Skip to main content
Top

2020 | OriginalPaper | Chapter

5. Patterns and Parody: The Lady/Elaine in Literature

Activate our intelligent search to find suitable subject content or patents.

search-config
loading …

Abstract

This chapter outlines key patterns of adaptation strategies in Lady/Elaine literature including intertextuality, narrative gaps, focalization, and common images. The chapter then analyzes examples of parody in various short poems, C. J. Williams’ silent film, Elizabeth Stuart Phelp’s “The Lady of Shalott” and David Benedictus’ Floating Down to Camelot to illustrate the ways parody critiques Tennyson’s medievalism.

Dont have a licence yet? Then find out more about our products and how to get one now:

Springer Professional "Wirtschaft+Technik"

Online-Abonnement

Mit Springer Professional "Wirtschaft+Technik" erhalten Sie Zugriff auf:

  • über 102.000 Bücher
  • über 537 Zeitschriften

aus folgenden Fachgebieten:

  • Automobil + Motoren
  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Elektrotechnik + Elektronik
  • Energie + Nachhaltigkeit
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Maschinenbau + Werkstoffe
  • Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Springer Professional "Wirtschaft"

Online-Abonnement

Mit Springer Professional "Wirtschaft" erhalten Sie Zugriff auf:

  • über 67.000 Bücher
  • über 340 Zeitschriften

aus folgenden Fachgebieten:

  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Versicherung + Risiko




Jetzt Wissensvorsprung sichern!

Literature
go back to reference Abrams, M. H., and Geoffrey Galt Harpham. 2009. A Glossary of Literary Terms. 9th ed. Boston, MA: Wadsworth Cengage Learning. Abrams, M. H., and Geoffrey Galt Harpham. 2009. A Glossary of Literary Terms. 9th ed. Boston, MA: Wadsworth Cengage Learning.
go back to reference Anderson, Jessica. 1978 (1984). Tirra Lirra by the River. New York: Penguin Books. Anderson, Jessica. 1978 (1984). Tirra Lirra by the River. New York: Penguin Books.
go back to reference Anderson, Jim. 1948. “Elaine, Maid of Astolat.” Flamingo (Rollins College) Fall: 20–24. Anderson, Jim. 1948. “Elaine, Maid of Astolat.” Flamingo (Rollins College) Fall: 20–24.
go back to reference Andres, Sophia. 2006. “From Camelot to Hyde Park: The Lady of Shalott’s Pre-Raphaelite Postmodernism in A. S. Byatt and Tracy Chevalier.” Victorians Institute Journal 34: 7–37. Andres, Sophia. 2006. “From Camelot to Hyde Park: The Lady of Shalott’s Pre-Raphaelite Postmodernism in A. S. Byatt and Tracy Chevalier.” Victorians Institute Journal 34: 7–37.
go back to reference Atwood, Margaret. 1963. “Elaine in Arcadia.” The Fiddlehead 55 (Winter): 11. Atwood, Margaret. 1963. “Elaine in Arcadia.” The Fiddlehead 55 (Winter): 11.
go back to reference Atwood, Margaret. 1976. Lady Oracle. Toronto, ON: McClelland and Stewart. Atwood, Margaret. 1976. Lady Oracle. Toronto, ON: McClelland and Stewart.
go back to reference Beeton, Samuel Orchart, A. A. Dowty, and S. R. Emerson. 1872. “The Coming K - - -: A Set of Idyll Lays.” Beeton’s Christmas Annual 13 (December): 1–47. Beeton, Samuel Orchart, A. A. Dowty, and S. R. Emerson. 1872. “The Coming K - - -: A Set of Idyll Lays.” Beeton’s Christmas Annual 13 (December): 1–47.
go back to reference Benedictus, David. 1985. Floating Down to Camelot. London: Macdonald & Co and Futura. Benedictus, David. 1985. Floating Down to Camelot. London: Macdonald & Co and Futura.
go back to reference Bishop, Elizabeth. 1946. “The Gentleman of Shalott.” In North & South, 8–9. Boston, MA: Houghton Mifflin Company. Bishop, Elizabeth. 1946. “The Gentleman of Shalott.” In North & South, 8–9. Boston, MA: Houghton Mifflin Company.
go back to reference Bovey, John. 1978. “The Lady of Shalott.” Texas Quarterly 21 (2) (Summer): 127–39. Bovey, John. 1978. “The Lady of Shalott.” Texas Quarterly 21 (2) (Summer): 127–39.
go back to reference Byatt, A. S. (1990) 1991. Possession: A Romance. London: Vintage Books. Byatt, A. S. (1990) 1991. Possession: A Romance. London: Vintage Books.
go back to reference Cabot, Meg. 2006. Avalon High. New York: HarperTeen. Cabot, Meg. 2006. Avalon High. New York: HarperTeen.
go back to reference Cherryh, C. J. 1982. Port Eternity. New York: DAW Books, Inc. Cherryh, C. J. 1982. Port Eternity. New York: DAW Books, Inc.
go back to reference Chesney, Marion [M. C. Beaton]. 2005. Sick of Shadows. New York: St Martin’s Minotaur. Chesney, Marion [M. C. Beaton]. 2005. Sick of Shadows. New York: St Martin’s Minotaur.
go back to reference Christie, Agatha. 2000. The Mirror Crack’d. New York: Signet. Christie, Agatha. 2000. The Mirror Crack’d. New York: Signet.
go back to reference Compton, Anne. 2002. “Tidying the Tower: The Lady of Shalott Without Tennyson.” In Opening the Island, 28–29. Markham, ON: Fitzhenry & Whiteside. Compton, Anne. 2002. “Tidying the Tower: The Lady of Shalott Without Tennyson.” In Opening the Island, 28–29. Markham, ON: Fitzhenry & Whiteside.
go back to reference Corbluth, Elsa. 1976. “Tirra-lirra.” New Poetry 2: 69. Corbluth, Elsa. 1976. “Tirra-lirra.” New Poetry 2: 69.
go back to reference Cunningham, Elaine. 2000. “Hidden Blades.” In The Doom of Camelot, edited by James Lowder, 30–49. Oakland, CA: Green Knight Publishing. Cunningham, Elaine. 2000. “Hidden Blades.” In The Doom of Camelot, edited by James Lowder, 30–49. Oakland, CA: Green Knight Publishing.
go back to reference Felluga, Dino Franco. 2005. “Coda: Tennyson’s Idylls, Pure Poetry, and the Market.” In The Perversity of Poetry: Romantic Ideology and the Popular Male Poet of Genius, 143–61, 181. Albany, NY: State University of New York Press. Felluga, Dino Franco. 2005. “Coda: Tennyson’s Idylls, Pure Poetry, and the Market.” In The Perversity of Poetry: Romantic Ideology and the Popular Male Poet of Genius, 143–61, 181. Albany, NY: State University of New York Press.
go back to reference Ferreira, Maria Aline. 1991. “The Virgin and the Gipsy as a Rewriting and Subversion of Tennyson’s ‘The Lady of Shalott’.” D. H. Lawrence Review 23 (2–3) (Summer/Fall): 167–77. Ferreira, Maria Aline. 1991. “The Virgin and the Gipsy as a Rewriting and Subversion of Tennyson’s ‘The Lady of Shalott’.” D. H. Lawrence Review 23 (2–3) (Summer/Fall): 167–77.
go back to reference Fries, Maureen. 1977. “The Rationalization of the Arthurian ‘Matter’ in T. H. White and Mary Stewart.” Philological Quarterly 56 (2) (Spring): 258–65. Periodicals Archive Online. Fries, Maureen. 1977. “The Rationalization of the Arthurian ‘Matter’ in T. H. White and Mary Stewart.” Philological Quarterly 56 (2) (Spring): 258–65. Periodicals Archive Online.
go back to reference Gridley, Sarah. 2013. Loom. Omnidawn Publishing. Gridley, Sarah. 2013. Loom. Omnidawn Publishing.
go back to reference Gutleben, Christian. 1995. “English Academic Satire from the Middle Ages to Postmodernism: Distinguishing the Comic from the Satiric.” In Theorizing Satire: Essays in Literary Criticism, edited by Brian A. Connery and Kirk Combe, 133–47. New York: St Martin’s Press. Gutleben, Christian. 1995. “English Academic Satire from the Middle Ages to Postmodernism: Distinguishing the Comic from the Satiric.” In Theorizing Satire: Essays in Literary Criticism, edited by Brian A. Connery and Kirk Combe, 133–47. New York: St Martin’s Press.
go back to reference Hamilton, Guy, dir. 2009. Agatha Christie’s The Mirror Crack’d. Featuring Angela Lansbury, Elizabeth Taylor, Kim Novak, and Rock Hudson. EMI Films Limited, 1980. DVD Lions Gate Films Inc. Hamilton, Guy, dir. 2009. Agatha Christie’s The Mirror Crack’d. Featuring Angela Lansbury, Elizabeth Taylor, Kim Novak, and Rock Hudson. EMI Films Limited, 1980. DVD Lions Gate Films Inc.
go back to reference Harde, Roxanne. 2014. “‘A Startling Reform’: Women and Christianity in the Work of Elizabeth Stuart Phelps.” In Nineteenth-Century American Women Write Religion: Lived Theologies and Literature, edited by Mary McCartin Wearn, 135–49. London: Ashgate. Harde, Roxanne. 2014. “‘A Startling Reform’: Women and Christianity in the Work of Elizabeth Stuart Phelps.” In Nineteenth-Century American Women Write Religion: Lived Theologies and Literature, edited by Mary McCartin Wearn, 135–49. London: Ashgate.
go back to reference Henderson, Samantha. 2007. “Shallot.” In Fantasy, edited by Sean Wallace and Paul G. Tremblay, 51–60. Germantown, MD: Prime Books. Henderson, Samantha. 2007. “Shallot.” In Fantasy, edited by Sean Wallace and Paul G. Tremblay, 51–60. Germantown, MD: Prime Books.
go back to reference Hildebrand, Kristina. 2019. “‘I love Nat to Be Constreyned to Love’: Launcelot and Sexual Vulnerability.” Malory 550 Conference, Wolfville, NS. Hildebrand, Kristina. 2019. “‘I love Nat to Be Constreyned to Love’: Launcelot and Sexual Vulnerability.” Malory 550 Conference, Wolfville, NS.
go back to reference Hixon, Martha. 2005. ‘“The Lady of Shalott’ as Paradigm in Patricia McKillip’s The Tower at Stony Wood.” Journal of the Fantastic in the Arts 16 (3) (Fall): 191–205. Hixon, Martha. 2005. ‘“The Lady of Shalott’ as Paradigm in Patricia McKillip’s The Tower at Stony Wood.” Journal of the Fantastic in the Arts 16 (3) (Fall): 191–205.
go back to reference Holtby, Mary. (1983) 1986. “There Once Was a Lass of Shalott.” In The Penguin Book of Limericks, edited by E. O. Parrot, illustrated by Robin Jacques, 147. New York: Viking. Holtby, Mary. (1983) 1986. “There Once Was a Lass of Shalott.” In The Penguin Book of Limericks, edited by E. O. Parrot, illustrated by Robin Jacques, 147. New York: Viking.
go back to reference Hunt, William Holman. 1857. “The Lady of Shalott.” Engraved drawing. 3.5 x 3 in. In Poems, edited by by Alfred Tennyson, Baron. Edward Moxon and Co. Hunt, William Holman. 1857. “The Lady of Shalott.” Engraved drawing. 3.5 x 3 in. In Poems, edited by by Alfred Tennyson, Baron. Edward Moxon and Co.
go back to reference Hunt, William Holman. 1886–1905. The Lady of Shalott. Painting (oil on canvas). 6 x 4.6 ft. Hartford, CT: Wadsworth Athenaeum. Hunt, William Holman. 1886–1905. The Lady of Shalott. Painting (oil on canvas). 6 x 4.6 ft. Hartford, CT: Wadsworth Athenaeum.
go back to reference Hutcheon, Linda. 1985. A Theory of Parody: The Teachings of Twentieth-Century Art Forms. New York and London: Methuen. Hutcheon, Linda. 1985. A Theory of Parody: The Teachings of Twentieth-Century Art Forms. New York and London: Methuen.
go back to reference Hutcheon, Linda, with Siobhan O’Flynn. 2013. A Theory of Adaptation. 2nd ed. London and New York: Routledge. Hutcheon, Linda, with Siobhan O’Flynn. 2013. A Theory of Adaptation. 2nd ed. London and New York: Routledge.
go back to reference Irby, Kenneth. 2009. “Homage to Tennyson—‘The Lady of Shalott’.” In The Intent On: Collected Poems, 1962–2006, edited by Kyle Waugh and Cyrus Console, 344–45. Berkeley, CA: North Atlantic Books. Irby, Kenneth. 2009. “Homage to Tennyson—‘The Lady of Shalott’.” In The Intent On: Collected Poems, 1962–2006, edited by Kyle Waugh and Cyrus Console, 344–45. Berkeley, CA: North Atlantic Books.
go back to reference Karr, Phyllis Ann. 1988. “Two Bits of Embroidery.” In Invitation to Camelot, edited by Parke Godwin, 31–45. New York: Ace Books. Karr, Phyllis Ann. 1988. “Two Bits of Embroidery.” In Invitation to Camelot, edited by Parke Godwin, 31–45. New York: Ace Books.
go back to reference Kilmer, Aline. 1921. “For All Ladies of Shalott.” Poetry: A Magazine of Verse 18: 74–75. Kilmer, Aline. 1921. “For All Ladies of Shalott.” Poetry: A Magazine of Verse 18: 74–75.
go back to reference Lee, Tanith. (1997) 2009. “The Lady-of-Shalott House.” In Tempting the Gods: The Selected Stories of Tanith Lee Volume One, introduction by Donald A. Wollheim, 208–22. Wildside Press. Lee, Tanith. (1997) 2009. “The Lady-of-Shalott House.” In Tempting the Gods: The Selected Stories of Tanith Lee Volume One, introduction by Donald A. Wollheim, 208–22. Wildside Press.
go back to reference Letts, W. M. 1918. “Elaine at Astolat.” In The Spires of Oxford and Other Poems, 66. New York: E. P. Dutton and Company. Letts, W. M. 1918. “Elaine at Astolat.” In The Spires of Oxford and Other Poems, 66. New York: E. P. Dutton and Company.
go back to reference Logan, David. (2012) 2013. Half-Sick of Shadows. London: Corgi. Logan, David. (2012) 2013. Half-Sick of Shadows. London: Corgi.
go back to reference Lynch, Andrew. 2004. “Le Morte Darthur for Children: Malory’s Third Tradition.” In Adapting the Arthurian Legends for Children: Essays on Arthurian Juvenilia, edited by Barbara Tepa Lupack, 1–49. New York: Palgrave Macmillan. Lynch, Andrew. 2004. “Le Morte Darthur for Children: Malory’s Third Tradition.” In Adapting the Arthurian Legends for Children: Essays on Arthurian Juvenilia, edited by Barbara Tepa Lupack, 1–49. New York: Palgrave Macmillan.
go back to reference Malory, Sir Thomas. 2013. Le Morte Darthur. Edited by P. J. C. Field, Arthurian Studies LXXX. Vol. 1. Cambridge: D. S. Brewer. Malory, Sir Thomas. 2013. Le Morte Darthur. Edited by P. J. C. Field, Arthurian Studies LXXX. Vol. 1. Cambridge: D. S. Brewer.
go back to reference Marshall, George O., Jr. 1975. Tennyson in Parody and Jest: An Essay and a Selection. Lincoln: Tennyson Society/Tennyson Research Centre. Marshall, George O., Jr. 1975. Tennyson in Parody and Jest: An Essay and a Selection. Lincoln: Tennyson Society/Tennyson Research Centre.
go back to reference McGarvey, Margaret. 1964. “At Astolat.” In D*Dawn and Other Poems, 28. Darien, GA: Ashantilly Press. McGarvey, Margaret. 1964. “At Astolat.” In D*Dawn and Other Poems, 28. Darien, GA: Ashantilly Press.
go back to reference McGinley, Phyllis. 1954. “Launcelot, with Bicycle.” Good Housekeeping 138 (4) (April): 115. McGinley, Phyllis. 1954. “Launcelot, with Bicycle.” Good Housekeeping 138 (4) (April): 115.
go back to reference McKillip, Patricia A. 2000. The Tower at Stony Wood. New York: Ace. McKillip, Patricia A. 2000. The Tower at Stony Wood. New York: Ace.
go back to reference McKillip, Patricia A. 2005. “Out of the Woods.” In Flights: Extreme Visions of Fantasy, edited by Al Sarrantonio, 333–44. New York: ROC. McKillip, Patricia A. 2005. “Out of the Woods.” In Flights: Extreme Visions of Fantasy, edited by Al Sarrantonio, 333–44. New York: ROC.
go back to reference Millay, Edna St. Vincent. 1921. “Elaine.” In Second April, 56–57. New York and London: Harper & Brothers. Millay, Edna St. Vincent. 1921. “Elaine.” In Second April, 56–57. New York and London: Harper & Brothers.
go back to reference Mnookin, Wendy M. 1989. “Guenever Plots Against Elaine.” The Round Table: A Journal of Poetry and Fiction 5 (Special Issue: King Arthur and his Knights II): 19. Mnookin, Wendy M. 1989. “Guenever Plots Against Elaine.” The Round Table: A Journal of Poetry and Fiction 5 (Special Issue: King Arthur and his Knights II): 19.
go back to reference Mnookin, Wendy M. 1989. “Guenever Views the Corpse of Elaine.” The Round Table: A Journal of Poetry and Fiction 5 (Special Issue: King Arthur and his Knights II): 20. Mnookin, Wendy M. 1989. “Guenever Views the Corpse of Elaine.” The Round Table: A Journal of Poetry and Fiction 5 (Special Issue: King Arthur and his Knights II): 20.
go back to reference Morris, Gerald. 2008. The Adventures of Sir Lancelot the Great. Illustrated by Aaron Renier. Boston, MA: Houghton Mifflin. Morris, Gerald. 2008. The Adventures of Sir Lancelot the Great. Illustrated by Aaron Renier. Boston, MA: Houghton Mifflin.
go back to reference Morris, Roberta. 2012. Suicidal Maniacs and the Lady of Shalott. Xlibris. Morris, Roberta. 2012. Suicidal Maniacs and the Lady of Shalott. Xlibris.
go back to reference Murray, Robert Fuller. 1913. “A Tennysonian Fragment.” Punch 102 (1892): 89. Reprinted A Century of Parody and Imitation, edited by Walter Jerrold and R. M. Leonard, 383. London: Humphrey Milford and Oxford University Press. Murray, Robert Fuller. 1913. “A Tennysonian Fragment.” Punch 102 (1892): 89. Reprinted A Century of Parody and Imitation, edited by Walter Jerrold and R. M. Leonard, 383. London: Humphrey Milford and Oxford University Press.
go back to reference Neal, Trevor. 1992. Lady of Detroit. Painting (oil on canvas). 101.6x76.2 cm. Private Collection. Neal, Trevor. 1992. Lady of Detroit. Painting (oil on canvas). 101.6x76.2 cm. Private Collection.
go back to reference Olsen, Lance. 2003. “The Lady of Shalott.” In Hideous Beauties, illustrated by Andi Olsen, 161–69. Portland, OR: Eraserhead Press. Olsen, Lance. 2003. “The Lady of Shalott.” In Hideous Beauties, illustrated by Andi Olsen, 161–69. Portland, OR: Eraserhead Press.
go back to reference Parker, Dorothy. 1926. “News Item.” In Enough Rope, 85. New York: Horace Liveright. Parker, Dorothy. 1926. “News Item.” In Enough Rope, 85. New York: Horace Liveright.
go back to reference Parker, Dorothy. 1931. “Guinevere at Her Fireside.” In Death and Taxes, 42–43. New York: Viking Press. Parker, Dorothy. 1931. “Guinevere at Her Fireside.” In Death and Taxes, 42–43. New York: Viking Press.
go back to reference Perowne, Victor. 1916. “The Lady of Shallott.” In Wheels: An Anthology of Verse, 77–79. Oxford: B. H. Blackwell. Perowne, Victor. 1916. “The Lady of Shallott.” In Wheels: An Anthology of Verse, 77–79. Oxford: B. H. Blackwell.
go back to reference Phelps, Elizabeth Stuart. 1877. The Story of Avis. Boston, MA: James R. Osgood and Co. Phelps, Elizabeth Stuart. 1877. The Story of Avis. Boston, MA: James R. Osgood and Co.
go back to reference Phelps, Elizabeth Stuart. (1883) 1891. “Elaine and Elaine.” In Songs of the Silent World, 77–78. Boston, MA: Houghton, Mifflin, and Company. Phelps, Elizabeth Stuart. (1883) 1891. “Elaine and Elaine.” In Songs of the Silent World, 77–78. Boston, MA: Houghton, Mifflin, and Company.
go back to reference Phelps, Elizabeth Stuart. 1891. “Guinevere.” 1880 as “Afterward.” In Songs of the Silent World, 59–63. Boston, MA: Houghton, Mifflin, and Company. Phelps, Elizabeth Stuart. 1891. “Guinevere.” 1880 as “Afterward.” In Songs of the Silent World, 59–63. Boston, MA: Houghton, Mifflin, and Company.
go back to reference Phelps, Elizabeth Stuart. (1878) 1891. “The Terrible Test.” In Songs of the Silent World, 92–93. Boston, MA: Houghton, Mifflin, and Company. Phelps, Elizabeth Stuart. (1878) 1891. “The Terrible Test.” In Songs of the Silent World, 92–93. Boston, MA: Houghton, Mifflin, and Company.
go back to reference Phelps, Elizabeth Stuart. (1871) 1969. “The Lady of Shalott.” In Sealed Orders. 1879. The American Short Story Series 85, 48–64. New York: Garrett Press. Phelps, Elizabeth Stuart. (1871) 1969. “The Lady of Shalott.” In Sealed Orders. 1879. The American Short Story Series 85, 48–64. New York: Garrett Press.
go back to reference Phelps, Elizabeth Stuart. (1876) 1969. “The True Story of Guenever.” In Sealed Orders. 1879. The American Short Story Series 85, 65–80. New York: Garrett Press. Phelps, Elizabeth Stuart. (1876) 1969. “The True Story of Guenever.” In Sealed Orders. 1879. The American Short Story Series 85, 65–80. New York: Garrett Press.
go back to reference Pitt-Kethley, Fiona. 1990. “The Lady of Shalott.” In How to Be Well-Versed in Poetry, edited by E. O. Parrott, 22. London: Viking. Pitt-Kethley, Fiona. 1990. “The Lady of Shalott.” In How to Be Well-Versed in Poetry, edited by E. O. Parrott, 22. London: Viking.
go back to reference Poulson, Christine. 1999. The Quest for the Grail: Arthurian Legend in British Art 1840–1920. Manchester: Manchester University Press. Poulson, Christine. 1999. The Quest for the Grail: Arthurian Legend in British Art 1840–1920. Manchester: Manchester University Press.
go back to reference Pulman, Felicity. 2001. Shalott. Milson’s Point. NSW: Random House Australia. Pulman, Felicity. 2001. Shalott. Milson’s Point. NSW: Random House Australia.
go back to reference Pulman, Felicity. (2002) 2009. “Elaine, Lily Maid of Astolat.” In The Road to Camelot, edited by Sophie Masson, 181–94. North Sidney, NSW: Random House Australia. Pulman, Felicity. (2002) 2009. “Elaine, Lily Maid of Astolat.” In The Road to Camelot, edited by Sophie Masson, 181–94. North Sidney, NSW: Random House Australia.
go back to reference Resnick, Laura. 1996. “The Lily Maid of Astolat.” In Return to Avalon, edited by Jennifer Roberson, 369–91. New York: DAW Books, Inc. Resnick, Laura. 1996. “The Lily Maid of Astolat.” In Return to Avalon, edited by Jennifer Roberson, 369–91. New York: DAW Books, Inc.
go back to reference Rose, Margaret. 1993. Parody: Ancient, Modern, and Post-Modern. Cambridge and New York: Cambridge University Press. Rose, Margaret. 1993. Parody: Ancient, Modern, and Post-Modern. Cambridge and New York: Cambridge University Press.
go back to reference Rosenberg, Charles E. 1987. The Cholera Years: The United States in 1832, 1849, and 1866. Chicago, IL: University of Chicago Press. Rosenberg, Charles E. 1987. The Cholera Years: The United States in 1832, 1849, and 1866. Chicago, IL: University of Chicago Press.
go back to reference Ross, Catherine Sheldrick. 1979. “Calling Back the Ghost of the Old-Time Heroine: Duncan, Montgomery, Atwood, Laurence, and Munro.” Studies in Canadian Literature 4 (1) (Winter): 43–58. Ross, Catherine Sheldrick. 1979. “Calling Back the Ghost of the Old-Time Heroine: Duncan, Montgomery, Atwood, Laurence, and Munro.” Studies in Canadian Literature 4 (1) (Winter): 43–58.
go back to reference Rossetti, Dante Gabriel. 1857. “The Lady of Shalott” (or “Lancelot”). Engraved drawing. 3.75 x 3 in. Poems. By Alfred Tennyson, Baron. London: Edward Moxon and Co. Rossetti, Dante Gabriel. 1857. “The Lady of Shalott” (or “Lancelot”). Engraved drawing. 3.75 x 3 in. Poems. By Alfred Tennyson, Baron. London: Edward Moxon and Co.
go back to reference Rowley, Gwen. 2006. Knights of the Round Table: Lancelot. New York: Jove Books and Berkley Publishing Group. Rowley, Gwen. 2006. Knights of the Round Table: Lancelot. New York: Jove Books and Berkley Publishing Group.
go back to reference Sandell, Lisa Ann. (2007) 2008. Song of the Sparrow. New York: Scholastic. Sandell, Lisa Ann. (2007) 2008. Song of the Sparrow. New York: Scholastic.
go back to reference Shakespeare, William. 1974. Hamlet. In The Riverside Shakespeare, edited by G. Blakemore Evans, 1141–97. Boston, MA: Houghton Mifflin. Shakespeare, William. 1974. Hamlet. In The Riverside Shakespeare, edited by G. Blakemore Evans, 1141–97. Boston, MA: Houghton Mifflin.
go back to reference Spring, Elizabeth T. (1883) 1975. “Elizabeth Stuart Phelps.” In Our Famous Women: An Authorized Record of the Lives and Deeds of Distinguished American Women of Our Times. Essay Index Reprint Series, 560–80. Books for Libraries Press. Spring, Elizabeth T. (1883) 1975. “Elizabeth Stuart Phelps.” In Our Famous Women: An Authorized Record of the Lives and Deeds of Distinguished American Women of Our Times. Essay Index Reprint Series, 560–80. Books for Libraries Press.
go back to reference Stanhope, Rosamund. 1962. “So I Looked Down to Camelot.” In So I Looked Down to Camelot, 10. Scorpion Press. Stanhope, Rosamund. 1962. “So I Looked Down to Camelot.” In So I Looked Down to Camelot, 10. Scorpion Press.
go back to reference Stephens, John, and Robyn McCallum. 1998. Retelling Stories, Framing Culture. New York: Garland. Stephens, John, and Robyn McCallum. 1998. Retelling Stories, Framing Culture. New York: Garland.
go back to reference Stoddard, Elizabeth. (1895) 1996. “Before the Mirror.” In Poems. Alexandria, VA: Proquest LLC, 1996. Literature Online. Stoddard, Elizabeth. (1895) 1996. “Before the Mirror.” In Poems. Alexandria, VA: Proquest LLC, 1996. Literature Online.
go back to reference Tennyson, Alfred. 2007. “The Coming of Arthur.” In Tennyson: A Selected Edition, edited by Christopher Ricks, rev. ed., 677–93. Harlow: Pearson Education Limited. Tennyson, Alfred. 2007. “The Coming of Arthur.” In Tennyson: A Selected Edition, edited by Christopher Ricks, rev. ed., 677–93. Harlow: Pearson Education Limited.
go back to reference Tennyson, Alfred. 2007. “The Epic.” In Tennyson: A Selected Edition, edited by Christopher Ricks, rev. ed., 146–148. Harlow: Pearson Education Limited. Tennyson, Alfred. 2007. “The Epic.” In Tennyson: A Selected Edition, edited by Christopher Ricks, rev. ed., 146–148. Harlow: Pearson Education Limited.
go back to reference Tennyson, Alfred. 2007. “The Holy Grail.” In Tennyson: A Selected Edition, revised edition, edited by Christopher Ricks, 875–902. Harlow: Pearson Education Limited. Tennyson, Alfred. 2007. “The Holy Grail.” In Tennyson: A Selected Edition, revised edition, edited by Christopher Ricks, 875–902. Harlow: Pearson Education Limited.
go back to reference Tennyson, Alfred. 2007. “The Lady of Shalott.” In Tennyson: A Selected Edition, edited by Christopher Ricks, rev. ed., 18–27. Harlow: Pearson Education Limited. Tennyson, Alfred. 2007. “The Lady of Shalott.” In Tennyson: A Selected Edition, edited by Christopher Ricks, rev. ed., 18–27. Harlow: Pearson Education Limited.
go back to reference Tennyson, Alfred. 2007. “Lancelot and Elaine.” In Tennyson: A Selected Edition, edited by Christopher Ricks, rev. ed., 834–74. Harlow: Pearson Education Limited. Tennyson, Alfred. 2007. “Lancelot and Elaine.” In Tennyson: A Selected Edition, edited by Christopher Ricks, rev. ed., 834–74. Harlow: Pearson Education Limited.
go back to reference Tennyson, Alfred. 2007. “Morte D’Arthur.” In Tennyson: A Selected Edition, edited by Christopher Ricks, rev. ed., 148–63. Harlow: Pearson Education Limited. Tennyson, Alfred. 2007. “Morte D’Arthur.” In Tennyson: A Selected Edition, edited by Christopher Ricks, rev. ed., 148–63. Harlow: Pearson Education Limited.
go back to reference Tennyson, Alfred. 2007. “Sir Galahad.” In Tennyson: A Selected Edition, edited by Christopher Ricks, rev. ed., 165–68. Harlow: Pearson Education Limited. Tennyson, Alfred. 2007. “Sir Galahad.” In Tennyson: A Selected Edition, edited by Christopher Ricks, rev. ed., 165–68. Harlow: Pearson Education Limited.
go back to reference Upstone, Robert. 2008. “Between Innovation and Tradition: Waterhouse and Modern French Painting.” In J. W. Waterhouse: The Modern Pre-Raphaelite, edited by Elizabeth Prettejohn, Peter Trippi, Robert Upstone, and Patty Wageman, 37–49. Groningen: Groninger Museum. Upstone, Robert. 2008. “Between Innovation and Tradition: Waterhouse and Modern French Painting.” In J. W. Waterhouse: The Modern Pre-Raphaelite, edited by Elizabeth Prettejohn, Peter Trippi, Robert Upstone, and Patty Wageman, 37–49. Groningen: Groninger Museum.
go back to reference Walbank, Michael. 1962. “Lady of Shallott.” The Fiddlehead 54 (Fall): 33. Walbank, Michael. 1962. “Lady of Shallott.” The Fiddlehead 54 (Fall): 33.
go back to reference Waterhouse, John William. 1888. The Lady of Shalott. Painting (oil on canvas). 60.25 x 78.75 in. London: Tate Gallery (accession no. N01543). Waterhouse, John William. 1888. The Lady of Shalott. Painting (oil on canvas). 60.25 x 78.75 in. London: Tate Gallery (accession no. N01543).
go back to reference Williams, C. J., dir. 1915. The Lady of Shalott. Vitamax. Rochester, NY: George Eastman Museum. Williams, C. J., dir. 1915. The Lady of Shalott. Vitamax. Rochester, NY: George Eastman Museum.
go back to reference Willis, Connie. 1998. To Say Nothing of the Dog. New York: Bantam. Willis, Connie. 1998. To Say Nothing of the Dog. New York: Bantam.
go back to reference Wilson, Sharon Rose. 1993. Margaret Atwood’s Fairy-Tale Sexual Politics. Jackson, MS: University Press of Mississippi. Wilson, Sharon Rose. 1993. Margaret Atwood’s Fairy-Tale Sexual Politics. Jackson, MS: University Press of Mississippi.
go back to reference York, Lorraine M. 1986. “Lives of Joan and Del: Separate Paths to Transformation in Lives of Girls and Women and Lady Oracle.” University of Windsor Review 19 (2) (Spring-summer): 1–10. York, Lorraine M. 1986. “Lives of Joan and Del: Separate Paths to Transformation in Lives of Girls and Women and Lady Oracle.” University of Windsor Review 19 (2) (Spring-summer): 1–10.
Metadata
Title
Patterns and Parody: The Lady/Elaine in Literature
Author
Ann F. Howey
Copyright Year
2020
DOI
https://doi.org/10.1007/978-3-030-47690-8_5