtel, “Gall’s Legacy Revisited: Decomposition and Localization in Cognitive Neuroscience,” The Mind as a Scientific Object: Between Brain and Culture: Between Brain, ed. Christina E. Erneling et al. (Oxford: Oxford University Press, 2005), 295–296.
 
7
Samuel Thomas Soemmering, Über das Organ der Seele (Königsberg: Friedrich Nicolodius, 1796). Hereafter cited in the text. Translations mine.
 
8
Soemmering writes: “Zuerst führte man uns in das Kämmerchen zu einem Dieb u[nd] Mörder—Ein höchst widerliches, trauriges Geschöpf, welches den sogenannten Diebssinnhügel am Schedel so auffallend ausgezeichnet hat, als wie ihn nachher nur b[e]y wenigen wahrnahmen.” (“First we were led into a small chamber before a thief and murderer—an extremely revolting, sad creature, upon whose cranium the so-called “thief’s ridge” was so strikingly displayed, as could be detected in few others.” ) Cited after Gunter Mann, “Franz Joseph Gall (1758–1828) und Samuel Thomas von Soemmerring: Kranioskopie und Gehirnforschung zur Goethezeit,” Samuel Thomas von Soemmering und die Gelehrten der Goethezeit (Stuttgart und New York: Urban und Fischer, 1985), 181.
 
9
Claus Heeschen goes even further, arguing that localizationism “is as old as Plato who divided the mind into three distinct components and assigned them to three different parts of the body.” Claus Heeschen, “Franz Joseph Gall,” Reader on the History of Aphasia, ed. Paul Eling (Amsterdam: John Benjamins Publishing, 1994), 9.
 
10
Furthermore, as Heeschen points out, the French philosopher “anticipated the possible counter-argument that such a huge thing as the human mind should not be located in such a tiny organ as the pineal body and suggested that the mind as a ‘res nonextensa’ is not dependent on the physical dimensions of its seat.” Heeschen, “Franz Josef Gall,” 8.
 
11
René Descartes, Discourse on the Method: And, Meditations on First Philosophy, ed. David Weissman (New Haven: Yale University Press, 1996), 22.
 
12
Heeschen, “Franz Joseph Gall,” 9.
 
13
On the reemergence of the notion of an “organ of the soul” in German philosophical and biological debates at the end of the century, and especially in Ernst Platner’s pioneering work, see Leif Weatherby, Transplanting the Metaphysical Organ: German Romanticism between Leibnitz and Marx (New York: Fordham University Press, 2016), 117.
 
14
The term sensorium commune derives from Aristotle who in De Anima defines the koinê aesthesis (sensus communis in Latin) as a higher-order perceptual capacity that cooperates with both basic sensory perception and human rational thinking. See Pavel Gregoric, Aristotle on the Common Sense (New York: Oxford University Press, 2011). See on this also Helmut Müller-Sievers, The Science of Literature: Essays on an Incalculable Difference (Boston: DeGruyter, 2015), 75.
 
15
See Breidbach, “The Origin and Development of the Neurosciences,” 10. Also Paolo Pecere, “Kant’s Über das Organ der Seele and the Limits of Physiology: Arguments and Legacy,” Kant’s Shorter Writings: Critical Paths Outside the Critiques, ed. Robert Hanna et al. (Cambridge: Cambridge Scholars Publishing, 2016), 214–230.
 
16
Terence, The Eunuch, II. 61–63. Terence, ed. and trans. John Barsby, 2 vols. (Cambridge: Harvard University Press, 2001), 1: 321.
 
17
See on this Detlef Kremer, “Identität und Selbstauflösung: Klinger und die ‘Nachtwachen’ von Bonaventura,” Der deutsche Roman der Spätaufklärung: Fiktion und Wirklichkeit, ed. Harro Zimmermann (Heidelberg: Winter, 1990), 289.
 
18
Johann Gottlieb Fichte, Die Wissenschaftslehre 11. Vortrag im Jahre 1804, J. G. Fichte Gesamtausgabe der Bayrischen Akademie der Wissenschaften, ed. R. Lauth and H. Gliwitzky (Stuttgart-Bad Cannstadt: Friedrich Frommann, 1985). Johann Gottlieb Fichte, Science of Knowledge (Wissenschaftslehre), trans. Peter Heath and John Lachs (New York: Appleton-Century Crofts, 1970).
 
19
Jeffrey Sammons aptly identifies an “artistic meaning in the external form of the Nachtwachen” and its seemingly “chaotic, uncontrolled potpourri” structure. Jeffrey Sammons, Die Nachtwachen von Bonaventura. A Structural Interpretation (De Hague: Mouton, 1965), 32.
 
20
See Walter Kaufman, Discovering the Mind. Goethe, Kant, Hegel (New York: McGraw-Hill, 1980).
 
21
Georg Northoff credits Schopenhauer as the first person to introduce the brain into philosophy. See Georg Northoff, Minding the Brain: A Guide to Philosophy and Neuroscience (London: Palgrave Macmillan, 2014), 226.
 
22
“This transcendental unity of apperception forms out of all possible appearances, which can stand alongside one another in one experience, a connection of all these representations according to laws.” Immanuel Kant, Critique of Pure Reason, Second Edition, trans. Norman Kemp Smith, Howard Caygill (New York: Palgrave Macmillan, 2007), 136. [A108]
 
23
Ellis Finger, “Bonaventura through Kreuzgang: Nachtwachen as Autobiography,” The German Quarterly 53, 3 (1980), 283.
 
24
Gillespie, “Introduction,” xiv.
 
25
Walter Benjamin, “Der Erzähler,” Gesammelte Schriften, ed. Rolf Tiedemann and Hermann Schweppenhäuser, 7 vols. (Frankfurt am Main: Suhrkamp, 1974), II. 2: 438–464. Translated as Walter Benjamin, “The Storyteller: Observations on the Works of Nikolai Leskov,” Selected Writings: 1935–1938, ed. Howard Eiland and Michael W. Jennings, trans. Edmund Jephcott, Howard Eiland, et al. (Cambridge: Belknap Press of Harvard University Press, 2002), 143–166.
 
26
J. M. Bernstein, The Philosophy of the Novel: Lukács, Marxism, and the Dialectics of Form (Minneapolis: University of Minnesota Press, 1984), 135.
 
27
Mikhail Bakhtin, Problems of Dostoevsky’s Poetics, ed. and trans. Caryl Emerson (Minneapolis: University of Minnesota Press, 1984).
 
28
See on this Oliver Hepp, “Ein transzendentaler Buffo: Kreuzgang und die romantisch-ironische Struktur der Nachtwachen. Von Bonaventura,” Deutsche Schillergesellschaft: Jahrbuch der deutschen Schillergesellschaft 53 (2009), 171–172.
 
29
Eberhard Gmelin, Materialien für die Anthropologie (Tübingen: Verlag der Cotta’schen Buchhandlung, 1791).
 
30
Ellenberger, The Discovery of the Unconscious, 127.
 
31
Franz Josef Gall, “Das Programm,” Der Neue Teutsche Merkur 3 (1798): 311–382. Reprinted in Franz Joseph Gall. Naturforscher und Anthropologe, trans. and ed. Erna Lesky (Bern: Huber, 1979). Note that Gall’s letter was first presented to the public in a literary journal, the December 1798 edition of Der Neue Teutsche Merkur. This may explain why the journal’s editor, Christoph Martin Wieland, found it necessary to include a note in which he assured his readers that they would find Gall’s system of importance and that its author was a uniquely qualified authority. See Christoph Martin Wieland, “Des Herrn D. F. J. Schreiben über seinen bereits geendigten Prodromus über die Verichtungen des Gehirns des Menschen und der Thiere an Herrn Jos. Fr. Von Retzer” (Ibid.).
 
32
After enjoying a wave of initial popularity, Gall was dismissed as fraudulent by some. His ideas nevertheless spread throughout and beyond Europe in the 1820s and 1830s.
 
33
Franz Joseph Gall, On the Functions of the Brain and of Each of its Parts, Vol. 1: “On the Origin of the Moral Qualities and Intellectual Faculties of Man, and the Conditions of their Manifestation,” 14. Hereafter cited in the text. It is important to note that Gall objected to the notion of craniology: “The object of my researches is the brain. The cranium is only a faithful cast of the external surface of the brain, and is consequently but a minor part of its principal object. The title then is as inapplicable as would be that of maker of rhymes of a poet.” (18) See Andrew P. Wickens, A History of the Brain: From Stone Age Surgery to Modern Neuroscience (London: Psychology Press, 2015), 135.
 
34
Franz Joseph Gall and Johann Gaspar Spurzheim, Untersuchungen über die Anatomie, 17. Translation mine.
 
35
See Sherrie Lynne Lyons, Species, Serpents, Spirits, and Skulls: Science at the Margins in the Victorian Age (New York: SUNY Press, 2009), 63.
 
36
See Ellis Shookman, Eighteenth Century German Prose: Heinse, La Roche, Wieland, and Others (New York: Continuum, 1992), xxii–xxiii.
 
37
For a close analysis of the patterns of commedia elements within the Nightwatches, see Gerald Gillespie, “Kreuzgang in the Role of Crispin: Commedia dell’arte Transformations in Die Nachtwachen,” in Herkommen und Erneuerung: Essays für Oskar Seidlin, 1911–1984, ed. Edgar Lohner (Tübingen: Niemeyer; 1976), 185–200. On the influence of the theatrical tradition of commedia dell’arte in an eighteenth-century German cultural context, see Jocelyn Holland, “The School of Shipwrecks: Improvisation in Wilhelm Meisters theatralische Sendung and the Lehrjahre,” Goethe Yearbook 15 (2008): 19–33.
 
38
Franz Josef Gall and Johann Gaspar Spurzheim, Anatomie et Physiologie du Systême nerveaux et général, et du Cerveau en particulier, avec des Observations sur la Possibilité de reconnoitre plusieurs Dispositions intellectuelles et morales de l’Homme et des Animaux, par la Configuration de leur Têtes (Paris: F. Schoell, 1812), Vol. 2: 254. English translation cited after Tadeusz Zawidski and William Bechtel, “Gall’s Legacy Revisited: Decomposition and Localization in Cognitive Neuroscience,” The Mind as a Scientific Object: Between Brain and Culture, 296.
 
39
Heeschen, “Franz Josef Gall,” 12.
 
40
Johann Gaspar Spurzheim, Phrenology: Or the Doctrine of the Mental Phenomena, 2 vols. (Boston: Marsh, Capen and Lyon, 1834), Vol. 2: “Philosophical Part,” 33. Spurzheim eloborates: “I consider the word sensation as an expression altogether general. Every act of consciousness or every perception of any impression, whether external or internal, is sensation.” Ibid., 288.
 
41
See Patrick Bridgwater, The German Gothic Novel in Anglo-German Perspective (Amsterdam: Rodopi, 2013), 298.
 
42
Connectionism views thinking as an activity within a massive interactive network that involves multiple neural connections between parallel nodes taking place simultaneously.
 
43
Schlegel, Kritische Ausgabe, 2: 197.
 
Metadata
Title
Dissecting the Subject: Brain Localization in The Nightwatches of Bonaventura
Author
Sonja Boos
Copyright Year
2021
DOI
https://doi.org/10.1007/978-3-030-82816-5_2