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2018 | OriginalPaper | Chapter

2. Narrative Theory for Complexity Scientists

Author : Richard Walsh

Published in: Narrating Complexity

Publisher: Springer International Publishing

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Abstract

The aim of this chapter is to outline some of the key ideas and concepts in narrative theory, in order to make the field more accessible to those who have only a passing acquaintance with it (complexity scientists in particular). The chapter first gives an account of what narrative is, and then goes on to draw out some of the implications of that account for the way we think and understand in narrative terms. My discussion of these implications draws attention, as opportunity arises, to respects in which the form of narrative bears upon our ability to understand and communicate the way complex systems behave. The chapter does not survey the many facets of the problematic relation between narrative sensemaking and complex systems (that is really the work of the book as a whole), but it does provide a reasonably solid theoretical underpinning for the narrative problems, questions and possibilities taken up in subsequent chapters.

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Footnotes
1
Essential sources for this view of narrative cognition are Bruner (1991), Turner (1996), and Herman (2002).
 
2
For a two-event definition of minimal narrative, see Prince (1982); for a one-event definition, see Genette (1988).
 
3
See especially Fludernik (1996).
 
4
For example, Forster distinguishes between plot and mere story (in his own specific sense) on the basis of causality; so “The king died and then the queen died of grief,” he says, is a plot (Forster 1962, p. 87). Causality also features prominently in White’s distinction between annals, chronicle and narrative proper in his own, restrictive sense (White 1980); and causality is made the central feature of narrative in Richardson (1997), and in Kafalenos (2006).
 
5
This is the central theme of Ricoeur (1984–1988).
 
6
The philosophical background to the relation between narrative and time is nicely expounded by Currie (2007); see also the chapter on time in this volume (“Time Will Tell”, Chap. 19).
 
7
From the Metaphysics, Book 8, 1045a. These are the translations of, respectively, Ross (Aristotle 1908), Tredennick (Aristotle 1933), and Bostock (Aristotle 1994).
 
8
A unit of (narrative) meaning is a “seme” for Greimas (1983) and Barthes (1974); or a “narreme” for Dorfman (1969).
 
9
The distinction between the telling and the told as “discourse” and “story” comes from Chatman; in the older terminology of the Russian Formalists, it is “syuzhet” and “fabula” (Tomashevsky 1965).
 
10
My distinction here draws upon the one between “making sense of stories” and “stories as sense-making” in Herman (2003, pp. 12–14).
 
11
For the first elaboration of these categories of signs, see Peirce (1982–, vol. 2).
 
12
See Walsh (2011) and Almén (2008).
 
13
The concept of focalization was introduced in Genette (1980, Chap. 4).
 
14
Unreliable narration, and the (partially) related concept of the implied author, were developed by Booth (1983).
 
15
For relevance theory, see Sperber and Wilson (1995).
 
16
On tellability, see Pratt (1977). A related concept is narrativity, which seems more specific, but also invites confusion between the qualities of the communicative act and those of its object. See Prince (1982).
 
17
On fictions of apocalypse as paradigms for narrative, see Kermode (1967).
 
18
Key sources on narrative and other minds are Keen (2007), Palmer (2004), and Zunshine (2006).
 
19
For approaches to narrative grounded in embodiment, see Turner (1996) and Fludernik (1996). For more specifically enactivist approaches, see Hutto and Myin (2012) and Caracciolo (2014).
 
20
On fictionality as a rhetoric, see Walsh (2007); on the sense of narrative reflexiveness described here, see Walsh (2016).
 
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Metadata
Title
Narrative Theory for Complexity Scientists
Author
Richard Walsh
Copyright Year
2018
DOI
https://doi.org/10.1007/978-3-319-64714-2_2

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